The Great London:
Near East

A miniature ancient Egyptian coffin measuring just 44cm in length has been found to contain the youngest ever example of a human foetus to be embalmed and buried in Egyptian society. This discovery is the only academically verified specimen to exist at only sixteen to eighteen weeks of gestation.

This landmark discovery from the Fitzwilliam Museum in Cambridge, is remarkable evidence of the importance that was placed on official burial rituals in ancient Egypt, even for those lives that were lost so early on in their existence. Curators at the Fitzwilliam made the discovery, during their research for the pioneering bicentennial exhibition Death on the Nile: Uncovering the afterlife of ancient Egypt.

The tiny coffin was excavated at Giza in 1907 by the British School of Archaeology and came into the collection at the Fitzwilliam Museum the same year. It is a perfect miniature example of a wooden coffin of the ancient Egyptian ‘Late Period’ and may date to around 664-525 BC. The lid and box are both made from cedar wood. Although the coffin is deteriorated, it is clear that the wood was carefully carved on a painstakingly small scale and decorated. This gave the curators at the Fitzwilliam the first very clear indication of the importance given to the coffin’s contents at this time in ancient Egyptian society.

The diminutive wrapped package inside was carefully bound in bandages, over which molten black resin had been poured before the coffin was closed. For many years it was thought that the contents were the mummified remains of internal organs that were routinely removed during the embalming of bodies.

Examination using X-ray imaging at the Fitzwilliam Museum was inconclusive, but suggested that it may contain a small skeleton. It was therefore decided to micro CT (computed tomography) scan the tiny bundle at Cambridge University’s Department of Zoology. The cross-sectional images this produced gave the first pictures of the remains of a tiny human body held within the wrappings, which remain undisturbed.

Dr Tom Turmezei, recently Honorary Consultant Radiologist at Addenbrooke’s Hospital in Cambridge collaborated with the Fitzwilliam Museum, alongside Dr. Owen Arthurs, Academic Consultant Paediatric Radiologist at Great Ormond Street Hospital, London. The ground-breaking results were based on their extensive knowledge of CT imaging and paediatric autopsy.

Five digits on both hands and feet and the long bones of the legs and arms were all clearly visible. Although the soft skull and pelvis were found to be collapsed the categorical consensus was that inside the bundle was a human foetus estimated to be of no more than eighteen weeks gestation. It was impossible to give a gender to the specimen and it is thought that the foetus was probably the result of a miscarriage, as there were no obvious abnormalities to explain why it could not have been carried to full-term.

From the micro CT scan it is noticeable that the foetus has its arms crossed over its chest. This, coupled with the intricacy of the tiny coffin and its decoration, are clear indications of the importance and time given to this burial in Egyptian society.

"CT imaging has been used successfully by the museum for several projects in recent years, but this is our most successful find so far," Dr. Tom Turmezei explained. "The ability of CT to show the inner workings of such artefacts without causing any structural damage proved even more invaluable in this case, allowing us to review the foetus for abnormalities and attempt to age it as accurately as possible."

Julie Dawson, Head of Conservation at the Fitzwilliam Museum said, "Using non-invasive modern technology to investigate this extraordinary archaeological find has provided us with striking evidence of how an unborn child might be viewed in ancient Egyptian society. The care taken in the preparation of this burial clearly demonstrates the value placed on life even in the first weeks of its inception."

Tutankhamun’s tomb contained two small foetuses that had been mummified and placed in individual coffins, but these infants were both significantly more developed, at about 25 weeks and 37 weeks into gestation. Very few other examples of burials of miscarried babies have so far been identified from ancient Egypt.

The miniature coffin is currently on display as part of the exhibition >Death on the Nile: Uncovering the Afterlife of ancient Egypt until 22nd May 2016 at the Fitzwilliam Museum Cambridge.

Source: University of Cambridge [May 12, 2016]

A mummy from ancient Egypt was heavily tattooed with sacred symbols, which may have served to advertise and enhance the religious powers of the woman who received them more than 3,000 years ago.

The newly reported tattoos are the first on a mummy from dynastic Egypt to show actual objects, among them lotus blossoms on the mummy’s hips, cows on her arm and baboons on her neck. Just a few other ancient Egyptian mummies sport tattoos, and those are merely patterns of dots or dashes.

Especially prominent among the new tattoos are so-called wadjet eyes: possible symbols of protection against evil that adorn the mummy’s neck, shoulders and back.

“Any angle that you look at this woman, you see a pair of divine eyes looking back at you,” says bioarchaeologist Anne Austin of Stanford University in California, who presented the findings last month at a meeting of the >American Association of Physical Anthropologists.

Austin noticed the tattoos while examining mummies for the French Institute of Oriental Archaeology, which conducts research at Deir el-Medina, a village once home to the ancient artisans who worked on tombs in the nearby Valley of the Kings. Looking at a headless, armless torso dating from 1300 to 1070 bc, Austin noticed markings on the neck. At first, she thought that they had been painted on, but she soon realized that they were tattoos.

Hidden history

Austin knew of tattoos discovered on other mummies using infrared imaging, which peers more deeply into the skin than visible-light imaging. With help from infrared lighting and an infrared sensor, Austin determined that the Deir el-Medina mummy boasts more than 30 tattoos, including some on skin so darkened by the resins used in mummification that they were invisible to the eye. Austin and Cédric Gobeil, director of the French mission at Deir el-Medina, digitally stretched the images to counter distortion from the mummy’s shrunken skin.

The tattoos identified so far carry powerful religious significance. Many, such as the cows, are associated with the goddess Hathor, one of the most prominent deities in ancient Egypt. The symbols on the throat and arms may have been intended to give the woman a jolt of magical power as she sang or played music during rituals for Hathor.

The tattoos may also be a public expression of the woman’s piety, says Emily Teeter, an Egyptologist at the University of Chicago’s Oriental Institute in Illinois. “We didn’t know about this sort of expression before,” Teeter says, adding that she and other Egyptologists were “dumbfounded” when they heard of the finding.

Some tattoos are more faded than others, so perhaps some were made at different times. This could suggest that the woman’s religious status grew with age, Austin says.

Penetrating gaze

She has already found three more tattooed mummies at Deir el-Medina, and hopes that modern techniques will uncover more elsewhere.

Even infrared imaging can’t penetrate an intact mummy’s linen binding. But a nineteenth-century penchant for unwrapping mummies could enable the discovery of more tattoos, says Marie Vandenbeusch, a curator at the British Museum in London. Such examples could provide needed evidence “to really pinpoint the use of those tattoos”, she says.

