The Great London [Search results for Heritage] 

3D reconstructions of some of Syria's most spectacular archaeological sites go online Tuesday after a big push to digitalise the war-torn country's threatened heritage.

French digital surveyors have been working with Syrian archaeologists to map some of the country's most famous monuments after Islamic State jihadists sparked international outrage by blowing up two temples in the UNESCO World Heritage Site of Palmyra last year.

The eighth-century Umayyad Mosque in the capital Damascus—regarded by some as the fourth holiest place in Islam—and the Krak des Chevaliers Crusader castle near the ravaged city of Homs are the two most famous buildings to have been scanned in minute detail.

Photogrammetric technology developed by the French start-up Iconem has also been used to record the Roman theatre in the coastal city of Jableh and the Phoenician site in the ancient port of Ugarit, where evidence of the world's oldest alphabet was found.

Its technicians have also been working alongside 15 specialists from the Syrian Directorate General of Antiquities and Museums (DGAM) to digitalise some of the country's major museum collections.

Hundreds of important heritage sites have been sacked or destroyed during the five-year conflict, with the destruction of the first-century temples of Bel and Baalshamin in the ancient desert city of Palmyra causing a global outcry.

The Islamic State group has made a point of razing ancient shrines and statues it considers as idolatry and is also suspected of involvement in the illegal sale of antiquities.

Work on the "Syrian Heritage" database, the biggest 3D record of the country's monuments and treasures, began in December and includes a large number of Ottoman-era buildings in Damascus as well as its 11th-century citadel, which looms over the city.

The head of DGAM, Maamoun Abdulkarim, said the operation was essential to "avoid an irreplacable loss to humanity" given "the dramatic situation in our country".

"This solution gives our archaeological sites a real hope of renaissance and allows the memory of them to be preserved, no matter what happens," he added in a statement.

The drive, carried out with the help of the French grande ecole ENS and the research institute INRIA, is one of a number trying to catalogue sites in danger of falling into the line of fire.

The Institute for Digital Archaeology, created by Oxford and Harvard universities and Dubai's Museum of the Future, is also compiling a record of many vulnerable sites in Syria and neighbouring Iraq.

It has handed out 5,000 low-cost 3D cameras to archaeologists and NGOs with the hope of gathering a million images of threatened sites.

The Million Images Database hopes be fully online by the end of the year and will display life-size replicas of Palmyra's destroyed triumphal arch in New York's Times Square and London's Trafalgar Square in April.

The replicas of the arch, blown up by IS jihadists in October, are being made with the world's largest 3D printer.

France's culture minister had earlier floated the idea of a 3D recreation of the ancient city, known as the "Pearl of the Desert", based on photos taken by tourists over the years.

Author: Laurence Benhamou | Source: AFP [March 14, 2016]

With scientists forecasting sea levels to rise by anywhere from several inches to several feet by 2100, historic structures and coastal heritage sites around the world are under threat. Some sites and artifacts could become submerged.

Scientists, historic preservationists, architects and public officials are meeting this week in Newport, Rhode Island—one of the threatened areas—to discuss the problem, how to adapt to rising seas and preserve historic structures.

"Any coastal town that has significant historic properties is going to be facing the challenge of protecting those properties from increased water and storm activity," said Margot Nishimura, of the Newport Restoration Foundation, the nonprofit group hosting the conference.

Federal authorities have encouraged people to elevate structures in low-lying areas, but that poses challenges in dense neighborhoods of centuries-old homes built around central brick chimneys, Nishimura said, especially ones where preservationists are trying to keep the character intact.

Many of the most threatened sites in North America lie along the East Coast between Cape Hatteras, North Carolina, and southern Maine, where the rate of sea level rise is among the fastest in the world, said Adam Markham, of the Union of Concerned Scientists, a speaker at the conference.

"We're actually not going to be able to save everything," he said.

A look at some of the historic areas and cultural sites that are under threat from rising sea levels:

Statue of Liberty and Ellis Island

Situated in New York Harbor, the Statue of Liberty and Ellis Island are some of New York's most important tourist attractions.

In 2012, Superstorm Sandy submerged most of the low-elevation Liberty and Ellis islands. After the storm, the Statue of Liberty, a gift from the people of France in 1886, was closed for eight months. Ellis Island, the entry point for about 12 million immigrants to the United States from 1892 to 1954, remained closed for nearly a year.

A report by the National Park Service looked at how several parks would be threatened by 1 meter, or around 3 feet, of sea level rise. It found $1.51 billion worth of assets at the Statue of Liberty National Monument were highly exposed to sea level rise.

Much of historic Boston is along the water and is at risk due to sea level rise, including Faneuil Hall, the market building known as the "Cradle of Liberty," and parts of the Freedom Trail, a walking trail that links historic sites around the city.

Boston has seen a growing number of flooding events in recent years, up from two annually in the 1970s to an average of 11 annually between 2009 and 2013, according to a 2014 report by the Union of Concerned Scientists. If sea levels rise by 5 inches, the group reported, the number of floods is projected to grow to 31 annually. If seas rise by 11 inches, the number of flooding events is projected to rise to 72 per year.

Newport

The Point neighborhood in the Rhode Island resort town has one of the highest concentrations of Colonial houses in the United States, and it sits 4 feet above mean sea level. Tidal flooding is already occurring in the neighborhood, and that is expected to increase as sea levels rise, Nishimura said. The smell of sea water already permeates the basement of some homes.

Annapolis

Maryland's capital, on Chesapeake Bay, boasts the nation's largest concentration of 18th-century brick buildings. The city briefly served as the nation's capital in the post-Revolutionary War period, and the Treaty of Paris, which formally ended the war, was ratified there. The city is also home to the U.S. Naval Academy.

The city already sees tidal flooding dozens of times a year, and scientists have predicted number could rise to hundreds annually in the next 30 years.

Jamestown

Established in 1607, it is the first permanent English colony in North America. It sits along the tidal James River in Virginia, and most of the settlement is less than 3 feet above sea level. A large part of the settlement has already eroded because of wave action, Markham said. Storms have also damaged the site, including Hurricane Isabel in 2003, which flooded nearly 1 million artifacts. A rising water table at the site also poses a threat to archaeological remains, Markham said.

