The Great London:
France

A gruesome discovery in eastern France casts new light on violent conflicts that took lives — and sometimes just limbs — around 6,000 years ago.

Excavations of a 2-meter-deep circular pit in Bergheim revealed seven human skeletons plus a skull section from an infant strewn atop the remains of seven human arms, say anthropologist Fanny Chenal of Antea Archéologie in Habsheim, France, and her colleagues.

Two men, one woman and four children were killed, probably in a raid or other violent encounter, the researchers report in the December Antiquity. Their bodies were piled in a pit that already contained a collection of left arms hacked off by axes or other sharp implements. Scattered hand bones at the bottom of the pit suggest that hands from the severed limbs had been deliberately cut into pieces.

It’s unclear who the arms belonged to. All the Bergheim skeletons have both their arms except for a man with skull damage caused by violent blows. His skeleton lacks a left arm, the researchers say. They have been unable to determine whether that arm ended up in the pit.

Chenal’s group doesn’t know whether attackers targeted victims’ left arms for a particular reason. The arms could have been taken as war trophies, the team speculates.

Radiocarbon dating of two bones indicates that individuals in the Bergheim pit lived roughly 6,000 years ago. From 6,500 to 5,500 years ago, during what’s known as the Neolithic period, one of the many ways of disposing of the dead in farming communities throughout Central and Western Europe was in circular pits.

Discoveries of human and nonhuman bones, as well as pottery, in these pits go back more than a century. The Bergheim pit provides the first evidence that people killed and mutilated in raids or battles were sometimes buried in circular pits, too, says study coauthor Bruno Boulestin, an anthropologist at the University of Bordeaux in France.

Unusual deposits in Neolithic circular pits, such as attack victims and severed limbs at Bergheim, “may have been more common than previously expected,” says biological anthropologist Silvia Bello of the Natural History Museum in London, who did not participate in the new study. She suspects, for instance, that closer inspection of human bones previously found in circular pits elsewhere in Europe will reveal additional instances of violent deaths from a time when armed conflicts occurred between some communities.

Bergheim’s brutalized victims spice up attempts to make sense of Neolithic circular pits. Many researchers regard these pits as remnants of storage silos that were put to other uses, possibly as receptacles for the bodies of people deemed unworthy of formal burials.

Others argue that a large proportion of pits were dug as graves for high-ranking individuals, whose servants or relatives were killed to accompany them. Or, slaves might have been killed and put in pits as displays of wealth or as sacrifices to gods.

Of 60 circular pits excavated in Bergheim in 2012 in advance of a construction project, 14 contained human bones. The researchers found skeletons or isolated bones of at least one to five individuals in each of 13 pits. The final pit contained the bodies and limbs described in the new paper.

Joints of severed arms and skeletons in that pit were well-preserved, indicating that all had been placed there at or around the same time with a minimum amount of jostling disturbance. The pit also contained remains of a piece of jewelry made with a mussel’s valve, a stone arrowhead, a fragment of a pig’s jaw and two hare skeletons. The skeleton of a woman who had been put in the pit later lay on top of a sediment layer encasing those finds.

Neither that woman nor human remains in the other Bergheim pits showed signs of violent death or limb loss.

Author: Bruce Bower | Source: Science News [December 12, 2015]

Palmyra may just have fallen yet again to the Islamic State group, but a new "immersive" 3D show in Paris lets you walk through the Syrian city's classical colonnades as they were before the jihadists blew them to bits.

The "Eternal Sites" exhibition uses high-definition images often shot by drones to allow the public to visit four of the most threatened heritage sites in the world in war-torn Syria and Iraq.

The eighth-century Umayyad Mosque in Damascus—regarded by many as the fourth holiest place in Islam—and the Krak des Chevaliers Crusader castle near the ravaged city of Homs have also been virtually recreated under the dome of the >Grand Palais in Paris.

The show, which has been organised with the nearby Louvre museum, is part of a global push to digitalise spectacular archaeological sites that are at risk.

The remains of the ancient Iraqi city of Khorsabad, which dates from the 7th century BC, has also been recreated using images captured by French company Iconem.

Like the other three sites, the 3D images are matched with real artefacts from the city from the Louvre's collections.

The museum's director Jean-Luc Martinez, who curated the show, said that they wanted to "show sites that are no longer accessible and the beauty of their art."

Palmyra fell for a second time to the jihadists at the weekend despite heavy Russian bombing to prevent the extremists entering the city.

Temples razed

Islamic State fighters ravaged the Roman-era ruins during the 10 months it held the ancient oasis city from May 2015 to March 2016, systematically blowing up temples and columns in attacks that provoked worldwide outrage.