Austin argues that the scale of the designs, many of them in places out of the woman’s reach, implies that they were more than simple adornment.

The application of the tattoos “would’ve been very time consuming, and in some areas of the body, extremely painful”, Austin says. That the woman subjected herself to the needle so often shows “not only her belief in their importance, but others around her as well”.

Author: Traci Watson | Source: Nature [doi:10.1038/nature.2016.19864] [May 09, 2016]

Egypt's embassy in London received a limestone relief that had been stolen from Queen Hatshepsut's temple in Luxor, the Ministry of Antiquities said.

Shaaban Abdel Gawad, general supervisor of the ministry's antiquities repatriation department, in a statement said that the ministry repatriated the relief in collaboration with the Ministry of Foreign Affairs and the British Museum after proving its possession. The recovery of the relief is "very important" especially since it will help in restoration work currently being carried out by a Polish archaeological mission, he said.

The relief, which is carved in limestone and engraved with hieroglyphic symbols, was stolen from the temple in 1975 and smuggled out of the country, he said. It was put on show in an auction hall in Spain and a British antiquities dealer bought it, the statement said.

Last year, U.S. officials returned dozens of illegally smuggled artifacts to Egypt, including a Graeco-Roman style Egyptian sarcophagus.

Source: The Associated Press [December 20, 2016]

A project for the deciphering of ancient papyri found in Graeco-Roman Egypt has recruited armchair archaeologists from around the world with amazing results.

The Ancient Lives project is a collaboration between the University of Oxford, the Egypt Exploration Society, the Citizen Science Alliance and others asking for anyone who can identify Greek letters to work on-line and decipher the writing on digital scans of papyri from Oxyrhynchus in Upper Egypt. Then, scholars, with the use of special online tools, carry out the translation. The latest finds were presented yesterday by Dirk Obbink, associate professor in Papyrology and Greek Literature from the University of Oxford.

The papyri, dating mainly from the 1st Century BC to the 7th Century AD, when Egypt was occupied by the Greeks and Romans, were discovered by Victorian archaeologists Bernard Grenfell and Arthur Hunt in January 1897, at what turned out to be a rubbish dump at Oxyrhynchus, an ancient city about 160m south-west of Cairo. The excavations yielded 700 boxes of documents which were shipped to Oxford for study, owned by the Egypt Exploration Society in London.

Transcribing them, however, was really time-consuming, allowing experts to transcribe over 5,000 out of the 500,000 documents between 1898 and 2012. That’s when the Ancient Lives project was piloted, asking citizen scientists from all over the world to help scientists decipher the writing on the papyri online. The project went fully live in 2014 and with the use of algorithms to help experts assess the accuracy of the work by volunteers, it has allowed a variety of individuals across the globe to participate.

The Oxyrhynchus fragments have revealed personal documents of various use, from tax assessments, grocery lists and mariage certificates, ancient remedies, to court records and pieces of literature by Sappho Euripides and Homer. Fragments of a lost tragedy by Sophocles, Andromeda, have also been found.

The results were announced by Dirk Obbink at a talk in London, held at the Royal Geographical Society and organised by the World Monuments Fund Britain.

For more on this story see:

• The Art Newspaper, http://theartnewspaper.com/news/news/armchair-archaeologists-reveal-details-of-life-in-ancient-egypt/ (29/02/2016) 

• The Independent, http://www.independent.co.uk/news/science/ancient-egypt-citizen-scientists-reveal-tales-of-tragedy-unearthed-from-centuries-old-rubbish-dump-a6905541.html (01/03/2016)

One of the most exciting projects in recent years at Maidstone Museum – the scanning and facial reconstruction of its very own 2,700-year-old mummy – is well underway thanks to the support of the Heritage Lottery Fund (HLF). The project, within the redevelopment of the museum’s Ancient Civilisations gallery, has seen the mummy travel across Maidstone to KIMS Hospital to undergo a full body scan and closer inspection by the local team of radiologists. The scan has revealed a number of fascinating finds about the mummy as well as other mummified remains in the museum’s collection – all before the full investigation into results has really begun with a team of international specialists.

“We weren’t expecting too much to be derived from the initial scans of Ta-Kush and the other items, but the results seen have been remarkable,” said Samantha Harris, Collections Manager at Maidstone Museum. “It was such a pleasure to work alongside the Imaging Team at KIMS Hospital in being able to analyse these items and, for the initial results to reveal so much means, the remainder of the Ancient Civilisations gallery project has been injected with a whole new level of excitement.”

Among the initial findings, the scans revealed that, while many believed Ta-Kush to have passed away during adolescence, she may in fact have been much older. Speaking of the findings, Mark Garrad, CT Lead Radiographer at KIMS Hospital, said: “The scans conducted indicate evidence of well-worn teeth, loss of enamel, cavities, abscesses in the jaw and fully erupted wisdom teeth. Although we cannot place her age exactly, the evidence we have managed to glean from the initial scans would suggest a person who is at least mid-twenties, possibly much older. It has been fascinating to be part of the early stages of discovery and we are looking forward to what other insights the experts can gather about Ta-Kush.”

The scans also show further evidence of a wedge fracture in one of her vertebrae, which is seen in patients suffering a downward impact, such as a fall or landing upright. Images show that there may be signs of healing, however, it indicates that Ta-Kush could well have been living with this injury.

Further research into the life and conservation of Ta-Kush is set to be conducted over the course of the next few months with Liverpool John Moores University analysing the scans and creating a facial reconstruction. Thanks to the HLF funding, and with support from the Maidstone Museums’ Foundation, the Egyptology Department at the British Museum, the Petrie Museum at University College London, Western Ontario University and the Egypt Exploration Society, this research will uncover the stories behind the scanned human and animal remains ready for the redisplay of the wider Ancient Egyptian and Greek World collections, to be unveiled in summer 2017.

Source: Maidstone Museum [November 15, 2016]

The Antiquities Ministry announced Sunday it received an ancient Egyptian wall relief that was repatriated in October by Egypt’s embassy in London.

The painted limestone wall relief was delivered to the Egyptian embassy in London after its owner, who bought it from a British antiquities collector, learnt it had been  stolen and smuggled out of Egypt, Antiquities Minister Mamdouh al Damaty said in a statement Sunday.