He called the loss of archaeological artifacts "an urgent problem" along the U.S. coastline.

Hawaii

Reports by the National Park Service and others have found that rising sea level rises threaten archaeological sites at various historic places in Hawaii. Those include ancient fish ponds at Pu'ukohola Heiau National Historic Site and a "Great Wall" at a sacred site in Pu'uhonua o Honaunau National Historical Park. It is considered the best-preserved such wall in Hawaii.

International Sites

Dozens of UNESCO World Heritage Sites are under threat from sea level rise, according to a 2014 report by climate scientists Ben Marzeion, of the University of Innsbruck in Austria, and Anders Levermann, of the Potsdam Institute in Germany.

Among those are: the Tower of London; Robben Island in South Africa, where Nelson Mandela was imprisoned for 27 years; Venice, Italy, and its lagoon; Mont-Saint-Michel, home to an abbey built atop a rocky islet in France; the Kasbah of Algiers, Algeria; the historic district of Old Quebec, Canada; Old Havana in Cuba; and archaeological areas of Pompeii, Italy, and Carthage in Tunisia.

The authors wrote that their findings indicate that "fundamental decisions with regard to mankind's cultural heritage are required."

Author: Michelle R. Smith | Source: The Associated Press [April 11, 2016]

The Islamic State released photos showing the destruction of six priceless artifacts from the ancient city of Palmyra. The photos show jihadis taking a sledgehammer and smashing the historic treasures, including one dating from the second century.

Jihadis took sledgehammers to the relics, smashed them to pieces and then lashed the man who allegedly smuggled the artifacts in a public square full of onlookers, they announced on social media Thursday.

One-fifth of Iraq's approximately 10,000 world-renowned cultural heritage sites are under the Islamic State's control and most have been heavily looted, Irina Bokova, the head of the U.N. cultural agency UNESCO, warned experts in London Thursday. Some Syrian sites have been so badly ransacked that experts say they no longer have historical or archaeological value.

"Violent extremists don't destroy [heritage] as a collateral damage, they target systematically monuments and sites to strike societies at their core," Bokova said Wednesday.

The 2,000-year-old Allat God statue, which depicts a lion catching a deer between its feet, is believed to have been destroyed Saturday. "ISIS terrorists have destroyed one of the most important unearthed statues in Syria in terms of quality and weight...it was discovered in 1977 and dates back to the second century A.D.," Ma'moun Abdul-Karim, director of museums and antiquities, told Syrian state-run news agency SANA Thursday.

It's "the most serious crime they have committed against Palmyra's heritage," he added to the AFP.

The militants have also planted improvised explosive devices (IEDs) around the ruins of the ancient city. The explosives appear placed according to a pattern that indicates they are set to optimize the "filmed destruction," says Michael Danti, co-director of the Syrian Heritage Initiative at the American Schools of Oriental Research, a group monitoring cultural damage in Syria and Iraq.

"The deliberate destruction, what we are seeing today in Iraq and Syria, has reached unprecedented levels in contemporary history," said Bokova.

Author: Barbara Boland | Source: Washington Examiner [July 02, 2015]

The following is an open letter circulated yesterday (May 14) by Alexis Mantheakis, Chairman of the International Parthenon Sculptures Action Committee, on the recent developments in the Parthenon Sculptures issue:

Dear All,

The recent snub by the British government to UNESCO's offer to mediate in the issue of the Parthenon Sculptures dispute and the arrogant wording directed at the Greek government's often repeated offer to negotiate the matter by discussion confirmed our position that Britain never had the intention to enter into good faith discussions. As we had said in recent fora,  the only road we saw to possible success was one of legal action, with a direct and dynamic confrontation with Whitehall.

The recent response by Britain dissolved any illusions we had regarding the powers in the UK to be brought to do the right thing,  and to right a historical wrong.  We too had hoped that Britain would succumb to worldwide public opinion to correct an outrage,  the stripping and vandalising of the Parthenon of 60% of its famous millenia-old  Sculptures ,  a crime committed when Greeks were under occupation and unable to defend their archaeological heritage and national symbols of identity.

The latest declaration by the new minister of culture in the UK continues with the hard line of his predeccesors, namely that "The marbles were legally acquired according to the laws of the time. " So Mr Minister were 3 million African slaves, captured,  transported and sold,  "according to the laws of the time." Opium too was purchased and sold, in tons "according to the laws of the time". Those who did not agree to buy your opium had two wars declared on them,  and so China paid with the loss of Hong Kong and a treaty to buy your Indian grown opium.  This, Mr Minister, is NOT that time.  We are disputing your CURRENT possession of symbols of our heritage, removed from Athens and held by you in a totally government financed and controlled museum institution (all the board is appointed directly, or indirectly by the UK government or by the Queen).

This,  though,  is not the issue.

One more British government acting like  an infant  petulantly hugging another child's toy,  saying "It is mine, mine!"  is understandable,  because there is no home-made item that can compare in beauty,  artisanry,  historic or other value to those created  by a superior ancient civilisation.  We may understand the feeling,  and commiserate,  but that does not justify the possession of the looted Greek scultures taken from the Parthenon.  There is no justification for it.  We sympathise with the situation the British Museum is in,  but our sympathy doesn't extend to giving up iconic and defitive items of our heritage,  nor did our illustrious and talented predecessors in Ancient Athens build the Parthenon to have its facade torn off and damaged  by a British ambassador to decorate his Scottish residence. The Parthenon was built by Pericles and the Greek city states to commemorate the victory of Greek civilisation against the very type of barbarity  and lack of respect that Elgin indulged in 2300 years later.

The British position is well known and is in keeping with how official Britain has acted in the last few centuries.  To win in a contest the basic rule MUST be to understand your opponent and create your game strategy around this knowledge.

