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A "unique" Roman headstone is the first of its kind unearthed in the UK, experts believe. The tombstone was found near skeletal remains thought to belong to the person named on its inscription, making the discovery unique.

Archaeologists behind the dig in Cirencester, Gloucestershire, said they believed it marked the grave of a 27-year-old woman called Bodica. The bodies of three children were also found in the "family burial plot".

Neil Holbrook, of Cotswold Archaeology, translated the Roman inscription on the tombstone, which reads: "To the spirit of the departed Bodica [or Bodicaca], wife, lived for 27 years."

Mr Holbrook said: "The unique aspect is that you can put a name to the person who lies beneath the tombstone."

"What's weird is that the inscription only fills half of the panel, so there's a space left below it. You can see horizontal marking-out lines, so I guess what they were going to do was come back later when her husband died and add his name to the inscription," Mr Holbrook added.

He added that the skeletal remains, including the skull, were being excavated from beneath the headstone.

Mr Holbrook has suggested the name Bodica was of Celtic origin. "Perhaps Bodica is a local Gloucestershire girl who's married an incoming Roman or Gaul from France and has adopted this very Roman way of death," he said.

He said making the "good quality" headstone must have cost "quite a lot of money" at the time.

The headstone's detailed carved pediment - or triangular top section - was particularly interesting, he said.

"Looking at the pediment, those little 'teeth' which we could see from the back are decorative swirls. It looks like a draping of a cloth or sheet, so in many ways the decoration is really fine."

About 300 to 400 Roman tombstones have been discovered in the UK, with the tombstone being the tenth found in Cirencester.

The stone, which is made of Cotswold limestone, was partially cleaned up on-site by the team, but will be taken away for further inspection.

Mr Holbrook said it was "amazing" the tombstone had survived.

"When they built the garage in the 1960s they scraped across the top of the stone to put a beam in. If they'd gone a couple of inches lower they'd have smashed it to smithereens."

Roman tombstones were often taken away and smashed up to be re-used in buildings in Cirencester in the Medieval period.

"This stone might have fallen over quite quickly, and was covered over, and that's why it escaped the stone robbers," Mr Holbrook said.

A total of 55 Roman graves have been found during the dig at St James Place. A further 70 graves were discovered on the same site of the former Bridges Garage on Tetbury Road and a bronze cockerel figurine was found in 2011.

Cirencester, or Corinium as it was known, was the largest town in Roman Britain after London.

Source: BBC News Website [February 25, 2015]

A painting hanging on the wall in an art gallery tells one story. What lies beneath its surface may tell quite another.

Often in a Rembrandt, a Vermeer, a Leonardo, a Van Eyck, or any other great masterpiece of western art, the layers of paint are covered with varnish, sometimes several coats applied at different times over their history. The varnish was originally applied to protect the paint underneath and make the colors appear more vivid, but over the centuries it can degrade. Conservators carefully clean off the old varnish and replace it with new, but to do this safely it is useful to understand the materials and structure of the painting beneath the surface. Conservation scientists can glean this information by analyzing the hidden layers of paint and varnish.

Now, researchers from Nottingham Trent University's School of Science and Technology have partnered with the National Gallery in London to develop an instrument capable of non-invasively capturing subsurface details from artwork at a high resolution. Their setup, published in an Optics Express paper, will allow conservators and conservation scientists to more effectively peek beneath the surface of paintings and artifacts to learn not only how the artist built up the original composition, but also what coatings have been applied to it over the years.

Traditionally, analyzing the layers of a painting requires taking a very small physical sample -- usually around a quarter of a millimeter across -- to view under a microscope. The technique provides a cross-section of the painting's layers, which can be imaged at high resolution and analyzed to gain detailed information on the chemical composition of the paint, but does involve removing some original paint, even if only a very tiny amount. When studying valuable masterpieces, conservation scientists must therefore sample very selectively from already-damaged areas, often only taking a few minute samples from a large canvas.

More recently, researchers have begun to use non-invasive imaging techniques to study paintings and other historical artifacts. For example, Optical Coherence Tomography (OCT) was originally developed for medical imaging but has also been applied to art conservation. Because it uses a beam of light to scan the intact painting without removing physical samples, OCT allows researchers to analyze the painting more extensively. However, the spatial resolution of commercially-available OCT setups is not high enough to fully map the fine layers of paint and varnish.

The Nottingham Trent University researchers gave OCT an upgrade. "We're trying to see how far we can go with non-invasive techniques. We wanted to reach the kind of resolution that conventional destructive techniques have reached," explained Haida Liang, who led the project.

In OCT, a beam of light is split: half is directed towards the sample, and the other half is sent to a reference mirror. The light scatters off both of these surfaces. By measuring the combined signal, which effectively compares the returned light from the sample versus the reference, the apparatus can determine how far into the sample the light penetrated. By repeating this procedure many times across an area, researchers can build up a cross-sectional map of the painting.

Liang and her colleagues used a broadband laser-like light source -- a concentrated beam of light containing a wide range of frequencies. The wider frequency range allows for more precise data collection, but such light sources were not commercially available until recently.

Along with a few other modifications, the addition of the broadband light source enabled the apparatus to scan the painting at a higher resolution. When tested on a late 16th-century copy of a Raphael painting, housed at the National Gallery in London, it performed as well as traditional invasive imaging techniques.

"We are able to not only match the resolution but also to see some of the layer structures with better contrast. That's because OCT is particularly sensitive to changes in refractive index," said Liang. In some places, the ultra-high resolution OCT setup identified varnish layers that were almost indistinguishable from each other under the microscope.

Eventually, the researchers plan to make their instrument available to other art institutions. It could also be useful for analyzing historical manuscripts, which cannot be physically sampled in the same way that paintings can.

In a parallel paper recently published in Optics Express, the researchers also improved the depth into the painting that their apparatus can scan. The two goals are somewhat at odds: using a longer wavelength light source could enhance the penetration depth, but shorter wavelength light (as used in their current setup) provides the best resolution.

"The next challenge is perhaps to be able to do that in one instrument, as well as to extract chemical information from different layers," said Liang.

Source: The Optical Society [April 13, 2015]

As the detailed 3 month excavation of Shakespeare’s Curtain Theatre comes to a close and development of >The Stage gets underway, recent discoveries are poised to completely transform our understanding of the evolution of Elizabethan theatres.

After further careful excavation, it has now been confirmed that the rectangular theatre was purpose built for performance and entertainment, and housed a long, rectangular stage with evidence of an unusual passageway running beneath it.

The early stages of the dig confirmed that the theatre was not the polygonal structure we had anticipated, but this latest set of discoveries give us more detail about this early Elizabethan theatre. The discovery of an oblong stage which is far longer than expected and the mysterious passageway offers a tantalising glimpse into the secrets that are still to be uncovered. The MOLA teams is now embarking on post-excavation work to further explore the relationship between the unusual shape of the stage, the production and staging and the mysterious backstage areas.

Discovering that the theatre was purpose built tells us this was not a repurposed space with a stage added, it was a place where people came to be immersed in entertainment. It had timber galleries with mid and upper areas for those who could afford to spend a little more, and a courtyard made from compacted gravel for those with less to spend.