The artifact dates back to the reign of the 19th Dynasty Pharaoh Seti I (1290 B.C. – 1279 B.C.) Damaty said, adding that it will be displayed at the Egyptian Museum in Cairo.

It measure approximately 43cm (17.2 inches) by 67 cm with carvings representing Pharaoh Seti I making offerings before Anubis, the mummification God and Hathor, ancient Egyptian motherhood Goddess, he added.

Originally located in an ancient Egyptian temple in Upper Egypt’s governorate of Asyut, the limestone relief was smuggled out of Egypt in 1970, the foreign ministry said in a statement last week.

Egypt’s political turmoil has led to a security lapse at archaeological sites and storerooms and museums nationwide, leaving Egypt’s treasures vulnerable to looting. The Egyptian museum and Malawi museum are among the sites that have been affected.

During the past four years, Egypt has recovered over 1,600 artifacts and is currently working on other cases in many European countries, Ministry of Antiquities Museums Sector head Ahmed Sharaf previously told The Cairo Post.

“It is impossible to provide an accurate number of the artifacts that have been stolen since the January 25 Revolution,” he said.

Author: Rany Mostafa | Source: The Cairo Post [December 13, 2015]

The Italian mafia is selling assault rifles to Islamic State leaders in Libya in return for looted archaeological treasures, according to an Italian newspaper.

The feared ‘Ndrangheta gangsters sell on the priceless artefacts to Russian and Asian collectors.

La Stampa reports that the Calabrian network, which dominates Europe’s drug trade, works with the Camorra in Naples to buy Kalashnikov rifles and rocket-propelled grenade launchers smuggled out of Ukraine and Moldova by the Russian mafia.

The armaments are then traded in return for ancient Roman and Greek statues that Isis fighters have dug up illegally in Libya, which was a colony of the two ancient cultures. Isis has ruled over swathes of the country for months.

A journalist from La Stampa posed as a collector to be taken to a salami factory in southern Italy by a member of an ‘Ndrangheta clan from Lamezia in Calabria. For $87,000 he was offered the marble head of a Roman sculpture looted from Libya.

The Mafioso also showed photographs of a larger head from a Greek statue, for sale at $1.2 million.

Antiquities are brought from Libya to the Calabrian port of Gioia Tauro by Chinese-operated cargo ships, it is claimed. The treasures are sold on to collectors from Russia, China, Japan and the Gulf. After expanding into Libya, Isis has been pinned back by local militias. The jihadists, however, are believed to have tried to profit from trafficking in artefacts, as they have done in Iraq and Syria.

Libyan archaeologists working to protect the country’s five UNESCO-listed sites have received death threats.

Italian investigators have long suspected the mafia of selling guns to Isis. “In Naples, Islamic militias and the Camorra have been trading guns and drugs since the 1990s,” a veteran investigator said yesterday (Sunday).

The gangsters have also been involved in the wholesale looting of Etruscan Roman tombs in Italy. Trading guns for artefacts with Isis is a natural evolution of its business. The widespread excavation and selling of Greek and Roman treasures boomed in Libya after the death in 2011 of Colonel Gaddafi, well before the arrival of Isis.

A rare 4ft marble statue believed to have been dug up in the ancient city of Cyrene in 2011 and worth $3.2 million was found in a west London warehouse two years after the uprising.

Susan Kane, a Libyan expert at Oberlin College in Ohio, said: “There was a major land grab after the revolution and more earth has been moved since 2011 than in the preceding centuries. Antiquities are turning up and there is a great synergy between trafficking them, drugs and arms.”

Author: Tom Kington | Source: The Times [October 17, 2016]

A 2,200 year-old “an upright stone slab bearing a commemorative inscription” was unearthed at the Mediterranean coast, Antiquities Minister Mamdouh el-Damaty announced Thursday.

The stele, which was discovered at Taposiris Magna archaeological site on Lake Mariout, southwest of the Mediterranean city of Alexandria,  “dates to the reign of Ptolemy V Epiphanes (204B.C-180B.C) of the Ptolemaic Dynasty (332 B.C.-30 B.C) that has ruled Egypt after the death of Alexander the Great in 323 B.C.” said Damaty in a statement on the ministry’s Facebook page.

The stele, measuring 1.05 X 0.65X0.18 meters, was discovered by an archaeology mission of the Catholic University of Santo Domingo in collaboration with Egypt’s Supreme Council of Antiquities (SCA), he added.

“It consists of two registers carved in two different scripts; the upper one features over 20 lines of hieroglyphic inscriptions bearing the cartouches [oval shapes bearing royal names only] of King Ptolemy V Epiphanes, his sister Princess Cleopatra I, his mother Queen Arsinoe III and his father King Ptolemy IV Philopator,” said Damaty adding that archaeologists are currently working on transliterating the text.

The bottom register features a 5-line demotic script that seems to be a translation of the hieroglyphic inscriptions, said Damaty.

Demotic language was used by ordinary people while hieroglyphic was used by royals, high officials, priests and the elite of the ancient Egyptian society.

The famous Rosetta stone, currently displayed in the British Museum in London, dates back to the reign of the same Greek king but was carved in hieroglyphic, demotic and Greek scripts, according to Damaty.

Chief of the Dominican Egyptian archaeology mission, Dr. Kathleen Martinez said that the mission, has been working at Taposiris Magna for six years, has made a lot of significant discoveries related to the history of Alexandria. “Some of the major discoveries are tombs of Nobles, a number of statues of goddess Isis in addition to many bronze coins belonging to Queen Cleopatra VII, the famous Cleopatra of Anthony,” said Martinez.

Author: Rany Mostafa | Source: The Cairo Post [February 12, 2015]

An application has been lodged with the Culture and Tourism Ministry to conduct a surface survey to investigate the ancient city of Satala, which served as a military headquarters in the Roman Empire in the northern Turkish province of Gümüşhane’s Kelkit district.

According to historical records, the city, which is 28 kilometers from the city center, was established by the 15th Apollo Legion, a legion of the Imperial Roman army. It served as a headquarters in the ancient era and also served as an intersection of military roads passing through Anatolia and Cappadocia.

The city was controlled at various times by the Assyrian, Graeco-Macedonian, Roman and Byzantine civilizations.

A 47-arched aqueduct was built to bring water to the ancient city of Satala but only one arch survives today.

The city is believed to cover a very large area. Candles, rings, arms, pots, metal pieces and coins have all been discovered at the site and are now on display at the Istanbul Archaeology Museum, while a bronze bust of Aphrodite is at London’s British Museum.