Anyone who has studied British history and politics will know that Britain NEVER,  but NEVER,  gives anything back unless forced to do so.  India, Cyprus,  as well as dozens of colonies of the Empire,  and other possessions acquired without the consent of the people, often with great bloodshed caused by British troops were only given back by Britain after a bitterly contested conflict,  on the field of battle,  in courts,  or with a series of extended non-violent political actions by those who had lost their heritage,  freedoms,  or historical archaeological treasures.  Britain today in its museums and in the Tower of London still holds numerous purloined and pillaged items as well as those taken by reason of  military superiority from a vanquished foe defending himself on his own soil.  The Kohinoor Diamond in the so called Crown Jewels  taken from a defeated 15 year old prince in India, is but one example. Manifest Destiny demanded it.  We oppose this way of thinking.

This lengthy introduction,  and I will apologise,  was to emphasise my conviction that dialogue for the return of the Parthenon Marbles, after so many valiant and polite efforts by Greece,  and its overseas friends in all walks of life,  is not a viable option,  and only  incurable romantics or people without an understanding of the official British character and its limitations can insist that this dead end is the road to the Restitution in Athens.

The problem is not the obduracy and intransigence of British officialdom.  It is a given, and we have to act  with that in mind.  It is with the very knowledge of the historic failure of Greek diplomacy,  both cultural and political,  and that of our own self-financed voluntary Parthenon organisations, to bring about the return, that it was encouraging when the Greek government,  that for 40 years has not asked Britain officially for the Sculptures return,  not long ago decided to involve an experienced and prestigious British legal firm Doughty Street Chambers led by George Robertson QC,  to represent our interests and to write a report regarding  what options were open for Greece to act.

Overall public awareness of the issue and additional sympathy for the Greek case was given very welcome boosts,  human nature being what it is,  by declarations of public support by celebrities such as George Clooney,  Matt Damon and others,  while a visit to Greece by Mrs Clooney with her senior colleagues at the UK law office created a media frenzy and a heightening of public interest in the Parthenon issue.  The Doughty Chambers law group produced a 140 page confidential report for the Greek government describing,  as leaked to the press,  5 options.  The one considered to have the highest chance of success was,  and this is no surprise to us,  for Greece to go immediately to the  European Court of Human Rights where,  according to the report,  there was  the greatest chance of a Greek legal victory.  The lawyers were specific: it is  now or never,  if the opportunity is  not to be lost with issues such as statutes of limitations in the near future killing Greek chances of recovery of the items through international court decisions.

In Greece,  as we all know there is a new government,  and the report was delivered to them.  With the understanding of the British penchant for intransigence,  fortified by the recent snub to UNESCO, and the history of failed attempts,  the new minister had a detailed road map in his hands,  to move forward,  with of course the support of millions around the world and at home.  Expecting his decision to do this,  using the British law firm and their international expertise and experience in cross border cultural issues we were stunned to hear the announcement of Under Minister Mr Nickos Xidakis,  a former journalist,  who announced,  in more words than these,  that " We will not go against Britain in court... This is a matter to be settled politically and diplomatically...this issue will be settled, bit by bit over, time..."

Looking at what the minister said let us examine the  viability of his declared course of action over that which the British lawyers and we ourselves at IPSACI believe,  and we all want the same thing ,  the return of the Parthenon Sculptures.

A) Mr Xidakis rejects the expert opinion of the British legal experts.  Claiming we may lose in court.  But for 200 years we have lost! We can only win,  or if we lose here, we can initiate a new legal action in another court.

B) Mr Xidakis says the issue can be won diplomatically.  The question is,  after 200 years of failed  diplomatic initiatives, is the government of Mr Xidakis in such a powerful international position to impose a solution using diplomacy? Does he know of Greek diplomats who can force Mr Cameron to sign a new law allowing/directing the Return of the Parthenon Sculptures?

C) Mr Xidakis told the press that the issue should be dealt with "politically" .  This is indeed one way countries settle disputes.  The assumption by lay persons like myself,  on hearing the Minister,  is that Greece at this moment has the political clout to bring the British Museum to its knees and to force Mr Cameron to sign the document of repatriation of the Sculptures to Athens. With all our goodwill towards Mr Xidakis, where does he draw this feeling of current Greek political power and superiority over Britain from?

D) Finally the minister says that this issue is being slowly resolved, "little by little".

But it has already been 200 years from the stripping of the friezes and metopes and Britain has not moved one centimetre in the direction Greece demands!

If the minister does not tell us why he feels his/our  government has the diplomatic and political power to solve the issue,  I very much fear that his position looks like a hot potato shifting of the issue to a future government because of  reluctance to take the bull by the horns,  as recommended by the UK lawyers, and get into court with his British counterpart.(Apologies for the mixed metaphors!)

I have a great fear that we are about to lose the Parthenon Sculptures for ever, and that the work of all our organisations, ministries,  diplomatic missions,  our volunteer supporters, and decades of dedicated work by people such as yourselves around the world, and in Greek and international  organisations are about to be lost down the drain.

I therefore beg those who believe that we must recommend to Minister Xidakis and his staff to listen to the recommendations of people and experts who know the issues well,  and understand the mindset of those walking the halls of Russell Square and Westmister,  to express their concern to the authorities in Greece.

Thank you for your patience in reading this long analysis of where I believe  we are today,  in view of the recent, and disturbing developments.

Best to all,
Alexis Mantheakis
Chairman of the International Parthenon Sculptures Action Committee Inc.
Athens office.
www.ipsaci.com
+(30)22990 47566

Archaeologists from the UK working in the Channel Island of Jersey have found the remains of a 14,000-year-old hunter-gather settlement offering great views over landscapes now drowned by the English Channel.

The site, called Les Varines, is located in the Jersey parish of St Saviour and has produced over 5,000 scattered stone artefacts during the past five years of excavation. But the team has unearthed denser concentrations of tools and burnt bone and, for the first time, fragments of engraved stone. These are currently under study in an attempt to unravel the significance of these unique finds.

Dr Chantal Conneller, a Co-Director of the project from The University of Manchester, said “We knew from the beginning that Les Varines was an important site. There is nothing of its size or scale elsewhere in the British Isles but there are parallels in France and Germany. Previously we had recovered stone artefacts disturbed by later mud flows, but now it seems we have found the well preserved edges of the settlement itself. Incised stones can be common on Magdalenian camps, many are known from sites in the Germany and the south of France, where they are often seen to have a magical or religious use. However they are rare in Northern France and the British Isles, making this a significant find. Although we are not yet sure of the exact age of the campsite, it might well represent some of the first hunter-gather communities to recolonise the north of Europe after coldest period of the last Ice Age”.