Throughout findings, archaeologists have also been able to tell that The Curtain Theatre is one of earliest Elizabethan playhouses where people actually paid money to see performances and be entertained. We know this because fragments of ceramic money boxes have been found. These fragments are a really exciting find because the pots would have been used to collect the entry fees from theatregoers and then been taken to an office to be smashed and the money counted. This office was known as the ‘box office’, which is actually the origin of the term we still use today!

The excavation team also found glass beads and pins, these are small but fascinating finds that can offer us a glimpse backstage, as they may have come from actors’ costumes. They also unearthed drinking vessels and clay pipes, which relate to the making merry of revelling theatregoers and actors.

We now know so much more about the theatre than ever before and these discoveries offer a rare and exciting opportunity to explore the new questions they pose.

For now, the excavated remains of the Curtain Theatre, which takes its name from Curtain Road, have been carefully covered over with a protective membrane and a special type of pH neutral sand, while construction of The Stage, a new £750m mixed-use development backed by a consortium led by Cain Hoy and designed by architects Perkins+Will, continues.

A display of the finds will sit alongside the theatre remains as part of a cultural and visitor centre at the heart of the completed development, which will also feature 33,000 sq ft of retail, over 200,000 sq ft of office space, more than 400 homes, and over an acre of vibrant public space including a performance area and a park.

Source: Museum of London Archaeology (MOLA) [November 11, 2016]

Saxon remains have been found by archaeologists excavating Berkeley Homes development site on the Royal Arsenal Riverside site.

Oxford Archaeology have uncovered evidence of nearly 3000 years of human activity on the west side of the site which in ancient times would have been a gravel peninsula surrounded by marshlands.

Surprisingly a burial site with 76 skeletons have been found which have been radio carbon dated to the late 7th or early 8th century meaning they are former inhabitants of Saxon Woolwich.

Project manager David Score said ‘It is amazing to find such a large number of relatively well preserved skeletons, despite all the later building on the site over the years. They seem to represent a mixed population with males and females, children and adults present. Only one possible knife was recorded as a probable grave deposit so it seems that the burials do represent an early Christian tradition’.

Previous excavations on adjacent sites have revealed an enormous ditch which was constructed in the late Iron Age which indicates trading with the Roman Empire across the channel.

Archaeologists have also recorded the remains of medieval houses and evidence of clay pipe manufacture in addition to remains from the Victorian gas works housed there.

Karl Whiteman, the divisional managing director for Berkeley, ‘It is incredible to see evidence from so many different time periods still in tact at Royal Arsenal Riverside. These excavations will enable us and the residents of Woolwich to get an even better understanding of what life was like here many centuries ago.”

Author: Mandy Little | Source: South London Press [October 16, 2015]

Researchers have used complex image analysis to uncover annotations that were hidden for nearly 500 years between the pages of England's oldest printed bible.

The annotations were discovered in England's first printed Bible, published in 1535 by Henry VIII's printer. It is one of just seven surviving copies, and is housed inLambeth Palace Library, London. The secrets hidden in the Lambeth Library copy were revealed during research by Dr Eyal Poleg, a historian from Queen Mary University of London.

"We know virtually nothing about this unique Bible -- whose preface was written by Henry himself -- outside of the surviving copies. At first, the Lambeth copy first appeared completely 'clean'. But upon closer inspection I noticed that heavy paper had been pasted over blank parts of the book. The challenge was how to uncover the annotations without damaging the book" said Dr Poleg.

Dr Poleg sought the assistance of Dr Graham Davis, a specialist in 3D X-ray imaging at QMUL's School of Dentistry. Using a light sheet, which was slid beneath the pages, they took two images in long exposure -- one with the light sheet on and one with it off.

The first image showed all the annotations, scrambled with the printed text. The second picture showed only the printed text. Dr Davis then wrote a novel piece of software to subtract the second image from the first, leaving a clear picture of the annotations.

The annotations are copied from the famous 'Great Bible' of Thomas Cromwell, seen as the epitome of the English Reformation. Written between 1539 and 1549, they were covered and disguised with thick paper in 1600. They remained hidden until their discovery this year. According to Dr Poleg, their presence supports the idea that the Reformation was a gradual process rather than a single, transformative event.

"Until recently, it was widely assumed that the Reformation caused a complete break, a Rubicon moment when people stopped being Catholics and accepted Protestantism, rejected saints, and replaced Latin with English. This Bible is a unique witness to a time when the conservative Latin and the reformist English were used together, showing that the Reformation was a slow, complex, and gradual process."

The annotations were written during the most tumultuous years of Henry's reign. The period included the move away from the Church of Rome, The Act of Supremacy, the suppression of the monasteries, and the executions of Anne Boleyn, Thomas More, and John Fisher, as well as the Pilgrimage of Grace, which moved Henry to a more cautious approach.

Dr Poleg was also able to trace the subsequent life of the book, after the point at which Latin Bibles had definitively fallen out of use. On the back page he uncovered a hidden, handwritten transaction between two men: Mr William Cheffyn of Calais, and Mr James Elys Cutpurse of London. Cutpurse, in medieval English jargon, means pickpocket. The transaction states that Cutpurse promised to pay 20 shillings to Cheffyn, or would go to Marshalsea, a notorious prison in Southwark. In subsequent archival research, Dr Poleg found that Mr Cutpurse was hanged in Tybourn in July 1552.

"Beyond Mr Cutpurse's illustrious occupation, the fact that we know when he died is significant. It allows us to date and trace the journey of the book with remarkable accuracy -- the transaction obviously couldn't have taken place after his death," said Dr Poleg.

He added: "The book is a unique witness to the course of Henry's Reformation. Printed in 1535 by the King's printer and with Henry's preface, within a few short years the situation had shifted dramatically. The Latin Bible was altered to accommodate reformist English, and the book became a testimony to the greyscale between English and Latin in that murky period between 1539 and 1549.

"Just three years later things were more certain. Monastic libraries were dissolved, and Latin liturgy was irrelevant. Our Bible found its way to lay hands, completing a remarkably swift descent in prominence from Royal text to recorder of thievery."

Source: University of Queen Mary London [March 15, 2016]

London's relentless building boom has dug up another chunk of the city's history — one with a surprise for scholars of Shakespearean theatre.

Archaeologists are excavating the remains of the Curtain, a 16th-century playhouse where some of the Bard's plays were first staged, before a new apartment tower sprouts on the site. Unexpectedly, the dig has revealed that the venue wasn't round, like most Elizabethan playhouses. It was rectangular.

That came as a surprise, because the best-known fact about the Curtain is that Shakespeare's "Henry V" was first staged here — and the play's prologue refers to the building as "this wooden O."

"This is palpably not a circle," Julian Bowsher, an expert on Elizabethan theatres, said during a tour of the site Tuesday.

The discovery has made Bowsher rethink some of his ideas about Tudor playhouses. He suspects that the Curtain — unlike the more famous Globe and Rose theatres — wasn't built from scratch, but converted from an existing building.