Kelkit Mayor Ünal Yılmaz said the ancient city of Satala, which is under protection as an archaeological site, had been examined by university academics.

As a result of the examination, a report was prepared by the Gümüşhane Governor’s Office, Kelkit Municipality and academics. In line with the report, an application was made to the Culture and Tourism Ministry to conduct a surface survey.

Yılmaz said no serious work had been carried out in the historical city.

“No work has been implemented here although there were discussions from time to time. Evaluations were also made but nothing was done in practice. Because it is an archaeological site, people were not able to build structures there. I hope the applications will receive a positive response and that works will be initiated,” Yılmaz said.

“Our academics are very hopeful on the issue. We think this area will add a lot to tourism for our province and district after the pre-excavation work is completed,” Yılmaz said.

Source: Hurriyet Daily News [March 15, 2016]

The Tarkhan Dress, a V-neck linen shirt currently on display in the UCL Petrie Museum of Egyptian Archaeology, has been confirmed as the world’s oldest woven garment with radiocarbon testing dating the garment to the late fourth-millennium BC.

Radiocarbon testing conducted in 2015 by the University of Oxford’s radiocarbon unit, and published this week on Antiquity’s Project Gallery, has established that the dress was made between 3482-3102 BC with 95% accuracy.

Although the dress was thought to be Egypt’s oldest garment, and the oldest surviving woven garment in the world, the precise age of the dress was uncertain as previous carbon dating proved too broad to be historically meaningful. The new results both confirm the dress’s antiquity and also suggest that it may be older than previously thought, pre-dating the First Dynasty.

The team from the University of Oxford, led by Dr Michael Dee, measured a 2.24mg sample of the dress to determine how much radiocarbon, a radioactive isotope of carbon, remained in the linen. From this they were able to provide an indicative date for when the linen was woven. Linen, from which the Tarkhan Dress is made, is especially suitable for radiocarbon dating as it is composed of flax fibres that grow over a relatively short time.

Dr Alice Stevenson, Curator at the UCL Petrie Museum of Egyptian Archaeology, said: “The survival of highly perishable textiles in the archaeological record is exceptional, the survival of complete, or almost complete, articles of clothing like the Tarkhan Dress is even more remarkable. We’ve always suspected that the dress dated from the First Dynasty but haven’t been able to confirm this as the sample previously needed for testing would have caused too much damage to the dress.

Although the result is a little less precise than is now routinely possible through radiocarbon dating, as the sample was so small, it’s clear that the linen for the dress was made at the cusp of the First Dynasty or even earlier.”

Originally excavated by Egyptologist Flinders Petrie in 1913 from a First Dynasty tomb at Tarkhan, an Egyptian cemetery located 50km south of Cairo, the dress lay undiscovered with various other textiles until 1977 when the bundle was sent to the Victoria and Albert Museum in London for conservation work.

The dress itself is made from three pieces of sturdy hand-woven linen with a natural pale grey stripe with knife-pleated sleeves and bodice. The hem is missing so it’s not possible to know the precise length of the dress, but the dimensions indicate that it fitted a young teenager or a slim woman. Although the exact context of its use remain unclear, there are visible signs of wear indicating that it was worn in life.

The Tarkhan Dress is on display at the UCL Petrie Museum of Egyptian Archaeology.

Source: University College London [February 20, 2016]

As armed groups in Syria and Iraq destroy priceless archaeological sites, European authorities and dealers are on high alert for smaller, looted artefacts put on sale to help finance the jihadists' war.

Stolen-art expert Chris Marinello, director of Art Recovery International, said he has been shown photographs of items being offered from Syria that were "clearly looted right out of the ground".

"You could still see dirt on some of these objects," he told AFP.

They included cylinder seals, Roman bottles and vases, although Marinello said it was unclear whether the items were still in Syria, were in transit or had arrived in the key markets of Europe and the United States.

Concerns about looting during the Syrian war have increased following the advance of the Islamic State group through parts of Syria and Iraq, and recent propaganda videos showing their destruction of ancient sites such as Nimrud.

The UN Security Council in February demanded UN states act to stop the trade in cultural property from those two countries, amid warnings that they represented a significant source of funding for the militant group.

Experts say it is impossible to put a value on antiquities looted from Syria, which has been home to many civilisations through the millennia, from the Canaanites to the Ottomans.

The London-based International Association of Dealers in Ancient Art (IADAA) estimates the entire legitimate antiquities market in 2013 was worth between 150 and 200 million euros ($160-215 million).

Marinello said reputable dealers are "being very careful not to touch anything that could remotely be part of this recent wave of looting".

But Hermann Parzinger, an archaeologist and president of the Germany-based Prussian Cultural Heritage Foundation, said there was an "enormous market" from private buyers.

He warned that the cultural costs were huge, telling AFP: "The context which is so important to reconstruct the history of these civilisations is completely destroyed."    

Italy has proposed that world heritage body UNESCO create a military taskforce to protect cultural sites in war zones, but many experts believe little can be done to stop the current destruction.

Instead, they are forced to wait until the conflict ends and watch in horror as priceless historic sites are destroyed and the spoils gradually emerge onto the market.

Vernon Rapley, a former head of the art and antiquities squad at London's Metropolitan Police, expects many Syrian items to be held back to avoid flooding the market, as occurred after the US-led invasions of Iraq and Afghanistan.

The looted artefacts were likely to be "hauled up in warehouses either in the country or near the country, and only linked to the art trade in small pieces and at a later stage", he told AFP.

Stephane Thefo, who leads an Interpol unit dedicated to fighting the illegal trafficking of cultural goods, agreed that many items may disappear for years -- but insisted that tackling the trade was the best way to combat looting.

The French policeman would like to see tougher national laws on trafficking of cultural goods, something Germany is currently considering.

"We have to act by seeking to narrow markets for the illicit trade, hoping that by curbing the demand, the supply would eventually decrease," Thefo said.

Identifying looted objects is no easy task, however, not least because cultural crime is rarely a police priority.

The law puts the onus on the authorities to prove an item is illegal and a long delay in an artefact being sold, or multiple owners, make it hard to establish provenance.

At a conference at the V&A museum in London this week on the destruction of cultural property in conflict areas in Iraq and Syria, Mali, Libya and Yemen, archaeologists stressed the need for proper inventories of heritage sites.

They noted that objects that have been photographed and digitally catalogued are more likely to be recovered.