The work was carried out by a team from The University of Manchester and University College London.

Dr Ed Blinkhorn, of UCL Institute of Archaeology, who led the excavations, said “This has been the culmination of five years of patient work, tracing thousands of flint tools within slope deposits back to the mother lode. We knew a significant hunter-gatherer camp lay in this field and it seems we’ve finally found it.”

The settlement sits on top of an ancient cliff line and geological investigation has shown that the camp probably sits in a small saddle in the landscape between an old sea stack and rising ground to the north.  This situation would have afforded a degree of protection from the weather during a period when the climate was still relatively cold.  This site dates toward the end of the last ice age and was occupied by modern human hunter-gatherers of the Magdalenian culture, who reoccupied northern and western Europe between 16 and 13,000 years ago.  Hunting animals like reindeer and horse, they left a rich record of sophisticated stone age technology and spectacular works of art including the cave paintings at Altamira and Lascaux.

For this reason the team are paying particular attention to three fragments of an exotic stone recovered from the site which show the traces of fine engraved lines across their surface.

Dr Silvia Bello, of the Natural History Museum, who is currently studying the fragments said “We are at an early stage in our investigations, but we can already say the stones are not natural to the site, they show clear incised lines consistent with being made by stone stools, and they do not have any obvious functional role. Engraved works of abstract or figurative art on flat stones are part of the Magdalenian cultural package and one exciting possibility is that this is what we have here.”

The fragments were found within one small corner of the 2015 excavation trenches, alongside stone artefacts and close to a concentration of burnt bone, sealed within an apparent ancient landsurface and associated with possible paving slabs.

The announcement coincides with the opening of Jersey Heritage’s Jersey: Ice Age Island exhibition, displaying the results of the team’s work alongside the wider record of Ice Age archaeology from Jersey, the British Isles and Northern France.

Jon Carter, Director of Jersey Heritage said, “Jersey has an exceptional record of early stone age archaeology for such a small island, and this exhibition show cases these sites and the science behind research currently being undertaken by the Ice Age Island team. This research, supported by the Sates of Jersey Tourism Development Fund and Capco Trust, is bringing to light new stories from Jersey’s deep Ice Age heritage and continuing to show that the Island, with exceptional sites such as Les Varines and La Cotte de St Brelade is a scientific treasure trove”

The finds are the latest results from the Ice Age Island project, a collaboration between Jersey Heritage and a UK archaeological team run, through the British Museum with the UCL Institute of Archaeology, the University of Manchester, University of Wales Trinity St Davids, St Andrews University and the University of Southampton (CAHO).  The project is funded by the Jersey Tourist Development Fund and the Capco Trust, while on-going analysis is supported by the Pathways to Ancient Britain and Human Behaviour in 3D Projects funded by the Calleva Foundation. The Jersey: Ice Age Island Exhibition runs from the 25th October 2015 until 30th December 2016 at Jersey Museum.

Source: University of Manchester [November 02, 2015]

As armed groups in Syria and Iraq destroy priceless archaeological sites, European authorities and dealers are on high alert for smaller, looted artefacts put on sale to help finance the jihadists' war.

Stolen-art expert Chris Marinello, director of Art Recovery International, said he has been shown photographs of items being offered from Syria that were "clearly looted right out of the ground".

"You could still see dirt on some of these objects," he told AFP.

They included cylinder seals, Roman bottles and vases, although Marinello said it was unclear whether the items were still in Syria, were in transit or had arrived in the key markets of Europe and the United States.

Concerns about looting during the Syrian war have increased following the advance of the Islamic State group through parts of Syria and Iraq, and recent propaganda videos showing their destruction of ancient sites such as Nimrud.

The UN Security Council in February demanded UN states act to stop the trade in cultural property from those two countries, amid warnings that they represented a significant source of funding for the militant group.

Experts say it is impossible to put a value on antiquities looted from Syria, which has been home to many civilisations through the millennia, from the Canaanites to the Ottomans.

The London-based International Association of Dealers in Ancient Art (IADAA) estimates the entire legitimate antiquities market in 2013 was worth between 150 and 200 million euros ($160-215 million).

Marinello said reputable dealers are "being very careful not to touch anything that could remotely be part of this recent wave of looting".

But Hermann Parzinger, an archaeologist and president of the Germany-based Prussian Cultural Heritage Foundation, said there was an "enormous market" from private buyers.

He warned that the cultural costs were huge, telling AFP: "The context which is so important to reconstruct the history of these civilisations is completely destroyed."    

Italy has proposed that world heritage body UNESCO create a military taskforce to protect cultural sites in war zones, but many experts believe little can be done to stop the current destruction.

Instead, they are forced to wait until the conflict ends and watch in horror as priceless historic sites are destroyed and the spoils gradually emerge onto the market.

Vernon Rapley, a former head of the art and antiquities squad at London's Metropolitan Police, expects many Syrian items to be held back to avoid flooding the market, as occurred after the US-led invasions of Iraq and Afghanistan.

The looted artefacts were likely to be "hauled up in warehouses either in the country or near the country, and only linked to the art trade in small pieces and at a later stage", he told AFP.

Stephane Thefo, who leads an Interpol unit dedicated to fighting the illegal trafficking of cultural goods, agreed that many items may disappear for years -- but insisted that tackling the trade was the best way to combat looting.

The French policeman would like to see tougher national laws on trafficking of cultural goods, something Germany is currently considering.

"We have to act by seeking to narrow markets for the illicit trade, hoping that by curbing the demand, the supply would eventually decrease," Thefo said.

Identifying looted objects is no easy task, however, not least because cultural crime is rarely a police priority.

The law puts the onus on the authorities to prove an item is illegal and a long delay in an artefact being sold, or multiple owners, make it hard to establish provenance.

At a conference at the V&A museum in London this week on the destruction of cultural property in conflict areas in Iraq and Syria, Mali, Libya and Yemen, archaeologists stressed the need for proper inventories of heritage sites.

They noted that objects that have been photographed and digitally catalogued are more likely to be recovered.