"Out of the nine playhouses that we know in Tudor London, there are only two that have no reference to any construction," he said — including the Curtain. "It's beginning to make sense now."

Where does that leave "Henry V"? Heather Knight, senior archaeologist at Museum of London Archaeology , said the play may still have premiered at the Curtain in 1599, but without the prologue.

"There's a school of thought now that says prologues were actually a later addition," she said.

The Curtain's remains were uncovered in 2011 on a site earmarked for development in Shoreditch, a scruffy-chic, fast-gentrifying area on the edge of London's financial district.

Archaeologists began excavating intensively last month, before construction of a 37-storey luxury apartment tower and office complex named — with a nod to its heritage — The Stage.

They will keep digging until the end of June, and visitors can book tours of the excavations as part of events to mark this year's 400th anniversary of Shakespeare's death.

The site's developers have promised to keep the foundations of the historic theatre on public view and to build a visitor center to display some of the archaeologists' finds.

These include clay pipes that were used to smoke tobacco — introduced to Britain from North America in the 16th century — and a bird whistle which may have been used as a theatrical special effect. It could have featured in the scene in "Romeo and Juliet" — performed at the Curtain — in which the heroine reassures her lover that "it was the nightingale, and not the lark" that he'd heard.

Knight says the Curtain site "has probably the best preserved remains of any of the playhouses we've looked at."

The dig has uncovered the outline of a rectangular venue about 100 feet (30 metres) by 72 feet (22 metres) that could hold about 1,000 people. Workers have uncovered sections of the theatre's gravel yard, where "groundlings" who had bought cheap tickets stood, and segments of wall up to 5 feet (1.5 metres) high.

The new building that will rise on the site — where apartments are being offered starting at 695,000 pounds ($1 million) — is part of a construction boom, fueled by London's sky-high property prices, that is transforming large tracts of the city. In the process, it is creating something of a golden era for London archaeology.

Nearby, work on the new Crossrail transit line has uncovered everything from 14th-century plague victims to Roman sandals.

Knight says the Curtain dig is filling in the picture of one of the oldest and least-known London playhouses, which served as a base for Shakespeare's troupe, the Lord Chamberlain's Men, between 1597 and 1599.

"This will give us real insight into these early playing spaces," Knight said. "It will help us understand the type of building that playwrights were writing for as well as performing in.

"It will also help us understand what type of audience was attending performances in these buildings. And also it'll fill in those gaps that are missing from the historical record."

Author: Jill Lawless | Source: The Associated Press [May 17, 2016]

A haul of valuable coins issued by Roman general Mark Antony have been discovered in a Welsh field - more than 2,000 years after they were buried.

It comes as archaeologists claimed to have found a small Roman fort on Anglesey, North Wales, in what has been described as a "ground-breaking" discovery.

The coins - unearthed by two friends out walking - have been hailed by historians as "a significant find".

Dr Richard Annear, 65, and John Player, 43, found the silver coins dating back to 31 BC buried in a field near the small village of Wick, South Wales.

Consultant Psychiatrist Dr Annear reported the find to curators who were able to lift a small pot containing the coins out of the ground.

A numismatist described the three Roman denarii coins as "worth tens of thousands of pounds".

The rare hoard took place just a mile from another historic find of 130 denarii 15 years ago.

Assistant keeper at the National Museum of Wales, Edward Besly, said: "Each coin represents about a day's pay at the time, so the hoard represents a significant sum of money."

"The hoard's find spot is only a mile as the crow flies from that of another second century silver hoard found in 2000. Together the hoards point to a prosperous coin-using economy in the area in the middle of the second century."

The three silver denarii were part of a 91-coin haul comprising of currency issued by Roman rulers spanning 200 years.

Currency dating back to the reigns of Emperor Nero, 54AD-68AD, and Marcus Aurelius, 161AD to 180AD, were also uncovered in the landmark find.

Senior Coroner Andrew Barkley ruled that the coins are "treasure trove" at Cardiff Coroner's Court.

The items will now be taken to the Treasure Valuation Committee, in London, where they will be independently valued.

Author: Gareth Wyn Williams | Source: Mirror [November 28, 2015]

The bodies of about 800 children aged under six have been unearthed by archaeologists ahead of the construction of a road in Lancashire.

They were among 1,967 bodies exhumed at St Peter's Burial Ground, which opened in 1821 in Blackburn.

The large number of children found is being put down to a lack of good sanitation and medicines leading to a high mortality rate.

Many of them would have died from infections, the archaeologists believe.

Bodies were exhumed from about 30% of the burial ground, which was in "intense use" up to the 1860s, a spokeswoman for Blackburn with Darwen Borough Council said.

Dave Henderson, an expert in the study of bones with Headland Archaeology, said full analysis of the skeletons had "barely started" but the team believed most of the children had died from infections in the lungs and guts.

He said: "They would have died quite quickly so the signs may not turn up in their skeletons."

He said the town was becoming overcrowded at the time as it was "a very large centre for the industrial mills and the population grew very quickly".

The work could "throw light on the lives of ordinary people" outside London, where most previous large studies of this era have been carried out, he said.

Records of 176 memorial stones showed the most common names for girls were Elizabeth and Mary, while John and Thomas were popular for boys.

Among the finds was a "time capsule", containing 16 coins in circulation at the time.

Experts believe one of the men buried at the site was a soldier injured in the Crimean War.

Julie Franklin, finds manager, said objects found in graves - including "some incredibly poignant findings of hands still bearing cheap brass wedding rings, or children buried with colourful glass bead jewellery" - revealed what was important to their loved ones.

Some burials continued in existing family plots at the graveyard until 1945.

St Peter's Church, which would have seated 1,500 parishioners, became dilapidated in the mid-20th Century and was demolished to ground level in 1976.

The Bishop of Blackburn will hold a memorial service this summer and reburials will take place in a different part of the graveyard.

The archaeological work on the area, which will be used for the building of the Freckleton Street link road, was commissioned by Capita on behalf of the council.

Source: BBC News Website [January 26, 2016]

"Heartbreaking" graffiti uncovered in a Cambridgeshire church has revealed how three sisters from one family died in a plague outbreak in 1515.

The names Cateryn, Jane and Amee Maddyngley and the date were inscribed on stonework in Kingston parish church.

It was found by Norfolk and Suffolk Medieval Graffiti Survey volunteers.

Archaeologist Matt Champion said the project had shown church plague graffiti was "far more common than previously realised".

"The most heartbreaking inscriptions are those that refer to long-dead children," he said.

The Maddyngley graffiti is hidden under limewash near the door in All Saints' and St Andrew's church.

The family lived in Kingston, seven miles from Cambridge, and were tenant farmers who "rarely turn up in parish records", he said.

Mr Champion believes Cateryn, Jane and Amee must have been children because their names are not found as adults in any of the records.

In 1515, there was an outbreak of bubonic plague in London which spread across south east England.

Mr Champion said Cambridge University suspended its classes and large gatherings of people were banned, "just as we see today with the Ebola outbreaks in Africa".

Children were particularly hard-hit and usually hastily buried in unmarked graves.