Interpol is currently building a database of stolen objects, and James Ede, a London dealer and IADAA board member, urged cultural bodies to share their information with dealers.

"This material will necessarily surface on the open market sooner or later. The challenge therefore is to identify it and where possible to return it when it is safe to do so," he said.

Author: Alice Ritchie | Source: AFP [April 17, 2015]

3D reconstructions of some of Syria's most spectacular archaeological sites go online Tuesday after a big push to digitalise the war-torn country's threatened heritage.

French digital surveyors have been working with Syrian archaeologists to map some of the country's most famous monuments after Islamic State jihadists sparked international outrage by blowing up two temples in the UNESCO World Heritage Site of Palmyra last year.

The eighth-century Umayyad Mosque in the capital Damascus—regarded by some as the fourth holiest place in Islam—and the Krak des Chevaliers Crusader castle near the ravaged city of Homs are the two most famous buildings to have been scanned in minute detail.

Photogrammetric technology developed by the French start-up Iconem has also been used to record the Roman theatre in the coastal city of Jableh and the Phoenician site in the ancient port of Ugarit, where evidence of the world's oldest alphabet was found.

Its technicians have also been working alongside 15 specialists from the Syrian Directorate General of Antiquities and Museums (DGAM) to digitalise some of the country's major museum collections.

Hundreds of important heritage sites have been sacked or destroyed during the five-year conflict, with the destruction of the first-century temples of Bel and Baalshamin in the ancient desert city of Palmyra causing a global outcry.

The Islamic State group has made a point of razing ancient shrines and statues it considers as idolatry and is also suspected of involvement in the illegal sale of antiquities.

Work on the "Syrian Heritage" database, the biggest 3D record of the country's monuments and treasures, began in December and includes a large number of Ottoman-era buildings in Damascus as well as its 11th-century citadel, which looms over the city.

The head of DGAM, Maamoun Abdulkarim, said the operation was essential to "avoid an irreplacable loss to humanity" given "the dramatic situation in our country".

"This solution gives our archaeological sites a real hope of renaissance and allows the memory of them to be preserved, no matter what happens," he added in a statement.

The drive, carried out with the help of the French grande ecole ENS and the research institute INRIA, is one of a number trying to catalogue sites in danger of falling into the line of fire.

The Institute for Digital Archaeology, created by Oxford and Harvard universities and Dubai's Museum of the Future, is also compiling a record of many vulnerable sites in Syria and neighbouring Iraq.

It has handed out 5,000 low-cost 3D cameras to archaeologists and NGOs with the hope of gathering a million images of threatened sites.

The Million Images Database hopes be fully online by the end of the year and will display life-size replicas of Palmyra's destroyed triumphal arch in New York's Times Square and London's Trafalgar Square in April.

The replicas of the arch, blown up by IS jihadists in October, are being made with the world's largest 3D printer.

France's culture minister had earlier floated the idea of a 3D recreation of the ancient city, known as the "Pearl of the Desert", based on photos taken by tourists over the years.

Author: Laurence Benhamou | Source: AFP [March 14, 2016]

At a sprawling Bronze Age cemetery in southern Jordan, archaeologists have developed a unique way of peering into the murky world of antiquities looting: With aerial photographs taken by a homemade drone, researchers are mapping exactly where - and roughly when - these ancient tombs were robbed.

Based on such images and conversations with some looters whose confidence they gained, archaeologists try to follow the trail of stolen pots and other artifacts to traders and buyers. They hope to get a better understanding of the black market and perhaps stop future plunder.

It's sophisticated detective work that stretches from the site, not far from the famed Dead Sea in Jordan, to collectors and buyers the world over.

The aerial photography detects spots where new looting has taken place at the 5,000-year-old Fifa graveyard, which can then sometimes be linked to Bronze Age pots turning up in shops of dealers, said Morag Kersel, an archaeologist at DePaul University in Chicago. Kersel, who heads the "Follow The Pots" project, also shares the data with Jordan's Department of Antiquities, to combat looting.

On a recent morning, team members walked across ravaged graves, their boots crunching ancient bones, as a tiny, six-bladed flying robot buzzed overhead. In recent years, drone use in archaeology has become increasingly common, replacing blimps, kites and balloons in surveying hard-to-access dig sites, experts said.

Chad Hill, an archaeologist at the University of Connecticut who built the drone, piloted it over a part of the graveyard that had not been mapped yet. The drone snapped photographs that allowed Hill to see in great detail how looting altered the landscape.

"We can see the change through time, not just of `a huge pit has been dug' but where different stones have moved," Hill said. "It's a level of resolution of spatial data collection that's never really been possible until the last couple of years."

As the drone's batteries ran low, Hill overrode the automatic pilot and guided the landing with a remote control. Flipping the drone on its back, he checked the camera, nodding approvingly at the afternoon's work.

The cemetery in Jordan's Dead Sea plain contains about 10,000 graves, part of the vast archaeological heritage of the region.

It looks like a moonscape as a result of looting, with about 3,700 craters stretching to the horizon and strewn with shards of skeletons and broken ceramics. Looters typically leave human remains and take only well preserved artifacts.

"I spend my days stepping on dead people," said Kersel, picking up a broken shell bracelet, presumably from ancient Egypt.

An underlying cause for looting is high unemployment, said Muhammed al-Zahran, director of the nearby Dead Sea Museum. "Looting happens all across the region," he said.

In Jordan, unemployment is 12 percent, and it's twice as high among the young.

Yet stolen antiquities rarely enrich local looters, said Neil Brodie, a researcher at the University of Glasgow's Scottish Centre for Crime and Justice Research.

Rather, the profits end up in Europe or America, Brodie said, describing high markups as the artifacts move from looter to middleman, dealer and then customer.

Brodie studied looting at another site in Jordan, the ruins of the early Bronze Age community of Bab adh-Dhra, though without the help of drones.

He estimated that diggers were paid about $10,500 for 28,084 pots that were subsequently sold in London for over $5 million, sometimes marketed as "Old Testament" artifacts.

An artifact that later sold for $275,000 was initially traded for a pig, Brodie's research showed. And he also found that a dancing Hindu deity bought for about $18 sold eventually for $372,000.

Some of the artifacts stolen from Jordan's sites, including tombstones, end up in neighboring Israel, said Eitan Klein, a deputy at the Israeli Antiquities Authority's robbery unit.