Interpol is currently building a database of stolen objects, and James Ede, a London dealer and IADAA board member, urged cultural bodies to share their information with dealers.

"This material will necessarily surface on the open market sooner or later. The challenge therefore is to identify it and where possible to return it when it is safe to do so," he said.

Author: Alice Ritchie | Source: AFP [April 17, 2015]

The destruction at the ancient city of Palmyra symbolises the suffering of the Syrian people at the hands of the terrorist group known as Islamic State (IS). Palmyra was a largely Roman city located at a desert oasis on a vital crossroad, and “one of the most important cultural centres of the ancient world”. Its remarkable preservation highlighted an intermingling of cultures that today, as then, came to stand for the tolerance and multiculturalism that pre-conflict Syria was renowned for -– tolerance that IS seeks to eradicate.

Early in the conflict, the area was heavily fortified. Roads and embankments were dug through the necropolises and the Roman walls, and the historic citadel defences were upgraded. Yet the terrorists occupied and desecrated the city from May 2015, systematically destroying monuments such as the Temple of Baalshamin, the Temple of Bel, seven tower tombs, a large Lion goddess statue and two Islamic shrines. They ransacked the museum, tortured and executing the former site director Khaled al-Asaad in search of treasure to sell. According to satellite imagery analysis the site was heavily looted throughout it all.

Now the city has been recaptured, the first damage assessments are underway, and Syrian – and international – attention is already turning to restoration. This work will be greatly aided by the Syrians who risked their lives to transport the contents of the Palmyra museum to safety. The last truck pulled out as IS arrived, with bullets whizzing past.

Even as they were displaced, Syrians have worked to keep a detailed memory of the city alive. Syrian artists created artworks depicting the destruction. In a Jordanian camp, refugees made miniature models of the city and other cultural sites, even measuring out the number and position of Palmyra’s columns from photographs.

The international community is also playing its part. Groups like UNOSAT, the UN’s satellite imagery analysts have used satellite imagery to monitor the damage. On the ground, Syrian-founded NGOs like APSA have linked with universities to assess the site. Groups such as NewPalmyra and Palmyra 3D Model are using the latest technology to create open-access 3D computer models from photographs.

Others have gone even further. The Million Image Database Project at the Oxford Institute for Digital Archaeology distributed cameras to volunteers across the Middle East to collect 3D photos of sites. As well as creating 3D models, they will recreate full-scale artefacts, sites, and architectural features using their own cement-based 3D printing techniques. This will start with a recreation of the arch from Palmyra’s Temple of Bel, due to be unveiled in London in April 2016.

Ethics of restoration

As well as being used for research, education and enjoyment, this technology could recreate (and perhaps ultimately restore) what IS has destroyed. 3D printing can be done in any colour of shapeable material, and can be as obvious – or as unobtrusive – as desired. The group is also exploring using computer-guided tools to quickly carve their models into stone.

It wouldn’t be the first time such large-scale restoration has been undertaken. Historic central Warsaw, for example, was destroyed during World War II, and was almost completely reconstructed and is now a World Heritage site. Reconstruction is costly, but might be accomplished more quickly and cheaply using new digital techniques, showing the world that Syria values its cultural heritage.

But many argue that 3D printing fails to capture the authenticity of the original structures, amounting to little more than the Disneyfication of heritage. They also point out that the fighting is still ongoing: 370,000 Syrians are dead, millions are displaced, and perhaps 50%-70% of the nearby town has been destroyed. Given the pressing humanitarian needs, stabilisation alone should be the priority for now.

Rebuilding also fails to redress the loss caused by the extensive looting of the site, focusing only on the dramatically destroyed monuments. Perhaps most importantly, its worth asking whether returning Palmyra exactly to its pre-conflict state denies a major chapter of its history? There needs to be a wide-ranging discussion on the priorities for the immediate future and the nature of any future reconstruction.

As has happened after previous conflicts, there may need to be a memorial as a testimony to those beheaded in the arena, or tied to columns that were detonated, or to the former site director executed in trying to protect this site that was so important to him. These stories, and many more, are a part of Palmyra’s, and Syria’s, history.

One thing is clear: while Palmyra may hold great significance to the world, the final decision should belong to those who have lived alongside it, cared for it, managed it, fought for it, and protected it for generations: the Syrian people.

Author: Emma Cunliffe, University Of Oxford | Source: The Conversation [March 31, 2016]

It is lunacy to believe you own the moon, and no amount of tomato juice you spill into the sea will make its water yours. Yet we ask the question “who owns antiquity?” as if it were a sane one.

There is a reason for this. It’s the reason why Dennis Hope, founder of the Lunar Embassy and self-dubbed President of the Galactic Government, is no lunatic but an entrepreneur who has sold over 600m acres of “extraterrestrial real estate” to over 6m people. It’s the reason why Nestlé has rebranded itself as a corporate water steward, while bottling ground water at the expense of local communities.

It’s also the reason why today, on the 200th anniversary of the British parliamentary vote to purchase the sculptures that Lord Elgin sawed off the Parthenon, the British Museum continues to insist that its trustees are legally entitled to the sculptures. And it’s the reason why human rights lawyers, marshalled by Amal Clooney, have once again advised a Greek government unwilling to put forward a legal claim that it should take this museum to court.

‘Stones of no value’

In 1801, Elgin was the British Ambassador to the Ottoman court from which he obtained a limited license to collect “some stones of no value” from the Acropolis, with which to adorn his estate back in Scotland. The excised sculpted blocks were shipped back to the UK and in 1811, on the verge of bankruptcy, Elgin offered to sell them to the nation. Five years later, the state bought 15 metopes, 17 pedimental sculptures, and 80 metres of frieze for £35,000 (equivalent to at least £2.4m today, placed in the trust of the British Museum.

According the Guardian correspondent Helena Smith wrote: “Activists have been counting down to what they call the ‘black anniversary’“ (June 7 2016). Nothing could be further from the truth. Most activists agree that had the parliamentary vote to purchase not been won, the sculptures may well have ended up in the illegal art market and vanished without a trace. The real controversy surrounding the debate concerned the fact that the British government was willing to spend such a huge amount at a time of national famine.