The graffiti survey was set up in 2010 and is the first attempt to survey pre-Reformation graffiti in churches since the late 1960s.

Volunteers use digital cameras and powerful lamps to reveal previously hidden or faded markings.

At least 60% of the 650 churches surveyed in Norfolk, Suffolk and north Essex have "significant amounts" of graffiti and volunteers have recorded up to 500 pieces in many of them.

The project has confirmed more graffiti is found to have been created during times of pestilence such as the Black Death of 1349 and subsequent outbreaks of plagues.

"It was a votive offering at a time where prayer counted," Mr Champion said.

Source: BBC News Website [February 21, 2015]

The British Museum is to stage a major exhibition on two lost Egyptian cities and their recent rediscovery by archaeologists beneath the Mediterranean seabed. Opening in May 2016 for an extended run of six months, The BP exhibition Sunken cities: Egypt’s lost worlds will be the Museum’s first large-scale exhibition of underwater discoveries. It will show how the exploration of Thonis-Heracleion and Canopus – submerged at the mouth of the River Nile for over a thousand years – is transforming our understanding of the relationship between ancient Egypt and the Greek world and the great importance of these ancient cities.

300 outstanding objects will be brought together for the exhibition including more than 200 spectacular finds excavated off the coast of Egypt near Alexandria between 1996 and 2012. Important loans from Egyptian museums rarely seen before outside Egypt (and the first such loans since the Egyptian revolution) will be supplemented with objects from various sites across the Delta drawn from the British Museum’s collection; most notably from Naukratis – a sister harbour town to Thonis-Heracleion and the first Greek settlement in Egypt.

Likely founded during the 7th century BC, Thonis-Heracleion and Canopus were busy, cosmopolitan cities that once sat on adjacent islands at the edge of the fertile lands of the Egyptian Delta, intersected by canals. After Alexander the Great’s conquest of Egypt in 332BC, centuries of Greek (Ptolemaic) rule followed. The exhibition will reveal how cross-cultural exchange and religion flourished, particularly the worship of the Egyptian god of the afterlife, Osiris.

By the 8th century AD, the sea had reclaimed the cities and they lay hidden several metres beneath the seabed, their location and condition unclear. Although well-known from Egyptian decrees and Greek mythology and historians, past attempts to locate them were either fruitless or very partial. The exhibition will show how a pioneering European team led by Franck Goddio in collaboration with the Egyptian Ministry of Antiquities made use of the most up-to-date technologies to find them.

Thanks to the underwater setting, a vast number of objects of great archaeological significance have been astonishingly well preserved. Pristine monumental statues, fine metalware and gold jewellery will reveal how Greece and Egypt interacted in the late first millennium BC. These artefacts offer a new insight into the quality and unique character of the art of this period and show how the Greek kings and queens who ruled Egypt for 300 years adopted and adapted Egyptian beliefs and rituals to legitimise their reign.

The exhibition will feature a number of extraordinary, monumental sculptures. A 5.4m granite statue of Hapy, a divine personification of the Nile’s flood, will greet visitors as they enter the space. Masterpieces from Egyptian museums such as the Apis bull from the Serapeum in Alexandria will be shown alongside magnificent recent finds from the sea. One such piece is the stunning sculpture from Canopus representing Arsinoe II (the eldest daughter of Ptolemy I, founder of the Ptolemaic dynasty). The Graeco-Macedonian queen became a goddess beloved to both Egyptians and Greeks after her death and is depicted here as the perfect embodiment of Aphrodite, a goddess of beauty ‘who grants fortunate sailing’.

The exhibition will also cover the arrival of Greeks in Egypt, when they were hosts and not rulers; privileged but controlled by the pharaohs. A complete stela from Thonis-Heracleion advertises a 380BC royal decree of the Egyptian pharaoh Nectanebo I. It states that 10% of the taxes collected on all goods imported from the ‘Sea of the Greeks’ into Thonis-Heracleion and on all trade operations at Naukratis were to be donated to an Egyptian temple.

A wide range of objects, from modest to grand and costly, bears witness to the piety of both inhabitants and visitors at these major religious centres. Lead models of barges uncovered in the sacred waterway linking Thonis-Heracleion to Canopus are unique and moving finds. They are associated with the Mysteries of Osiris, the most popular festival celebrated annually across Egypt during the month of Khoiak (mid-October to mid-November). Ranging in size from 6 to 67cm, these reproduce in metal a flotilla of 34 papyrus barges that would have been displayed on a waterway to celebrate the first sacred navigation of the festival. According to religious texts, each barge was to measure 67.5 cm and to bear the figure of an Egyptian god, and would have been illuminated by 365 lamps. The lead barges are lasting testimonies possibly left by people who, long ago, celebrated this festival in the Canopic region.

Only a tiny proportion of these sites have revealed their secrets. The on-going underwater archaeological mission continues to bring to light new masterpieces and further research every year as the most recent finds from 2012 will show.

Sir Richard Lambert, Chairman of the British Museum, said, “It’s hugely exciting to be announcing the British Museum’s first large-scale exhibition of underwater discoveries and to be welcoming these important loans to London. We are grateful to BP for their ongoing support without which ambitious exhibitions such as these would simply not be possible. We’re also delighted to be working with Franck Goddio, his expert team at IEASM, the Hilti Foundation and of course our Egyptian colleagues to bring the extraordinary story of these lost cities to life.”

His Excellency Nasser Kamel, Ambassador of the Arab Republic of Egypt to the United Kingdom, said, "As well as looking for partners to invest in the Egyptian economy, Egypt is always searching for partners to help in exploring its heritage and treasures which are still hidden under its lands, and waters. This exhibition shows that despite what we know of its tremendous history and culture, Egypt still has a lot more to offer to?the world and we thank our partners in the UK, such as BP, for working with us in utilising our resources to develop our economy and through such an exhibition unraveling our history as well. I invite the people of Britain to visit this exhibition to get a glimpse of what Egypt has to offer, and come to Egypt to live that experience."

Bob Dudley, Group Chief Executive, BP, said, “BP is proud to support this fascinating exhibition which showcases the power of science and the pioneering spirit to discover what lies beneath the surface of the Nile Delta. By sharing these underwater treasures the British Museum is opening a whole new frontier for visitors to explore, and we are pleased to be a part of it.”

Franck Goddio, President of Institut Europeen d’Archeologie Sous-Marine (IEASM) and exhibition co-curator said “My team and I, as well as the Hilti Foundation, are delighted that the exhibition with discoveries from our underwater archaeological expeditions off the coast of Egypt will be on display at the British Museum. It enables us to share with the public the results of years of work at the sunken cities and our fascination for ancient worlds and civilisations. Placing our discoveries alongside selected masterpieces from the collections of Egyptian museums, complemented by important objects from the British Museum, the exhibition presents unique insights into a fascinating period in history during which Egyptians and Greeks encountered each other on the shores of the Mediterranean.”