Kersel, from the "Follow the Pots" project, said looters told her they sell their goods to middlemen from the Jordanian capital of Amman or the southern town of Karak. She said the trail stops with the shadowy middlemen, but that she can sometimes pick it up on the other end, by comparing the looting timeline with what eventually ends up on the market all across the world.

In addition to monitoring the cemetery, Kersel also teaches local workshops on profiting from antiquities legally, including by making and selling replicas, to discourage robbing graves.

Yet, looting will be difficult to stop as long as demand remains high, she said.

"People don't ask the sticky questions about where artifacts come from," said Kersel, standing inside a robbed grave in Fifa. "They just want to own the piece regardless of what kind of background the artifact has, and that is what causes people on the ground to loot."

Author: Sam McNeil | Source: The Associated Press [April 03, 2015]

An extraordinary archaeological discovery was revealed in an excavation of the Israel Antiquities Authority prior to the construction of a road being built at the initiative of the Netivei Israel Company. During the excavation, carried out as part of the Jezreel Valley Railway Project between Ha-‘Emekim Junction and Yagur Junction, remains of the oldest kilns in Israel were discovered where commercial quantities of raw glass were produced. These kilns, c. 1,600 years old (dating to the Late Roman period), indicate that the Land of Israel was one of the foremost centers for glass production in the ancient world.

According to Yael Gorin-Rosen, head curator of the Israel Antiquities Authority Glass Department, “This is a very important discovery with implications regarding the history of the glass industry both in Israel and in the entire ancient world. We know from historical sources dating to the Roman period that the Valley of ‘Akko was renowned for the excellent quality sand located there, which was highly suitable for the manufacture of glass. Chemical analyses conducted on glass vessels from this period which were discovered until now at sites in Europe and in shipwrecks in the Mediterranean basin have shown that the source of the glass is from our region. Now, for the first time, the kilns have been found where the raw material was manufactured that was used to produce this glassware”.

The excavation of the kilns has caused great excitement in recent weeks among glass researchers throughout the world, some of whom have come especially to Israel in order to see this discovery first hand. According to Professor Ian Freestone of the University College London, who specializes in identifying the chemical composition of glass, "This is a sensational discovery and it is of great significance for understanding the entire system of the glass trade in antiquity. This is evidence that Israel constituted a production center on an international scale; hence its glassware was widely distributed throughout the Mediterranean and Europe”.

This enormously important site was discovered by chance last summer by archaeologist Abdel Al-Salam Sa‘id, an inspector with the Israel Antiquities Authority. While overseeing infrastructure work being conducted on the new railway line from Haifa to the east, he suddenly observed chunks of glass, a floor and an ash layer inside a trench. He halted construction work at the site and began preparations for an archaeological excavation, the important results of which are now evident.

According to Abdel Al-Salam Sa‘id, the excavation direction, “We exposed fragments of floors, pieces of vitrified bricks from the walls and ceiling of the kilns, and clean raw glass chips. We were absolutely overwhelmed with excitement when we understood the great significance of the finds”.

The kilns that were revealed consisted of two built compartments: a firebox where kindling was burnt to create a very high temperature, and a melting chamber – in which the raw materials for the glass (clean beach sand and salt) were inserted and melted together at a temperature of c. 1,200 C degrees. The glass was thus heated for a week or two until enormous chunks of raw glass were produced, some of which weighed in excess of ten tons. At the end of the manufacturing process the kilns were cooled; the large glass chunks that were manufactured were broken into smaller pieces and were sold to workshops where they were melted again in order to produce glassware.

During the Early Roman period the use of glass greatly expanded due to its characteristics: its transparency, beauty, the delicacy of the vessels and the speed with which they could be produced by blowing – an inexpensive technique adopted at the time that lowered production costs. Glass was used in almost every household from the Roman period onward, and it was also utilized in the construction of public buildings in the form of windows, mosaics and lighting fixtures. Consequently, large quantities of raw glass were required which were prepared on an industrial scale in specialized centers. The installation that was discovered in the excavation is an example of one of these ancient production facilities.

According to a price edict circulated by the Roman emperor Diocletian in the early fourth century CE, there were two kinds of glass: the first was known as Judean glass (from the Land of Israel) and the second – Alexandrian glass (from Alexandria, Egypt). Judean glass was a light green color and less expensive than Egyptian glass. The question was: Where were the centers that manufactured this Judean glass that was a branded product known throughout the Roman Empire and whose price was engraved on stone tablets so as to ensure fair trade. The current discovery completes the missing link in the research and indicates the location where the famous Judean glass was produced.

In a few months time the public will be able to see this discovery first-hand when it will be exhibited at the "Carmel Zvulun" Regional High school, in the Zevulun Regional Council.

Additional Background Information

Glass production kilns that date to the sixth or early seventh century CE were previously found at Apollonia in Herzliya and are c. 200 years later than the current discovery. The largest glass production facility from antiquity that has been found so far was exposed in the Bet Eliezer neighborhood in Hadera where it was dated to the seventh–eighth centuries CE, and the latest evidence we have of glass production in the country was revealed at Bet She‘arim (next to Khirbat ‘Asafna), dated to the late eighth and early ninth centuries CE.

The kilns that were just recently found are the earliest ones to be discovered so far in Israel. Their relatively good state of preservation will make it possible to better understand the production process. Researchers now hope that by means of its chemical composition they will be able to trace the export of the glass throughout the Roman Empire.

The raw glass industry at Khirbat ‘Asafna was part of an extensive industrial zone where there were oil presses, wine presses and a glassware workshop which was excavated in the 1960’s by an American archaeological expedition

Source: Israel Antiquities Authority [April 11, 2016]

The destruction at the ancient city of Palmyra symbolises the suffering of the Syrian people at the hands of the terrorist group known as Islamic State (IS). Palmyra was a largely Roman city located at a desert oasis on a vital crossroad, and “one of the most important cultural centres of the ancient world”. Its remarkable preservation highlighted an intermingling of cultures that today, as then, came to stand for the tolerance and multiculturalism that pre-conflict Syria was renowned for -– tolerance that IS seeks to eradicate.

Early in the conflict, the area was heavily fortified. Roads and embankments were dug through the necropolises and the Roman walls, and the historic citadel defences were upgraded. Yet the terrorists occupied and desecrated the city from May 2015, systematically destroying monuments such as the Temple of Baalshamin, the Temple of Bel, seven tower tombs, a large Lion goddess statue and two Islamic shrines. They ransacked the museum, tortured and executing the former site director Khaled al-Asaad in search of treasure to sell. According to satellite imagery analysis the site was heavily looted throughout it all.