Photogrammetric technology developed by Iconem has also been used to record the Roman theatre in the Syrian coastal city of Jableh and the Phoenician site in the ancient port of Ugarit, where evidence of the world's oldest alphabet was found.

Its technicians have also been working alongside 15 specialists from the Syrian Directorate General of Antiquities and Museums (DGAM) to digitalise some of the country's major museum collections.

Hundreds of important heritage sites have been sacked or destroyed during the five-year conflict, with the destruction of the first-century temples of Bel and Baalshamin in Palmyra making most headlines.

IS has made a point of razing ancient shrines and statues it considers as idolatry and is also suspected of involvement in the illegal sale of antiquities.

Work on the "Syrian Heritage" database, the biggest 3D record of the country's monuments and treasures, began last December and includes a large number of Ottoman-era buildings in Damascus as well as its 11th-century citadel, which looms over the city.

The head of DGAM, Maamoun Abdulkarim, said the operation was essential to "avoid an irreplaceable loss to humanity" given "the dramatic situation in our country".

The drive, carried out with the help of the French grande ecole ENS and the research institute INRIA, is one of a number trying to catalogue sites in danger of falling into the line of fire.

The Institute for Digital Archaeology, created by Oxford and Harvard universities and Dubai's Museum of the Future, is also compiling a record of many vulnerable sites in Syria and neighbouring Iraq.

It has handed out 5,000 low-cost 3D cameras to archaeologists and NGOs with the hope of gathering a million images of threatened sites.

A two-thirds scale replica of Palmyra's destroyed triumphal arch was unveiled in New York's Times Square and London's Trafalgar Square in April before being displayed in Dubai.

To participate in this encounter, download your >invitation here (website only in French)

Author: Antoine Froidefond | Source: AFP [December 13, 2016]

The Hundred Years War might not be quite over just yet with an apparent Franco-British row brewing over Joan of Arc's gold-plated ring.

Just as the historic gold-plated ring was safely back in French hands it’s emerged that British authorities want it back.

The saga of Joan of Arc’s ring took a new twist on Sunday just as it was officially unveiled on its return to France.

The ring thought to belong toFrance's most famous historical martyr, Joan of Arc, was unveiled on Sunday at the Puy de Fou historical theme park in the western Vendee region.

Some 5,000 spectators turned out to see the unveiling of the ring, that the park had bought at a London auction for €376, 833 ($425,000).

"It's a little bit of France that has returned. The ring has come back to France and will stay here," said Philippe de Villiers, the founder of Puy de Fou told the crowd.

The ring had thought to have been in Britain for over six centuries and de Villiers told spectators that there was “a new twist” in the story of the ring.

“The British government has sent our lawyer an unprecedented demand: the return of the ring to London,” de Villers told the shocked crowd.

“We are told that the National Arts Council considers this ring part of those objects with, and I quote ‘high national symbolic value’ and as such should have part of a special legislation.”

According to the demand, on purchasing the ring the Puy de Fou park should have obtained a special export license necessary under European regulations.

De Villiers said that they had checked the rules and claimed they only apply if the object is taken out of the European Union.

He then mocked the British and the potential of a Brexit fro the EU by telling the crowd: “It is not at all our intention to have a Puy de Fou exit.

He then sent a defiant message to the British government.

“Ladies and gentlemen from Britain, if you want to see the ring, then come to the Puy de Fou. For the rest it’s too late,” he said.

Joan of Arc, who fought against the English occupation of France during the Hundred Years' War, was burned alive at the stake but became a symbol of French resistance and was later made a saint by the Catholic Church.

The official unveiling saw the ring carried on a cushion in a wooden ark, with its own honour guard and a military procession.

The gold-plated silver ring was dated to the 15th century by an Oxford laboratory, but the trove of historical documents that came with it have yet to prove it belonged to the famous French martyr.

"They are only at the start of the exploration. It's a lot of work but a beautiful adventure," said expert Vanessa Soupault, who saw the ring recently.

The bulky piece of jewellery features three engraved crosses and the inscription "JHS-MAR", signifying "Jesus-Maria".

That fits a description recorded at Joan of Arc's trial in 1431, where she told the court the ring had been given by her parents.

Puy du Fou says the ring was probably enlarged and modified at some point in the last 200 years.

However the difficulty of tracing the ring's path through the centuries has left many historians sceptical.

Part of the problem is the number of copies in circulation. There was even a tombola in the early 20th century in which prizes included versions of the ring.

"Around Joan of Arc, we already have several cases of false objects," said Olivier Bouzy, head of the Joan of Arc archives in the north-central French town of Orleans

Source: The Local [April 15, 2016]

A team of researchers has discovered the fossil of a 305-million-year-old arachnid, which will help scientists to understand more about the early origins of modern-day spiders.