Aurelia Masson-Berghoff, exhibition curator at the British Museum said “People sometimes assume that when two cultures mix, the essence of each is diluted and, as a result, weakened; this exhibition demonstrates the opposite. It is a rare opportunity to reveal the beauty and strength of Late Pharaonic art and culture, alongside the latest research on the momentous intermingling between Egyptian and Greek communities in Egypt at this time. We are illustrating this vibrant cosmopolitan world through Egyptian, Greek and ‘hybrid’ artworks, rarely ever displayed side by side. It shows ancient Egypt not as an isolated civilisation, but as the outward looking, influential and inclusive society that it was.”

Source: British Museum [February 14, 2016]

The British Government is refusing to negotiate with Greece about the return of the so-called Elgin Marbles despite a request to do so from the United Nations, a decision that could prompt Athens to begin legal action for the first time.

British campaigners likened the UK’s stance to “clinging on to stolen booty for dear life” and contrasted it with the “generous act” of returning the sculptures to help a friendly country on the brink of economic collapse. Youth unemployment has hit 50 per cent and suicide rates have soared amid a crisis so severe the Financial Times has warned Greece could turn into a “quasi slave economy”.

In 2013, the United Nations Educational, Scientific and Cultural Organisation (UNESCO) invited the UK to take part in mediation about the marbles, created 2,500 years ago to decorate the Parthenon temple in Athens. Then last year it asked for a response by 31 March.

However a Government source said the UK “won’t be able to make any significant announcement this side of the [May] election”.

A motion calling for the UK to reply to Unesco and move to return the marbles is to be filed in the House of Commons on Monday.

The failure to respond in time could prompt Greece to abandon decades of diplomacy and take legal action, possibly in the European Court of Human Rights. A team of lawyers in London, including leading QC Geoffrey Robertson and Amal Clooney, wife of actor George, is preparing a “book-length” document setting out the options.

A source who has advised successive Greek governments said the main problem was finding a court to take jurisdiction in the case, but once that hurdle was overcome “then the lawyers are saying there is about a 75 to 80 per cent chance of success”.

The marbles are regarded as some of the finest works of art in history and a symbol of the birth of Western civilisation. Some sculptures were taken to Britain by Lord Elgin in controversial circumstances just over 200 years ago when Greece was ruled by the Ottoman Empire.

Dr Elena Korka, director of antiquities at the Greek Culture Ministry, said the central issue was “reunifying these exceptional, outstanding and most important sculptures, which belong as an integral part of a unique symbolic monument for the whole world”.

“This is the essence of it, making something which exists today as whole as it can be… this is what the public wants, every poll shows it. It’s such an important issue. Even if Greece didn’t ask for it, the whole world would,” she said.

She said if the British authorities relented it would be “a day of true joy, not only for the monument itself but I think for the value of the gesture for the sake of co-operation”. “It would definitely help the [public] morale. It would be a huge boost,” she said.

Asked about the prospect of legal action, Dr Korka said Greece was “still so much into the process of mediation that we’re not thinking of the next step”. “We haven’t exhausted the possibilities so let’s not go so fast,” she said.

She added that the UK’s silence since 2013 was “not so polite really”.

David Hill, chairman of the International Association for the Reunification of the Parthenon Sculptures in Australia, said there was a “growing appreciation even among people who are timid about the prospect of litigation that we have reached the point of last resort if this UNESCO gambit fails. The diplomatic and political strategies of the last 30 years have not produced any progress at all.”

Polls have consistently showed strong support in Britain for returning the marbles. In November, a survey for The Times found there was a two-to-one majority in favour.

Andrew George, chairman of Marbles Reunited and Liberal Democrat MP for St Ives, said: “One of our friends is down on their uppers and we can offer something to them that might make their lives easier and give them a lift, which can only be good for their economy.

“It would be a generous act which would improve Britain’s standing in the world. At the moment we look rather grubby… like we are clinging on to stolen booty for dear life.”

He said he planned to lodge an early day motion in the Commons tomorrow calling for  the Government to “demonstrate that Britain is prepared to... reunite these British-held Parthenon sculptures with those now displayed in the purpose-built Acropolis Museum in the shadow of the monument to which they belong, the Parthenon in Athens”.

The British Museum, which denies Elgin stole the marbles, argues that it “tells the story of cultural achievement throughout the world” and the Parthenon sculptures are “a significant part of that story”. It regards itself as “a unique resource for the world” with visitors able to “re-examine cultural identities and explore the complex network of interconnected human cultures” within its walls.

“The Parthenon Sculptures are a vital element in this interconnected world collection. They are a part of the world’s shared heritage and transcend political boundaries,” it says.

The Department for Culture, Media and Sport said it would “respond in due course” to UNESCO.

Author: Ian Johnston | Source: Indpendent [March 07, 2015]

A very small treasure hoard – a handful of tiny fragments of beautifully worked Tudor gold – has been harvested from a muddy stretch of the Thames foreshore over a period of years by eight different metal detectorists.

The pieces all date from the early 16th century, and the style of the tiny pieces of gold is so similar that Kate Sumnall, an archaeologist, believes they all came from the disastrous loss of one fabulous garment, possibly a hat snatched off a passenger’s head by a gust of wind at a time when the main river crossings were the myriad ferry boats.

Such metal objects, including aglets – metal tips for laces – beads and studs, originally had a practical purpose as garment fasteners but by the early 16th century were being worn in gold as high-status ornaments, making costly fabrics such as velvet and furs even more ostentatious. Contemporary portraits, including one in the National Portrait Gallery of the Dacres, Mary Neville and Gregory Fiennes, show their sleeves festooned with pairs of such ornaments.

Some of the Thames pieces are inlaid with enamel or little pieces of coloured glass. Despite the fact there is not enough gold in them to fill an egg cup, the pieces are legally treasure that must be declared to finds officers such as Sumnall, who is based at the Museum of London. She also records less valuable finds voluntarily reported under the portable antiquities scheme, and so has a good working relationship with the licensed mudlarks who scour the Thames shore between tides.

Sumnall said they were an important find as a huge amount of skill had been invested in the intricate pieces. “These artefacts have been reported to me one at a time over the last couple of years. Individually they are all wonderful finds but as a group they are even more important. To find them from just one area suggests a lost ornate hat or other item of clothing. The fabric has not survived and all that remains are these gold decorative elements that hint at the fashion of the time.”

Once the pieces have been through a treasure inquest and valued, the museum hopes to acquire them all, still glittering after their centuries in the mud.

Author: Maev Kennedy | Source: The Guardian [December 24, 2015]

An intricately carved gold ring containing a stone engraved with an image of Cupid — a god associated with erotic love — has been discovered near the village of Tangley in the United Kingdom.

In the engraving, Cupid (also known by his Greek name, “Eros”) is shown standing completely nude while holding a torch with one hand. The ring dates back around 1,700 years, to a time when the Roman Empire controlled England. The ring was discovered by an amateur metal detectorist. Researchers who studied it say that it may have been worn by a man or a woman and is engraved with spiral designs that contain bead-shaped spheres.

The image of Cupid is engraved on a stone made of nicolo, a type of onyx that is dark at the base and bluish at the top. The image on the stone “depicts a standing naked adolescent with crossed legs, leaning on a short spiral column; the short wings which sprout from his shoulders identify him as Cupid,” Sally Worrell, national finds adviser with the Portable Antiquities Scheme, and John Pearce, senior lecturer in archaeology at King’s College London, wrote in an article published recently in the journal Britannia.