But all that was then and this is now. Among other things, Greece is no longer a subject province of the Ottoman Empire. In 2009 the country opened the New Acropolis Museum, which has been specifically designed to display all of the sculptures, and currently displays plaster casts of the London marbles next to the original Athenian ones.

A recent British Museum press statement claimed that the Parthenon sculptures are “a part of the world’s shared heritage and transcend political boundaries”. Greece’s minster of culture, Aristides Baltas, similarly said that “we do not regard the Parthenon as exclusively Greek but rather as a heritage of humanity”. Yet the British Museum also asserts that the sculptures are “a vital element in this interconnected world collection” and the usually diplomatic Baltas was also quoted as saying:

We are trying to develop alliances which we hope would eventually lead to an international body like the United Nations to come with us against the British Museum.

Parthenon regained

The Parthenon marbles form an integral part of a larger whole, a temple dedicated to Athena whose frieze, metopes, and pediments variously depict her birth, the Panathenaic procession, the sack of Troy, and an array of mythological fights and contests.

There is no other example of a piece of art as crudely dismembered as the Parthenon, with even the heads and bodies of individual sculptures located in different countries (a few rogue pieces somehow ended up in the Louvre and other European museums which have yet to make any gestures of return). If the missing sculptures and fragments of this aesthetic travesty were to be reunited with those in the New Acropolis Museum, visitors could study them as one entire whole, with a direct view of the monument to which they belong.

The time is right for all surviving sculptures to be reunited under this single roof. They should be displayed, for free, in a joint Greek and British international museum. This bicentenary provides the perfect opportunity for the two nations to collaborate instead of bicker over ownership. The British Museum would be praised worldwide for all its actions, culminating in a collaborative partnership that genuinely benefits humanity. It is high time that ownership of the past became a thing of the past and we began to think in terms of joint custody instead.

Author: Constantine Sandis | Source: The Conversation [June 07, 2016]

Palmyra may just have fallen yet again to the Islamic State group, but a new "immersive" 3D show in Paris lets you walk through the Syrian city's classical colonnades as they were before the jihadists blew them to bits.

The "Eternal Sites" exhibition uses high-definition images often shot by drones to allow the public to visit four of the most threatened heritage sites in the world in war-torn Syria and Iraq.

The eighth-century Umayyad Mosque in Damascus—regarded by many as the fourth holiest place in Islam—and the Krak des Chevaliers Crusader castle near the ravaged city of Homs have also been virtually recreated under the dome of the >Grand Palais in Paris.

The show, which has been organised with the nearby Louvre museum, is part of a global push to digitalise spectacular archaeological sites that are at risk.

The remains of the ancient Iraqi city of Khorsabad, which dates from the 7th century BC, has also been recreated using images captured by French company Iconem.

Like the other three sites, the 3D images are matched with real artefacts from the city from the Louvre's collections.

The museum's director Jean-Luc Martinez, who curated the show, said that they wanted to "show sites that are no longer accessible and the beauty of their art."

Palmyra fell for a second time to the jihadists at the weekend despite heavy Russian bombing to prevent the extremists entering the city.

Temples razed

Islamic State fighters ravaged the Roman-era ruins during the 10 months it held the ancient oasis city from May 2015 to March 2016, systematically blowing up temples and columns in attacks that provoked worldwide outrage.

Photogrammetric technology developed by Iconem has also been used to record the Roman theatre in the Syrian coastal city of Jableh and the Phoenician site in the ancient port of Ugarit, where evidence of the world's oldest alphabet was found.

Its technicians have also been working alongside 15 specialists from the Syrian Directorate General of Antiquities and Museums (DGAM) to digitalise some of the country's major museum collections.

Hundreds of important heritage sites have been sacked or destroyed during the five-year conflict, with the destruction of the first-century temples of Bel and Baalshamin in Palmyra making most headlines.

IS has made a point of razing ancient shrines and statues it considers as idolatry and is also suspected of involvement in the illegal sale of antiquities.

Work on the "Syrian Heritage" database, the biggest 3D record of the country's monuments and treasures, began last December and includes a large number of Ottoman-era buildings in Damascus as well as its 11th-century citadel, which looms over the city.

The head of DGAM, Maamoun Abdulkarim, said the operation was essential to "avoid an irreplaceable loss to humanity" given "the dramatic situation in our country".

The drive, carried out with the help of the French grande ecole ENS and the research institute INRIA, is one of a number trying to catalogue sites in danger of falling into the line of fire.

The Institute for Digital Archaeology, created by Oxford and Harvard universities and Dubai's Museum of the Future, is also compiling a record of many vulnerable sites in Syria and neighbouring Iraq.

It has handed out 5,000 low-cost 3D cameras to archaeologists and NGOs with the hope of gathering a million images of threatened sites.

A two-thirds scale replica of Palmyra's destroyed triumphal arch was unveiled in New York's Times Square and London's Trafalgar Square in April before being displayed in Dubai.

To participate in this encounter, download your >invitation here (website only in French)

Author: Antoine Froidefond | Source: AFP [December 13, 2016]

French President Francois Hollande and archaeological officials have used an exhibit in Paris of two preserved ancient Egyptian cities as a defiant example that the world will not be cowed by Islamic State militants who recently destroyed ancient Syrian heritage sites in Palmyra and killed a local archaeologist.

The exhibit at Paris' Arab World Institute, Osiris, Egypt's Sunken Mysteries, presents about 250 ancient objects that were recovered after a French archaeologist discovered the legendary cities Thonis/Heracleion and Canopus underwater over a decade ago.

Much like the mystery of ancient Atlantis, the cities had been lost somewhere between myth, history and legend — that is, until French archaeologist Franck Goddio made his landmark discovery in 2000 uncovering the sites in their watery grave near Alexandria. They had miraculously been preserved by sea sediment for nearly 2,000 years.

"This exhibit is an incredible achievement," Goddio told The Associated Press. "For years, these cities seemed lost to the world — submerged because of natural calamities like earthquakes and big tides... And now here they are — being shown to the public for the first time. Some objects only came out of the water last year and others have never left Egypt before."

The underwater excavation is ongoing with a team of 50, and Goddio estimates that only as little as 3 percent of the ancient cities have been uncovered so far.