The new species, named Idmonarachne brasieri in honour of Professor Martin Brasier, University of Oxford, who passed away in December 2014, was found in Montceau-les-Mines, France, and researchers from The University of Manchester, Berlin's Museum fur Naturkunde, the University of Kansas and Imperial College London have worked with the Natural History Museum and the UK's Diamond Light Source to scan and examine the fossil in detail.

Details of the origins of spiders remain limited, with little knowledge of their predecessors and no insights into character acquisition early in their evolution. This fossil was preserved in 3D, which enabled the researchers to investigate its minute anatomical details.

We have known since 2008 that a group called the uraraneids were a sister group to true spiders -- they could make silk, but probably laid it down in sheets, rather than spinning it as modern spiders do. They also had a tail-like structure at the end called a flagellum.

Analysis of Idmonarachne brasieri suggests that as the spider lineage evolved, the animals lost their tail-like structure, and developed spider-like fangs and limbs. Whilst they could likely make silk, the ancestors lacked the ability to spin it using specialised appendages called spinnerets. These are the features that define true spiders, and give them more control over the use and distribution of silk.

Lead author Russell Garwood, of The University of Manchester's School of Earth, Atmospheric & Environmental Sciences, said, "Our new fossil occupies a key position in the evolution of spiders. It isn't a true spider, but has given us new information regarding the order in which the bits of the anatomy we associate with spiders appeared as the group evolved."

This is part of an ongoing effort to look at early arachnids, and see what this can tell us about the early evolution of the group, how they came onto land and what their evolutionary tree looks like. Arachnids as a whole are a very diverse group, but working out how they are all related to each other has proved a challenge. The authors hope that by better understanding these fossils, they can help fill in some of the blanks.

The discovery is published in the Proceedings of the Royal Society B.

Source: University of Manchester [March 31, 2016]

French President Francois Hollande and archaeological officials have used an exhibit in Paris of two preserved ancient Egyptian cities as a defiant example that the world will not be cowed by Islamic State militants who recently destroyed ancient Syrian heritage sites in Palmyra and killed a local archaeologist.

The exhibit at Paris' Arab World Institute, Osiris, Egypt's Sunken Mysteries, presents about 250 ancient objects that were recovered after a French archaeologist discovered the legendary cities Thonis/Heracleion and Canopus underwater over a decade ago.

Much like the mystery of ancient Atlantis, the cities had been lost somewhere between myth, history and legend — that is, until French archaeologist Franck Goddio made his landmark discovery in 2000 uncovering the sites in their watery grave near Alexandria. They had miraculously been preserved by sea sediment for nearly 2,000 years.

"This exhibit is an incredible achievement," Goddio told The Associated Press. "For years, these cities seemed lost to the world — submerged because of natural calamities like earthquakes and big tides... And now here they are — being shown to the public for the first time. Some objects only came out of the water last year and others have never left Egypt before."

The underwater excavation is ongoing with a team of 50, and Goddio estimates that only as little as 3 percent of the ancient cities have been uncovered so far.

Hollande, who inaugurated the exhibit this week, alongside the Egyptian minister of antiquities and minister of tourism, said that the message of this exhibit went far beyond Egypt — and said it showed how the will to preserve world heritage is stronger that the wish to annihilate it.

"This exhibit is a message, a fighting message that we have preserved these artifacts, a message of hope at a time when the Middle East is undergoing such drama," he said.

In the last weeks, Islamic State militants destroyed the two-millennia-old temple of Bel, The Temple of Baalshamin, as well as three ancient tower tombs in the central city of Palmyra — what UNESCO has called an "intolerable crime against civilization."

Hollande also paid his respects to the "sacrifice" of Khaled al-Asaad, the former director of the destroyed Palmyra heritage sites and one of the most important pioneers in Syrian archaeology in the 20th century, who was killed by Islamic State militants.

The exhibit was presented in collaboration with the Egyptian government, with officials keen to use this as a way to show that there's another face to the Arab world as the one being projected by militants.

"What is going on in Syria, like the destruction of Palmyra and in Iraq, this kind of thinking is not the real beliefs of the area. This exhibit shows it. This preservation of culture here in Paris shows that it's just a minority who somehow took the lead that are doing this damage," said Mohamed Abdelmaguid, the general director of the Central Department of Underwater Antiquities in Egypt.

The many thousands expected to visit the Osiris exhibit in the coming months, as it travels to London's British Museum, might not be drawn for their knowledge of current affairs, and be just be attracted by beauty of the artifacts.

The objects — like a beautiful and imposing 5-meter (16-feet) granite statue of the god Osiris, tools, and ritualistic objects — are in often near-perfect condition, and offer a rare public glimpse into the vast achievements of the ancient world.

The exhibit runs until Jan. 31.

Author: Thomas Adamson | Source: Associated Press [September 10, 2015]