Cupid is shown resting one arm on a column while he holds a torch with the other, Worrell and Pearce wrote. Artistic depictions of Cupid were popular among the Greeks and Romans, and several other finger rings that have stones depicting Cupid are known to exist, the researchers noted. The design of this particular ring indicates that it was created around the fourth century A.D., they said.

A person using a metal detector discovered the ring in December 2013 and reported the finding to the Portable Antiquities Scheme, which was established in 1997 to encourage people to voluntarily report the discovery of artifacts.

In England and Wales, amateurs are allowed to use metal detectors to search for antiquities if they have permission from the landowner and if they avoid archaeological sites that have been granted protection by the government. Certain finds (such as those made of precious metal) must be reported to antiquities authorities.

Worrell said that Hampshire Museums Service has acquired the ring, which will be put on display at the Andover Museum in Andover, U.K.

Author: Owen Jarus | Source: Discovery News [November 26, 2015]

After uncovering a castle on a par with the Tower of London underneath the old prison in Gloucester, yet more artifacts have been dug up.

Since the castle was found in December work has been on-going at both the Castle site and around Blackfriars.

Archaeologists have dug a large trench off Quay Street as they explore for more finds both on the castle site and other sites in the city. At the castle further medieval structures have been found on the site.

Andrew Armstrong, archaeologist at Gloucester City Council, said: "From an archaeological point of view this is a hugely interesting and important part of the city.

"It includes the south-west corner of the Roman city of Glevum, the old Roman waterfront, the site of the Norman Castle (the 'Old Castle') which extends throughout the southern half of Bearland car park. It also holds the site of the medieval castle (the New Castle) which extends from the site of the old prison northwards into the Quayside area."

So far medieval pottery has been found on the site as well as oyster shells, work has been on-going at the site Monday, April 4.

Jon Eeles, amateur historian, said: "It is good news that this is being found and dug up but I don't want it flattened and built on. Tourists won't visit Gloucester to see a block of flats but they will visit to see historical remains."

Mr Eeles would is an advocate for keeping the artefacts visible to the public but still protected.

He added: "Bath got very badly bombed in the war, while Gloucester avoided much of it. Bath have managed to show off their history well despite the bombing, in Gloucester we have so much more history but have done a good job of hiding it."

The archaeologists expect to find Roman town houses at the Quayside site.

Chris Chatterton, manager of the Soldiers of Gloucester museum, said: "This site is the perfect microcosm of the history in Gloucester which is so broad. Nowhere else in the county has the history that Gloucester does."

The work is taking place ahead of redevelopment plans of Gloucester around Quayside and Blackfriars. The area extends from Commercial Road in the south as far as Quay Street in the north.

Mr Chatterton added: "It is a genuinely fascinating process and I am very interested to see what they find during the dig. If it is anything magnificent, like the recent dig at the prison site was, it needs to be preserved and protected for people to see."

Author: Ellis Lane | Source: Gloucester Citizen [April 13, 2016]

A mass burial of bodies, known to be victims of the Black Death, has been discovered at the site of a 14th-century monastery hospital at Thornton Abbey, Lincolnshire.

Archaeologists from the University of Sheffield revealed 48 skeletons, many of which were children, at the extremely rare Black Death burial site.

The Black Death was one of the worst pandemics in human history. It devastated European populations from 1346-1353 and resulted in the deaths of an estimated 75 to 200 million people.

The presence of such a large burial site, containing both male and female adults, as well as 27 children, suggests the local community was overwhelmed by the Black Death and was left unable to cope with the number of people who died.

Dr Hugh Willmott from the University of Sheffield's Department of Archaeology, who has been working on the excavation site since 2011, directed the excavations and explained why the find is of national importance.

"Despite the fact it is now estimated that up to half the population of England perished during the Black Death, multiple graves associated with the event are extremely rare in this country, and it seems local communities continued to dispose of their loved ones in as ordinary a way as possible," he said.

"The only two previously identified 14th-century sites where Yersinia pestis (the bacterium responsible for the plague) has been identified are historically documented cemeteries in London, where the civic authorities were forced to open new emergency burial grounds to cope with the very large numbers of the urban dead.

"The finding of a previously unknown and completely unexpected mass burial dating to this period in a quiet corner of rural Lincolnshire is thus far unique, and sheds light into the real difficulties faced by a small community ill prepared to face such a devastating threat."

Dr Willmott added: "While skeletons are interesting, they just represent the end of somebody's life and actually what we are interested in as archaeologists is the life they led before they died.

"One of the ways we can connect with that is through the everyday objects they left behind.

"One artefact that we found at Thornton Abbey was a little pendant. It is a Tau Cross and was found in the excavated hospital building. This pendant was used by some people as a supposed cure against a condition called St Antony's fire, which in modern day science is probably a variety of skin conditions.

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R004 Crouched burial. by Courtenay-Elle on Sketchfab
"Before we began the dig the site was just an ordinary green field grazed by sheep for hundreds of years, but like many fields across England, as soon as you take away the turf, layers of history can be revealed by archaeology."

Teeth samples from the skeletons found at the Thornton Abbey site were sent to McMaster University in Canada where ancient DNA was successfully extracted from the tooth pulp. Tests on the DNA revealed the presence of Yersinia pestis, which is documented to have reached Lincolnshire in the spring of 1349.

Dr Diana Mahoney Swales, from the University of Sheffield's Department for Lifelong Learning, who is leading the study of the bodies, said: "Once the skeletons return to the lab we start properly learning who these people really are.

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Tau Cross by Courtenay-Elle on Sketchfab
"We do this by identifying whether they are male or female, children or adults. And then we start to investigate the diseases that they may have lived through, such as metabolic diseases like rickets and scurvy which are degenerative diseases for the skeleton. However for diseases such as plague, which are lethal, we have to use ancient DNA analysis to investigate that further."

Source: University of Sheffield [November 30, 2016]

A team of archaeologists at the University of York have revealed new insights into cuisine choices and eating habits at Durrington Walls -- a Late Neolithic monument and settlement site thought to be the residence for the builders of nearby Stonehenge during the 25th century BC.

Together with researchers at the University of Sheffield, detailed analysis of pottery and animal bones has uncovered evidence of organised feasts featuring barbeque-style roasting, and an unexpected pattern in how foods were distributed and shared across the site.

Chemically analysing food residues remaining on several hundred fragments of pottery, the York team found differences in the way pots were used. Pots deposited in residential areas were found to be used for cooking animal products including pork, beef and dairy, whereas pottery from the ceremonial spaces was used predominantly for dairy.

Such spatial patterning could mean that milk, yoghurts and cheeses were perceived as fairly exclusive foods only consumed by a select few, or that milk products -- today often regarded as a symbol of purity -- were used in public ceremonies.