Hollande, who inaugurated the exhibit this week, alongside the Egyptian minister of antiquities and minister of tourism, said that the message of this exhibit went far beyond Egypt — and said it showed how the will to preserve world heritage is stronger that the wish to annihilate it.

"This exhibit is a message, a fighting message that we have preserved these artifacts, a message of hope at a time when the Middle East is undergoing such drama," he said.

In the last weeks, Islamic State militants destroyed the two-millennia-old temple of Bel, The Temple of Baalshamin, as well as three ancient tower tombs in the central city of Palmyra — what UNESCO has called an "intolerable crime against civilization."

Hollande also paid his respects to the "sacrifice" of Khaled al-Asaad, the former director of the destroyed Palmyra heritage sites and one of the most important pioneers in Syrian archaeology in the 20th century, who was killed by Islamic State militants.

The exhibit was presented in collaboration with the Egyptian government, with officials keen to use this as a way to show that there's another face to the Arab world as the one being projected by militants.

"What is going on in Syria, like the destruction of Palmyra and in Iraq, this kind of thinking is not the real beliefs of the area. This exhibit shows it. This preservation of culture here in Paris shows that it's just a minority who somehow took the lead that are doing this damage," said Mohamed Abdelmaguid, the general director of the Central Department of Underwater Antiquities in Egypt.

The many thousands expected to visit the Osiris exhibit in the coming months, as it travels to London's British Museum, might not be drawn for their knowledge of current affairs, and be just be attracted by beauty of the artifacts.

The objects — like a beautiful and imposing 5-meter (16-feet) granite statue of the god Osiris, tools, and ritualistic objects — are in often near-perfect condition, and offer a rare public glimpse into the vast achievements of the ancient world.

The exhibit runs until Jan. 31.

Author: Thomas Adamson | Source: Associated Press [September 10, 2015]

The highly anticipated exhibition From Ancient to Modern: Archaeology and Aesthetics, opens at the Institute for the Study of the Ancient World (ISAW) on February 12, 2015. With some 50 outstanding ancient objects, and more than 100 related documents, photographs, and drawings, this groundbreaking exhibition examines the fascinating process through which archaeological objects are transformed from artifacts to artworks and, sometimes, to popular icons, as they move from the sites of their discovery, to be publicized by mass media and exhibited by museums.

From Ancient to Modern: Archaeology and Aesthetics displays a series of spectacular early Mesopotamian objects alongside rich documentation, opening a window onto the ways in which archaeological finds of the 1920s and 1930s were transformed from artifacts into works of art. This process raises fundamental and critical questions: What biographies were initially given to these objects by their discoverers? How were these objects filtered through the eyes and voice of the press before they were seen by the public? How were the objects’ biographies affected by or reflective of the tastes of the time? How were the items presented in museums and received by artists of the period?

And finally, how do they continue to influence artistic practice today? The goal of Archaeology and Aesthetics is to demonstrate that these biographies do not begin and end in antiquity, or span the period from their discovery to the present, but continue to be written—through scholarly inquiry and reconsideration, through museum displays and the relationships they create between object and viewer, and through the ways in which they inspire artists of our time. The modern unearthing of an object is in fact the starting point for a multiplicity of approaches, each creating a better understanding of both the artifact and the people who produced it.

Archaeology and Aesthetics begins with a gallery devoted to a number of early Mesopotamian archaeological sites. Concentrating on the city of Ur and several sites in the Diyala River Valley, the display comprises many now-iconic objects, including a wide array of Sumerian stone sculptures, spectacular jewelry in a variety of precious and exotic materials, and such luxury items as ostrich-egg vessels and bronzes.

These exceptional artifacts are shown with field notebooks, excavator’s diaries, archival photography, and original newspaper clippings, among other archival items, illustrating the ways in which the finds were carefully described and presented to the press, the general public, and the academic community. Selected objects are followed as they are strategically presented to an international audience, effecting their transformation from archaeological artifact to aesthetic item.

The exhibition continues with a gallery devoted to twentieth- and twenty-first-century artistic responses to ancient Mesopotamian objects. As these artifacts began to make their way into museums across pre-World War II Europe and North America, artists including Alberto Giacometti, Henry Moore, and Willem de Kooning drew inspiration from what they saw as a new kind of energy and vision inherent to the material.

Today, many artists return to the archaeological object to explore its role as a window onto human history and cultures rather than as an aesthetic object. Archaeology and Aesthetics demonstrates this approach with work by Jananne al-Ani, who was born in Kirkuk, Iraq, and lives in London, and by the Chicago-based Michael Rakowitz, who is of Iraqi-Jewish heritage. Both create art expressive of the traumatic loss of human heritage caused by wars and the spreading conflict in the Near and Middle East.

“From Ancient to Modern: Archaeology and Aesthetics” runs through June 7 at the Institute for the Study of the Ancient World.

Source: Institute for the Study of the Ancient World [February 15, 2015]

Iraq's government is investigating reports that the ancient archaeological site of Khorsabad in northern Iraq is the latest to be attacked by the Islamic State militant group.

Adel Shirshab, the country's tourism and antiquities minister, told The Associated Press there are concerns the militants will remove artifacts and damage the site, located 15 kilometers (9 miles) northeast of Mosul. Saeed Mamuzini, a Kurdish official from Mosul, told the AP that the militants had already begun demolishing the Khorsabad site on Sunday, citing multiple witnesses.

On Friday, the group razed 3,000-year old Nimrud and on Saturday, they bulldozed 2,000-year old Hatra — both UNESCO world heritage sites. U.N. Secretary General Ban Ki Moon has called the destruction a "war crime," and a statement by his spokesman on Sunday night said Ban was "outraged by the continuing destruction of cultural heritage in Iraq" by theIslamic State group.

Khorsabad was constructed as a new capital of Assyria by King Sargon II shortly after he came to power in 721 B.C. and abandoned after his death in 705 B.C. It features a 24-meter thick wall with a stone foundation and seven gates.

Since it was a single-era capital, few objects linked to Sargon II himself were found. However, the site is renowned for shedding light on Assyrian art and architecture.

The sculptured stone slabs that once lined the palace walls are now displayed in museums in Baghdad, Paris, London and Chicago.

