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Unprecedented new details of medieval cities hidden under jungle in Cambodia near Angkor Wat have been revealed using lasers, archaeologists said Sunday, shedding new light on the civilisation behind the world's largest religious complex.

While the research has been going on for several years, the new findings uncover the sheer scale of the Khmer Empire's urban sprawl and temple complexes to be significantly bigger than was previously thought.

The research, drawing on airborne laser scanning technology known as lidar, will be unveiled in full at the Royal Geographic Society in London on Monday by Australian archaeologist Damian Evans.

"We always imagined that their great cities surrounded the monuments in antiquity," Evans told AFP.

"But now we can see them with incredible precision and detail, in some places for the very first time, but in most places where we already had a vague idea that cities must be there," he added.

Angkor Wat, a UNESCO World Heritage site seen as among the most important in southeast Asia, is considered one of the ancient wonders of the world.

It was constructed from the early to mid 1100s by King Suryavarman II at the height of the Khmer Empire's political and military power and was among the largest pre-industrial cities in the world.

But scholars had long believed there was far more to the empire than just the Angkor complex.

The huge tranch of new data builds on scans that were made in 2012 that confirmed the existence of Mahendraparvata, an ancient temple city near Angkor Wat.

But it was only when the results of a larger survey in 2015 were analysed that the sheer scale of the new settlements became apparent.

To create the maps, archaeologists mounted a special laser on the underneath of a helicopter which scans the area and is able to see through obstructions like trees and vegetation.

Much of the cities surrounding the famed stone temples of the Khmer Empire, Evans explained, were made of wood and thatch which has long rotted away.

"The lidar quite suddenly revealed an entire cityscape there with astonishing complexity," he said.

"It turned out we'd been walking and flying right over the top of this stuff for ten years and not even noticing it because of the vegetation."

Among the new scans already published are a detailed map of a huge city complex surrounding the stone temple known as Preah Khan of Kompong Svay, a series of iron smelting sites dating back to the Angkor era and new information on the complex system of waterways that kept the region running.

The new data also maps out the full extent of Mahendraparvata, information that will make future digs much more accurate and less time consuming.

"What we had was basically a scatter of disconnected points on the map denoting temple sites. Now it's like having a detailed street map of the entire city," Evans said.

Further maps will be published in the coming months, he added.

Long Kosal, a spokesman for the Apsara authority, the government body that manages the Angkor complex, said the lidar had uncovered "a lot of information from the past."

"It shows the size and information about people living at those sites in the past," he told AFP, adding further research was now needed to capitalise on the finds.

While the Khmer Empire was initially Hindu it increasingly adopted Buddhism and both religions can be seen on display at the complex.

Angkor is visited by hundreds of thousands of visitors a year and remains Cambodia's top tourist attraction.

For more information see the >Cambodian Archaeological Lidar Initiative website.

Author: Suy Se | Source: AFP [June 12, 2016]

A long-running smuggling scandal involving temple looters in India and a high-profile New York art dealer has widened after an independent review found that the National Gallery of Australia may have been among the prestigious art galleries duped by false documentation.

The Canberra-based gallery, which is Australia's leading cultural institution, said in mid-February that it had identified 22 objects with suspect origins in its Asian art collection, including 14 works bought from former New York-based dealer Subhash Kapoor for $11 million.

Kapoor is in custody in Chennai, India, awaiting trial on art theft charges following his arrest in Germany in October 2011 and extradition to India in mid-2012.

The Canberra gallery said an independent review of its Asian art provenance project by a former High Court judge, Susan Crennan, found the 22 objects had "insufficient or questionable" documentation of their provenance.

One of the objects, a 900-year-old Chola-era bronze statue entitled "Shiva as Lord of the Dance (Nataraja)" has already been returned to India. Former Australian Prime Minister Tony Abbott handed it over to Indian Prime Minister Narendra Modi in September 2014, along with a stone statue of Ardhanariswara (Shiva in half-female form), dating from around 1100. That statue was in the collection of another leading Australian gallery, the Sydney-based Art Gallery of New South Wales.

Both of these Hindu art treasures allegedly were stolen from temples in Tamil Nadu in southern India and shipped to Kapoor.

The Canberral gallery bought the Shiva Nataraja from Kapoor's Art of the Past gallery on Madison Avenue in New York in 2008 for $5.1 million, while the New South Wales gallery paid Kapoor 300,000 Australian dollars ($220,800) in 2004 for the Ardhanariswara. The provenance documents he provided now appear to be fraudulent, according to Crennan's report. "There is evidence that the object (the Shiva Nataraja) was stolen from an identified temple in Tamil Nadu ... and that it left India in late 2006 and was given a false ownership history," she wrote. Kapoor is alleged to have masterminded the theft of 28 bronzes from two temples in Tamil Nadu in 2006 and 2008, and their illegal export to the U.S., according to the Economic Offences Wing of the Tamil Nadu police. U.S. authorities have seized $100 million worth of antiquities from Kapoor's gallery and an associated business, Nimbus Import Export, and Kapoor may face U.S. charges after his Chennai trial. Delhi-born Kapoor, 66, moved to the U.S. in 1974 and is a U.S. citizen.