Unusually, there was very little evidence of plant food preparation at any part of the site. The main evidence points to mass animal consumption, particularly of pigs. Further analysis of animal bones, conducted at the University of Sheffield, found that many pigs were killed before reaching their maximum weight. This is strong evidence of planned autumn and winter slaughtering and feasting-like consumption.

The main methods of cooking meat are thought to be boiling and roasting in pots probably around indoor hearths, and larger barbeque-style roasting outdoors -- the latter evidenced by distinctive burn patterns on animal bones.

Bones from all parts of the animal skeleton were found, indicating that livestock was walked to the site rather than introduced as joints of meat. Isotopic analysis indicates that cattle originated from many different locations, some far away from the site. This is significant as it would require orchestration of a large number of volunteers likely drawn from far and wide. The observed patterns of feasting do not fit with a slave-based society where labour was forced and coerced, as some have suggested.

Dr Oliver Craig, Reader in Archaeological Science at the University of York and lead author on the paper, said: "Evidence of food-sharing and activity-zoning at Durrington Walls shows a greater degree of culinary organisation than was expected for this period of British prehistory. The inhabitants and many visitors to this site possessed a shared understanding of how foods should be prepared, consumed and disposed. This, together with evidence of feasting, suggests Durrington Walls was a well-organised working community."

Professor Mike Parker Pearson, Professor at University College London and Director of the Feeding Stonehenge project who also led the excavations at Durrington Walls, said: "This new research has given us a fantastic insight into the organisation of large-scale feasting among the people who built Stonehenge. Animals were brought from all over Britain to be barbecued and cooked in open-air mass gatherings and also to be eaten in more privately organized meals within the many houses at Durrington Walls.

"The special placing of milk pots at the larger ceremonial buildings reveals that certain products had a ritual significance beyond that of nutrition alone. The sharing of food had religious as well as social connotations for promoting unity among Britain's scattered farming communities in prehistory. "

Dr Lisa-Marie Shillito, who analysed the pottery samples and recently joined Newcastle University, added: "The combination of pottery analysis with the study of animal bones is really effective, and shows how these different types of evidence can be brought together to provide a detailed picture of food and cuisine in the past."

The study has been published in the Antiquity Journal.

Source: University of York [October 12, 2015]

Few Americans may be aware of it, but in 1952 a killer fog that contained pollutants covered London for five days, causing breathing problems and killing thousands of residents. The exact cause and nature of the fog has remained mostly unknown for decades, but an international team of scientists that includes several Texas A&M University-affiliated researchers believes that the mystery has been solved and that the same air chemistry also happens in China and other locales.

Texas A&M researcher Renyi Zhang, University Distinguished Professor and the Harold J. Haynes Chair of Atmospheric Sciences and Professor of Chemistry, along with graduate students Yun Lin, Wilmarie Marrero-Ortiz, Jeremiah Secrest, Yixin Li, Jiaxi Hu and Bowen Pan and researchers from China, Florida, California Israel and the UK have had their work published in the current issue of >Proceedings of the National Academy of Sciences.

In December of 1952, the fog enveloped all of London and residents at first gave it little notice because it appeared to be no different from the familiar natural fogs that have swept over Great Britain for thousands of years.

But over the next few days, conditions deteriorated, and the sky literally became dark. Visibility was reduced to only three feet in many parts of the city, all transportation was shut down and tens of thousands of people had trouble breathing. By the time the fog had lifted on Dec. 9, at least 4,000 people had died and more than 150,000 had been hospitalized. Thousands of animals in the area were also killed.

Recent British studies now say that the death count was likely far higher -- more than 12,000 people of all ages died from the killer fog. It has long been known that many of those deaths were likely caused by emissions from coal burning, but the exact chemical processes that led to the deadly mix of fog and pollution have not been fully understood over the past 60 years.

The 1952 killer fog led to the passage of the Clean Air Act in 1956 by the British Parliament and is still considered the worst air pollution event in the European history.

Through laboratory experiments and atmospheric measurements in China, the team has come up with the answers.

"People have known that sulfate was a big contributor to the fog, and sulfuric acid particles were formed from sulfur dioxide released by coal burning for residential use and power plants, and other means," Zhang says.

"But how sulfur dioxide was turned into sulfuric acid was unclear. Our results showed that this process was facilitated by nitrogen dioxide, another co-product of coal burning, and occurred initially on natural fog. Another key aspect in the conversion of sulfur dioxide to sulfate is that it produces acidic particles, which subsequently inhibits this process. Natural fog contained larger particles of several tens of micrometers in size, and the acid formed was sufficiently diluted. Evaporation of those fog particles then left smaller acidic haze particles that covered the city."

The study shows that similar chemistry occurs frequently in China, which has battled air pollution for decades. Of the 20 most polluted cities in the world, China is home to 16 of them, and Beijing often exceeds by many times the acceptable air standards set by the U.S. Environmental Protection Agency.

"The difference in China is that the haze starts from much smaller nanoparticles, and the sulfate formation process is only possible with ammonia to neutralize the particles," Zhang adds.

"In China, sulfur dioxide is mainly emitted by power plants, nitrogen dioxide is from power plants and automobiles, and ammonia comes from fertilizer use and automobiles. Again, the right chemical processes have to interplay for the deadly haze to occur in China. Interestingly, while the London fog was highly acidic, contemporary Chinese haze is basically neutral."

Zhang says China has been working diligently over the past decade to lessen its air pollution problems, but persistent poor air quality often requires people to wear breathing masks during much of the day. China's explosive industrial and manufacturing growth and urbanization over the past 25 years have contributed to the problem. "A better understanding of the air chemistry holds the key for development of effective regulatory actions in China," he adds.

"The government has pledged to do all it can to reduce emissions going forward, but it will take time," he notes. "We think we have helped solve the 1952 London fog mystery and also have given China some ideas of how to improve its air quality. Reduction in emissions for nitrogen oxides and ammonia is likely effective in disrupting this sulfate formation process."

Source: Texas A&M University [November 15, 2016]

The stories of Roman lives are written their bones: diet, disease, childbirth and trauma all leave their mark. Individual skeletons can tell rich tales, but the fullest information comes from large groups, when we can look at populations. So what can we learn about about a Roman community from their skeletons?

Whether they were a slave

Slavery was ubiquitous in the Roman world, and some of its agonies are preserved on skeletons: those working in and living near Roman mines in Jordan were exposed to lead and copper at levels that would have been toxic, and caused a range of illnesses. The remains of people who were likely to have been slaves have also been found still wearing iron shackles, for instance in a subterranean room of a villa in Pompeii, and near the silver mines of Laurion in Roman-era Greece.

Whether they played sports

Among the human remains from ancient Herculaneum, which was destroyed by the eruption of Vesuvius at the same time as Pompeii, were a possible boxer, with typical fractures to his hands and nose, and a javelin-thrower whose bones reveal the same elbow problems experienced by modern athletes.

How they died, who they loved

At Dura-Europos in Syria, remains of Roman and Sasanian troops trapped in a siege mine beneath the walls of the ancient city reveal the brutal and violent reality of ancient conflict, including gas warfare. In the nearby cemetery, families were buried together in underground tombs, with women and children placed together.