Now the city has been recaptured, the first damage assessments are underway, and Syrian – and international – attention is already turning to restoration. This work will be greatly aided by the Syrians who risked their lives to transport the contents of the Palmyra museum to safety. The last truck pulled out as IS arrived, with bullets whizzing past.

Even as they were displaced, Syrians have worked to keep a detailed memory of the city alive. Syrian artists created artworks depicting the destruction. In a Jordanian camp, refugees made miniature models of the city and other cultural sites, even measuring out the number and position of Palmyra’s columns from photographs.

The international community is also playing its part. Groups like UNOSAT, the UN’s satellite imagery analysts have used satellite imagery to monitor the damage. On the ground, Syrian-founded NGOs like APSA have linked with universities to assess the site. Groups such as NewPalmyra and Palmyra 3D Model are using the latest technology to create open-access 3D computer models from photographs.

Others have gone even further. The Million Image Database Project at the Oxford Institute for Digital Archaeology distributed cameras to volunteers across the Middle East to collect 3D photos of sites. As well as creating 3D models, they will recreate full-scale artefacts, sites, and architectural features using their own cement-based 3D printing techniques. This will start with a recreation of the arch from Palmyra’s Temple of Bel, due to be unveiled in London in April 2016.

Ethics of restoration

As well as being used for research, education and enjoyment, this technology could recreate (and perhaps ultimately restore) what IS has destroyed. 3D printing can be done in any colour of shapeable material, and can be as obvious – or as unobtrusive – as desired. The group is also exploring using computer-guided tools to quickly carve their models into stone.

It wouldn’t be the first time such large-scale restoration has been undertaken. Historic central Warsaw, for example, was destroyed during World War II, and was almost completely reconstructed and is now a World Heritage site. Reconstruction is costly, but might be accomplished more quickly and cheaply using new digital techniques, showing the world that Syria values its cultural heritage.

But many argue that 3D printing fails to capture the authenticity of the original structures, amounting to little more than the Disneyfication of heritage. They also point out that the fighting is still ongoing: 370,000 Syrians are dead, millions are displaced, and perhaps 50%-70% of the nearby town has been destroyed. Given the pressing humanitarian needs, stabilisation alone should be the priority for now.

Rebuilding also fails to redress the loss caused by the extensive looting of the site, focusing only on the dramatically destroyed monuments. Perhaps most importantly, its worth asking whether returning Palmyra exactly to its pre-conflict state denies a major chapter of its history? There needs to be a wide-ranging discussion on the priorities for the immediate future and the nature of any future reconstruction.

As has happened after previous conflicts, there may need to be a memorial as a testimony to those beheaded in the arena, or tied to columns that were detonated, or to the former site director executed in trying to protect this site that was so important to him. These stories, and many more, are a part of Palmyra’s, and Syria’s, history.

One thing is clear: while Palmyra may hold great significance to the world, the final decision should belong to those who have lived alongside it, cared for it, managed it, fought for it, and protected it for generations: the Syrian people.

Author: Emma Cunliffe, University Of Oxford | Source: The Conversation [March 31, 2016]

The southern Turkish province of Muğla's Datça Municipality has initiated a project to repatriate the historical artifacts belonging to the ancient Greek city of Knidos back to the district. Artifacts such as the 'Lion of Knidos' and the 'Demeter of Knidos', which are displayed at the British Museum in London as well as the artifacts displayed at the Marmaris and Bodrum museums are planned to be restored to their original site.

Speaking to Anadolu Agency (AA), Datça Municipality Mayor Gürsel Uçar said they are determined to regain the artifacts and they will apply to the Culture and Tourism Ministry for assistance. He said the artifacts unearthed in Knidos, in present-day Datça, are stored at the Marmaris Museum and Bodrum Museum as well as in storage at Middle East Technical University and Selçuk University. He added that the artifacts should be displayed and stored where they are excavated.

The municipality previously contacted the ministry, and they were assured that the small museums in the region will be closed and a new museum in Datça will be built. However, Uçar stressed that there has been no development since.

"We are determined to display the artifacts unearthed in Datça at their original site," Uçar said. Datça has two protected areas called Reşadiye and the Old Datça Neighborhood.

The latter draws thousands of tours every year thanks to Knidos. However, the municipality also wants to make Reşadiye a tourist attraction with a museum where they can display the artifacts from Knidos.

"We decided on a 20 hectare area in Reşadiye for the museum building. Although Reşadiye was taken under protection, the region does not have the necessary historical atmosphere. We want to develop Reşadiye and build a museum in the region," Uçar said.

Tourist guide and an official of Datça Municipality's Department of Culture, Osman Akın, told AA that thousands of artifacts have been unearthed in Knidos, and a huge part of these artifacts are displayed in museums in the UK. He said the 'Lion of Knidos' and 'Demeter of Knidos' sculptures are still showcased in the British Museum in London.

"The worst thing is that the other artifacts unearthed in the ancient city are not displayed in Datça either," Akın said. He added that the sculptures in the British Museum belong to Datça, and they had to make the replicas of the sculptures in order to remind people that these artifacts were excavated from Knidos.

"The British Museum is considered one of the most important archaeology museums in the world. When you enter the museum from the first entrance, the 'Lion of Knidos' welcomes you to the museum. It is a huge sculpture that weighs 11 tons and is 8 meters tall," he said.

The king of Knidos commissioned the 'Lion of Knidos' sculpture after their naval victory under the command of Admiral Conon. The sculpture was taken out of its original site by British officer and archaeologist Sir Charles Newton in 1855 on a battleship.

Source: Daily Sabah [December 09, 2015]

Archaeologists from the British museum have reconstructed an ancient man's face, allowing visitors to see what he looked like for the first time.

The man lived 9,500 years ago in the holy city of Jericho, now found in the Palestinian territories near the West Bank.

The 'Jericho skull' was found by British archaeologists in 1953, but until now nobody knew what the he had looked like.

Scientists still don't know the man's true identity, but they speculate that he was once someone of great importance.

This is based on the amount of care people had taken to fill his skull with plaster once he had died, almost 10,000 years ago.

Back then, plastered skulls were a form of ritual burial, like the Egyptians' infamous mummification burials.

The gruesome practice involved removing the corpse's skull and filling it with plaster, before painting over the dead person's face and filling his eye sockets with shells.