The two Australian galleries are not the only major institutions to have made purchases from Kapoor; galleries in Singapore, Germany, the U.S. and Canada have returned art objects to India over the past year.

A private New York collector surrendered a $1 million bronze to U.S. authorities in mid-2015 after it was identified as stolen. It has also become clear that many major U.S. institutions dealt with Kapoor, including the Metropolitan Museum of Art in New York, the Museum of Fine Arts in Boston, the Art Institute of Chicago, the Toledo Museum of Art in Ohio and the Smithsonian's Freer and Sackler Galleries in Washington DC.

Crennan's independent report on the Canberra gallery's Asian Art Provenance project, published on Feb. 17, covers 36 objects acquired between 1968 and 2013, including the 14 bought from Kapoor between 2002 and 2011.

Crennan found that only 12 of the 36 had satisfactory provenance, while two others needed further research and the remaining 22 had insufficient or questionable provenance documentation. The gallery aims eventually to publish the provenance of all 5,000 objects in its Asian art collection.

Aside from the Kapoor purchases, the 36 objects whose documentation was reviewed by Crennan included a red sandstone sculpture, the "Seated Buddha," which the gallery bought from Nancy Wiener Galleries in New York for $1,080,000 in 2007. Last year, after discussions about how the Kushan-period sculpture -- created between 200 BC and 400 AD -- was exported from India, Wiener agreed to refund the purchase price to the Canberra gallery and undertook to return the sculpture to India in 2016.

"Exemplary collaboration"

India's High Commissioner in Australia, Navdeep Suri, praised the Canberra gallery's actions, saying its collaboration with the Archaeological Survey of India to determine the provenance of the "Seated Buddha" was "truly exemplary." He said the Australian gallery had set an example for other countries and institutions to follow in the restitution of stolen artworks to their countries of origin.

The Canberra gallery bought the "Seated Buddha" with assistance from gallery benefactor Roslyn Packer, widow of the late media tycoon Kerry Packer. Roslyn Packer also helped the gallery to buy an 800-year-old sculpture, the "Sacred Bull Nandi, Vehicle of Shiva," for A$655,000 from another New York art dealer, Carlton Rochell, in 2009. This sculpture's provenance is also under a cloud; Crennan's report described it as "problematic" and needing further research.

In a September 2014 statement to mark Abbott's return of the two statues to India, the Canberra gallery said it "would never knowingly purchase a stolen or looted item." It said the gallery had undertaken lengthy, comprehensive and independent research before it bought the Shiva Nataraja from Kapoor in 2008. "Despite these efforts, court proceedings may yet confirm that the gallery has been a victim of a most audacious fraud," said the then director of the gallery, Ron Radford. Radford retired the same month, after 10 years as director.

The search for the Hindu statues stolen from two temples in Tamil Nadu in 2006 and 2008 was aided by photographic evidence from the archives of the French Institute of Pondicherry. The institute, established in what was once the French colony of Pondicherry, about 200km south of Chennai, had a collection of photographs of items in various temples in the region. These were matched against catalogue pictures of items being offered for sale by Kapoor in New York. Kapoor's Art of the Past gallery manager Aaron Freedman pleaded guilty in the U.S. in December 2013 to one count of criminal conspiracy and five counts of possession of stolen property. He is now helping U.S. federal authorities with their inquiries. Another New York associate, Selina Mohamed, was charged in December 2013 with possession of stolen property. She subsequently pleaded guilty to a misdemeanor charge of conspiracy and in March 2015 was given a one year conditional release.

The arrests were part of Operation Hidden Idol, run by the U.S. Immigration and Customs Homeland Security Investigations' cultural property unit, which focused on Kapoor's activities.

The Kapoor case evokes parallels with an art looting saga from the 1970s involving a temple north-east of Cambodia's famed Angkor complex. Between 2013 and 2015, six 10th century sandstone statues that were stolen from the Koh Ker temple during the Cambodian civil war were returned to Cambodia from the U.S. The Metropolitan Museum of Art in New York returned two of these statues in 2013 after it said new information had come to light that was not available when the statues were donated to the museum between 1987 and 1992.