Where people came from

Even places like Roman Britain were diverse. Scientific methods (such as isotope analysis), as well as the study of graves and grave goods (the objects buried with a body) can tell us where a person was likely to have come from, or where they had links to. For instance, work on the cemeteries of Roman York has shown that people buried there came from other places in Britain, and much further afield in Europe, the Middle East and North Africa.

The extent of childhood illnesses

In the Roman world, children often didn’t make it to adulthood. Roman cemeteries such as Poundbury in Dorset include many children with rickets, scurvy and anaemia – survival rates were staggeringly low by modern Western standards. Infant and early childhood mortality was high in the Roman period, with 45% of children unlikely to survive past five years of age.

So we can learn a lot about how a Roman may have lived from her or his remains, but, while skeletons are biological, bodies are cultured and contextual; they can be modified to fit ideals of beauty, status, or gender. Ultimately, Roman skeletons tell us that culture is a significant factor in determining difference: underneath it all, we’re pretty much the same collection of 206 interlocking parts.

Dr Jen Baird and Dr Tim Reynolds from the Department of History, Classics and Archaeology, Birkbeck College, University of London, will be talking in depth about Roman skeletons at a Guardian Live/Birkbeck event on 21 November.

Authors: Dr Jen Baird and Dr Tim Reynolds | Source: The Guardian [November 14, 2015]

It is an archaeological enigma which last week a team of experts professed to have resolved: if and how the ‘bluestones’ at Stonehenge were excavated and transported from Pembrokeshire by our prehistoric ancestors.

The team of archaeologists and geologists – led academics from University College, London, said they definitively confirmed two sites in the Preseli Hills – Carn Goedog and Craig Rhos-y-felin - had been quarried for two types of stone.

It was suggested the stones were first used in a local monument, somewhere near the quarries, that was then dismantled and dragged off to Wiltshire.

But the assertions on how the stones were removed and transported, apparently leaving evidence so-called “engineering features,” have been branded “all wrong” by another team of earth scientists, in a conflicting report published today.

In a peer-reviewed paper published in the Archaeology in Wales journal, Dr Brian John, Dr Dyfed Elis-Gruffydd and John Downes say there are “no traces of human intervention in any of the features that have made the archaeologists so excited”.

The group does not accept the idea of a Neolithic quarry in the Preseli Hills and says the supposed signs of ‘quarrying’ by humans at Craig Rhos-y-Felin were entirely natural.

They also believe that the archaeologists behind the report may have inadvertently created certain features during five years of “highly selective sediment removal”.

“This site has been described by lead archaeologist Prof Mike Parker Pearson as ‘the Pompeii of prehistoric stone quarries’ and has caused great excitement in archaeological circles,” says the report.

“The selection of this rocky crag near the village of Brynberian for excavation in 2011-2015 was triggered by the discovery by geologists Richard Bevins and Rob Ixer that some of the stone fragments in the soil at Stonehenge were quite precisely matched to an unusual type of foliated rhyolite found in the crag.

“This led the archaeologists to conclude that there must have been a Neolithic quarry here, worked for the specific purpose of cutting out monoliths for the bluestone settings at Stonehenge.”

But Dr John is increasingly convinced that the rhyolite debris at Stonehenge comes from glacial erratics which were eroded from the Rhosyfelin rocky crag almost half a million years ago by the overriding Irish Sea Glacier and then transported eastwards by ice towards Salisbury Plain.

In his paper written with Dr Dyfed Elis-Gruffydd and John Downes, he says: “It is suggested, on the basis of careful examinations of this site, that certain of the “man made features” described have been created by the archaeologists themselves through a process of selective sediment and clast removal.

“An expectation or conviction that ‘engineering features’ would be found has perhaps led to the unconscious fashioning of archaeological artifices.

“While there appears to be no landform, rock mechanics or sedimentary evidence that this was a Neolithic quarry site devoted to the extraction of bluestone orthostats destined for use at Stonehenge, or for any other purpose, we would accept the possibility that there may have been temporary Mesolithic, Neolithic or later camp sites here over a very long period of time, as in many other sheltered and wooded locations in north Pembrokeshire.”

Commenting on the research paper published last week, Dr Brian John added: “The new geological work at Rhosyfelin and Stonehenge is an interesting piece of ‘rock provenencing’ – but it tells us nothing at all about how monoliths or smaller rock fragments from West Wales found their way to Stonehenge.

“We are sure that the archaeologists have convinced themselves that the glacial transport of erratics was impossible. We are not sure where they got that idea from.

“On the contrary, there is substantial evidence in favour of glacial transport and zero evidence in support of the human transport theory. We accept that there might have been a camp site at Rhosyfelin, used intermittently by hunters over several millennia. But there is no quarry.

“We think the archaeologists have been so keen on telling a good story here that they have ignored or misinterpreted the evidence in front of them.

“That’s very careless. They now need to undertake a complete reassessment of the material they have collected.”

Further excavations of the quarries are planned for 2016.

Author: Rachael Misstear | Source: Wales Online [December 14, 2015]

A private citizen’s group called the “Athenians’ Association” said on Thursday they filed a lawsuit at the European Court of Human Rights against the United Kingdom over the removal of the Parthenon Marbles by Lord Elgin in the 19th century, the association said in a press conference in Plaka on Thursday.

The association, which opened in 1895 and among whose aims is to research the history of Athens and help preserve of its cultural monuments, said the decision was taken after its board was informed about Britain’s refusal to participate in a mediation procedure, as part of the UNESCO Intergovernmental Committee for Promoting the Return of Cultural Goods in the Country of Origin.

“The reason we disclose our action today is because not only was the suit not rejected [by the Court], but it was officially lodged and recently the Court requested clarifications, which presages that it will reach the courtroom,” the member of the association’s board, Stratis Stratigis said at the press conference.

Stratigis has been entrusted with monitoring the legal aspect of the suit, and is also responsible for coordinating the actions and contacts that will be needed in Greece and abroad.

He said the Athens Association has been following the issue closely for years and when it realized in March 2015 that Britain had rejected even its participation in the mediation procedure, it decided it was an opportunity to appeal before the European Court of Human Rights in Strasbourg as a private association, independently from the State.

Stratigis also clarified that this move by the association does not affect in any way Greece’s right to sue when it chooses at a national or international court.

“Besides, the issue of recovering architectural elements recognized by UNESCO World Heritage monuments which have been stolen is ongoing,” he said. “It is therefore in the country’s interest to keep the issue alive in international public opinion and periodically update on the issue with appropriate actions,” he added.

According to the association’s press release which followed the press conference, its founding members comprised of descendants of the Athenians who stood up against the destruction of the Parthenon by Lord Elgin. It also said that one of the very first actions undertaken by the Association was an event organised in 1896 to commemorate the liberation of the Acropolis from the Ottoman Turks.

During the event, the association’s deputy chairman, Professor Theodossios Venizelos (1821-1900) said the Parthenon was “a place of daily worship, the holy of holies, a life good for our ancestors and that the Athenians strongly protested against the despoilment of the Acropolis’ extant statues by Elgin.”

Source: ANA-MPA [February 19, 2016]