These remains were likely put on display for locals while the rest of the body was buried under the family home.

The Jericho skull was found nestled alongside several other plastered skulls, but was by far the most well-preserved of the group.

'He was certainly a mature individual when he died, but we cannot say exactly why his skull, or for that matter the other skulls that were buried alongside him, were chosen to be plastered,' British Museum curator Alexandra Fletcher told >Seeker.

'It may have been something these individuals achieved in life that led to them being remembered after death.'

Before the reconstruction, the ancient skull showed few human features due to the plaster pasting over most of its features.

To investigate the grim burial practice, the scientists sent the skull off for a scan at the Imaging and Analysis Centre at London's Natural History Museum.

Here, a complete micro-CT scan unveiled a ream of new information about the skull, and inspired the Museum to undertake a full plaster reconstruction.

Through the CT scans, the team discovered that the ancient man was missing a jaw underneath the plaster, and had lines of decaying teeth.

They could see he had suffered a broken nose at some point in his life.

He had also undergone head-binding, a traditional practice in which the skull of a human being is deformed intentionally, usually by forcefully distorting a child's skull.

'Head binding is something that many different peoples have undertaken in various forms around the world until very recently,' Fletcher told Seeker.

'In this case, the bindings have made the top and back of the head broader - different from other practices that aim for an elongated shape. I think this was regarded as a 'good look' in Jericho at this time.'

All of the newly gathered details allowed the team to make an accurate plaster reconstruction of the man's head.

And while the fascinating new model provides fresh insight into the man's life, plenty more work needs to be done to discover more about his history and culture.

The team hopes to gather DNA samples from the skull in future, laying out 10,000 year-old genes for investigation.

But the process would be risky - it's likely to damage the skull and useful results aren't guaranteed.

'If we were able to extract DNA from the human remains beneath the plaster, there is currently a very slight chance that we would be able to find out this individual's hair and eye colour,' Fletcher said.

'I say a slight chance because the DNA preservation in such ancient human remains can be too poor to obtain any information.'

The reconstructed face will be on display at the British Museum in London from next Thursday until mid-February.

Author: Harry Pettit | Source: Daily Mail Online [December 09, 2016]

A limestone relief dating back to the New Kingdom period, between the 16th and 11th centuries BC, was recovered Sunday from an auction hall in London after two weeks of negotiations.

Minister of Antiquities Mamdouh Eldamaty told Ahram Online that the ministry was informed about the relief by the curator at the British Museum, Marcel Marée.

Marée sent a photograph of the piece to the ministry asking for its authenticity, as the piece was put on display in an auction hall in London.

Eldamaty assigned an archeological committee to inspect the relief. The committee later confirmed its authenticity.

A report was then filed at Egypt’s Tourism and Antiquities police and a similar one was sent to Interpol in order to stop the sale of the relief.

Ali Ahmed, Director of the Recuperation Antiquities Department, explained that the relief was then confiscated by the British police and is due to come home next week.

He explained that the relief was stolen due to illegal excavations. The relief is engraved with a scene depicting the 19th dynasty King Seti I before goddess Hathor and god Web Wawat. It also bears hieroglyphic text and the names of several ancient Egyptian deities of Assiut governorate in Upper Egypt.

“It is a very important relief as it depicts a not yet discovered temple of king Seti I in Assiut,” Ahmed pointed out.

Author: Nevine El-Aref | Source: Ahram Online [October 04, 2015]

A large wooden model boat from the Egyptian Middle Period 2123-1797 BC, sold for £161,000 at Bonhams Antiquities Sale in London yesterday. The boat had been estimated at £30,000-50,000.

Boats were an integral part of Egyptian everyday life and mythology and as such they were considered necessary in the afterlife. Usually two model boats were provided for each tomb, one showing the crew sailing south with the prevailing wind and the other with the crew rowing north.

The boat was originally bought by British army officer, Esmond Sinauer, in Egypt in the early part of the 20th century and passed by descent to the Scottish private collection from which it was consigned for sale.

In total the sale made more than £1,310,000.

Other highlights included:

• A late Egyptian Bronze Cat from around 664-30 BC estimated at £20,000-30,000 which sold for £137,000. The cat had been in the well-known collection of the Antiquities dealer Raymond Richardson who acquired it in the 1950s.

• A Roman Marble Mask of a Woman from the 1st century AD which sold for £102,500 having been estimated at £20,000-30,000.

• A Roman Marble torso of a man estimated at £30,000-50,000 which sold for £60,000.

Bonhams Senior Specialist in Antiquities, Siobhan Quin, said,” The wooden boat was an exceptionally fine work of particularly impressive dimensions which attracted a lot pre-sale interest, reflected in keen bidding in the sale room on the phones and on the internet. In a strong sale, a first-century bronze Egyptian cat also stood out, but many other pieces also exceeded their estimates.”

Source: Bonhams [December 01, 2016]

Giant replicas of an ancient arch in the Syrian city of Palmyra attacked by Islamic State (IS) jihadists will go on show in London and New York next year, organisers said Monday.

The full-size recreation of the arch from the 2,000-year-old Temple of Bel will reportedly made using the world's biggest 3D printer and put on display in London's Trafalgar Square and Times Square in New York in April.

IS seized Palmyra, a UNESCO World Heritage Site northeast of Damascus known as the "Pearl of the Desert", in May and beheaded its 82-year-old former antiquities chief three months later.

In September, satellite images confirmed that the Temple of Bel, the main temple at Palmyra, had been targeted by IS as part of a campaign to destroy pre-Islamic monuments, tombs and statues it considers idolatrous.

UN experts said the main building of the temple plus a row of columns had been destroyed.

Alexy Karenowska, director of technology at the Institute of Digital Archaeology in Oxford which is funding the reconstruction, confirmed a Times newspaper report that the replicas would be created for a special world heritage week.

"Reproductions/models of the structure, large and small, will be produced and installed around the world in schools, museums and prominent public spaces," Karenowska wrote in an email to AFP.

The institute's executive director, Roger Michel, was quoted in The Times as saying that the replicas standing 15 metres (50 feet) high were likely to be on temporary display.

"It is really a political statement, a call to action, to draw attention to what is happening in Syria and Iraq and now Libya," he added.

"We are saying to them, 'If you destroy something, we can rebuild it again.'

"The symbolic value of these sites is enormous -- we are restoring dignity to people."

Source: AFP [December 29, 2015]