In 2014, three items portraying characters from the Mahabharata, an epic Sanskrit poem of ancient India, were returned by the U.S., including a statue of Duryodhana that was first auctioned in London in 1975. The statue was due to be auctioned by Sotheby's in New York in March 2011 before action by Unesco, the United Nations cultural organization, stopped the sale on Cambodia's behalf.

Another statue, of the character Bhima, was returned by California's Norton Simon museum and a third, representing the character Pandava, was returned by Christie's auction house in 2014. Last year, the Cleveland Museum of Art said it would return a statue of Hanuman, a Hindu god, that it acquired in 1982.

Author: Geoff Hiscock | Source: Nikkei Asian Review [March 04, 2016]

In Angkor Wat research, the focus has long been on temples and high society. A new project there is taking a different approach, laying the foundation for a new understanding of the iconic empire

A team excavating a dirt mound at Angkor Wat is hoping to shed light on one of the enduring blank spots in archaeologists’ understanding of the Angkorian empire: the lives of its common people.

It’s a fresh direction in the field of Angkorian archaeology, according to the leader of the dig, Alison Carter, 35, an Honorary Associate at the University of Sydney.

“We’ve spent a lot of time focusing on the temples and inscriptions and the elite members of the society, but there’s still so much that can be learned about the regular people who were contributing to the Angkorian empire. I hope that this project can spark some interest in those regular people,” she said this week.

Carter, an American who has been doing archaeology work in Cambodia for 10 years, said that her excavation was the first of its kind to focus directly on, what she believes to be, an Angkorian-era home.

The project, titled “Excavating Angkor: Household Archaeology at Angkor Wat” which began in early June and will continue through July, is funded primarily by the US-based National Geographic Society, as well as the Dumbarton Oaks institute. It is a part of the larger Greater Angkor Project, an umbrella research initiative managed by the University of Sydney and the APSARA Authority.

“This project is focused on excavating a house mound within the Angkor Wat enclosure. We’re trying to do a horizontal excavation. We’re not opening one huge trench but multiple trenches across this mound, and we’re doing that to try to understand where and how people are living,” Carter said.

“You could [call this] groundbreaking, not just because it is a good archaeological pun, but also because it does signal a shift in how people have been studying Angkor since the French began their research here.”

Carter and her international team are looking for artefacts of daily life – pots, utensils, food remains, gardens – hoping to piece together a picture of what life was like for the non-elite during and after the reign of the Angkor empire from circa 802AD to about 1463AD.

“Basically, anything that anyone does around the house and at home, we’re trying to find material evidence of that,” she added.

The idea for her project stemmed from a 2013 excavation within the Angkor Wat enclosure that found ceramics, cooking vessels, Chinese tradewares and other features that suggested human habitation. It was an important find, said Carter, but one that was largely overshadowed by the published results of another project: an extensive aerial laser surveying – known as lidar – of Angkor and its surrounding temples that was released around the time of the 2013 dig.

Along with evidence of daily activities, Carter and her team are also looking for signs of postholes in their mound.

“It’s a tricky process. It’s hard to study Angkorian houses because the houses themselves were above ground, so we’re using a variety of different strategies to try to pick up as much information as we possibly can,” she said.

Those strategies include methods that have not been used so far in the study of Angkor, such as soil analysis. Through several methods, including analysis of both macro and micro materials, team members can deduce a number of things from the dirt: where there might have been entryways, which areas were used for food preparation and areas where there may have been a garden.

Dougald O’Reilly, a senior lecturer in archaeology at the Australian National University, said that to date, most research of the Khmer empire had examined things mostly from a macro perspective.

“It is encouraging to see this type of work being undertaken to bring to light the subtle nuances of daily life at Angkor at the height of its power. It will bring a far more textured understanding of the past,” O’Reilly said.

Carter said that, due to a binding agreement with National Geographic, she was unable to disclose the specific details of what her team had discovered so far.

However, she did say that the team had discovered a lot of ceramics that seemed to be related to cooking.

“We’re finding evidence of how the mound was constructed and how people might have been living on it,” she said.

Team member Cristina Castillo, from University College London who is studying macrobotanical remains, said they hoped to continue the research in the residential areas to find out more about the local people’s diets and farming systems, which may have included horticultural activities adjacent to their residences.

“After all, rice was the staple, but they were eating a variety of crops, and fish and animals, as well,” she said.

Carter stressed that this excavation was just the beginning of what she hoped would be a renewed focus on the lives of regular Angkorians.

“Once we start getting a bigger data set of house mounds and households then we can really start seeing and saying a lot more about Angkorian society and what the daily lives of people were like,” she said.

“This is the power of archaeological research – to give a voice to these parts of the past.”

Author: Brent Crane | Source: The Phnom Penh Post [July 04, 2015]