The Islamic State group currently controls about a third of Iraq and Syria. The Sunni extremist group has been campaigning to purge ancient relics they say promote idolatry that violates their fundamentalist interpretation of Islamic law. A video released last week shows them smashing artifacts in the Mosul museum and in January, the group burned hundreds of books from the Mosul library and Mosul University, including many rare manuscripts.

At a press conference earlier Sunday, Shirshab said they have called for an extraordinary session of the U.N. Security Council to address the crisis in Iraq.

"The world should bear the responsibility and put an end to the atrocities of the militants, otherwise I think the terrorist groups will continue with their violent acts," he said.

Author: Sameer N. Yacoub | Source: Associated Press [March 09, 2015]

Giant replicas of an ancient arch in the Syrian city of Palmyra attacked by Islamic State (IS) jihadists will go on show in London and New York next year, organisers said Monday.

The full-size recreation of the arch from the 2,000-year-old Temple of Bel will reportedly made using the world's biggest 3D printer and put on display in London's Trafalgar Square and Times Square in New York in April.

IS seized Palmyra, a UNESCO World Heritage Site northeast of Damascus known as the "Pearl of the Desert", in May and beheaded its 82-year-old former antiquities chief three months later.

In September, satellite images confirmed that the Temple of Bel, the main temple at Palmyra, had been targeted by IS as part of a campaign to destroy pre-Islamic monuments, tombs and statues it considers idolatrous.

UN experts said the main building of the temple plus a row of columns had been destroyed.

Alexy Karenowska, director of technology at the Institute of Digital Archaeology in Oxford which is funding the reconstruction, confirmed a Times newspaper report that the replicas would be created for a special world heritage week.

"Reproductions/models of the structure, large and small, will be produced and installed around the world in schools, museums and prominent public spaces," Karenowska wrote in an email to AFP.

The institute's executive director, Roger Michel, was quoted in The Times as saying that the replicas standing 15 metres (50 feet) high were likely to be on temporary display.

"It is really a political statement, a call to action, to draw attention to what is happening in Syria and Iraq and now Libya," he added.

"We are saying to them, 'If you destroy something, we can rebuild it again.'

"The symbolic value of these sites is enormous -- we are restoring dignity to people."

Source: AFP [December 29, 2015]

Ali al-Bayati clambered onto the remains of a giant winged bull statue that once stood as a protector of Iraq's fabled ancient Nimrud before the Islamic State group came.

"When you came here before, you could imagine the life as it used to be," the local leader and tribal militia commander told AFP on Tuesday.

"Now there is nothing."

Iraqi forces announced that they had recaptured Nimrud -- located some 30 kilometres (18 miles) south of Mosul, the country's last city still held by the Islamic State group -- two days before.

The capital of the kingdom of Assyria some 3,000 years ago, Nimrud was one of the richest archaeological sites in the region.

But after IS took over the area along with swathes of other territory in 2014, it sought to level what remained of the city for propaganda gain.

The jihadist group released video footage last year of fighters blowing up the remnants of the famed Northwest Palace and smashing stone carvings at the site -- destruction it justified as wiping out un-Islamic idols.

Now it appears that almost nothing is left undamaged.

Statues lie shattered, the reconstructed palace is wrecked and the remains of a ziggurat -- once one of the tallest structures left from the ancient world at some 50 metres (yards) high -- has been reduced to a fraction of its height.

"One hundred percent has been destroyed," Bayati said as he surveyed the hilltop site, just 500 metres from his native village, for the first time in more than two years.

"Losing Nimrud is more painful to me than even losing my own house," he said.

UNESCO has said that the destruction of Nimrud by IS amounts to a war crime.

Bombs and booby traps

The group also blew up and looted antiquities in the spectacular Syrian site of Palmyra, smashed sculptures at ancient Hatra in Iraq, which is still under IS control, and rampaged through the Mosul museum.

In Nimrud, the jihadists attacked the antiquities with ferocity as they claimed they represented idols banned under their extreme interpretation of Islam.

But that has not stopped them from looting and selling such allegedly forbidden items to fund their operations.

"They want to make a new picture of Iraq -- with nothing before Daesh," Bayati said, using an Arabic acronym for the group.

He said he thought IS "destroyed this place because they wanted to destroy Iraq -- the new Iraq and old Iraq".

Most of Nimrud's priceless artefacts were moved long ago to museums in Mosul, Baghdad, Paris, London and elsewhere, but giant "lamassu" statues -- winged bulls with human heads -- and reliefs were still on site.

Now it will take experts to carry out a full evaluation of the damage IS has wrought at Nimrud.

But it may be some time before they can get there: the jihadists that Iraqi forces are fighting to drive back are still just a few kilometres away, and occasional explosions can be heard in the distance.

The site also still needs to be fully investigated and cleared by security forces of any hidden dangers IS may have left behind.

"There are many (bombs) and booby traps suspected," said Lieutenant Wissam Hamza, a member of an army explosives disposal team, as he walked carefully across the site.

"So we want to find them and clear the area -- then after that it can be called safe."

Source: AFP [November 17, 2016]

Islamic State fighters have looted and bulldozed the ancient Assyrian city of Nimrud, the Iraqi government said, in their latest assault on some of the world's greatest archaeological and cultural treasures.

A tribal source from the nearby city of Mosul told Reuters the radical Sunni Islamists, who dismiss Iraq's pre-Islamic heritage as idolatrous, had pillaged the 3,000-year-old site on the banks of the Tigris River.

The assault against Nimrud came just a week after the release of a video showing Islamic State forces smashing museum statues and carvings in Mosul, the city they seized along with much of northern Iraq last June.

"Daesh terrorist gangs continue to defy the will of the world and the feelings of humanity," Iraq's tourism and antiquities ministry said, referring to Islamic State by its Arabic acronym.

"In a new crime in their series of reckless offences they assaulted the ancient city of Nimrud and bulldozed it with heavy machinery, appropriating the archaeological attractions dating back 13 centuries BC," it said.

Nimrud, about 20 miles (30 km) south of Mosul, was built around 1250 BC. Four centuries later it became capital of the neo-Assyrian empire - at the time the most powerful state on Earth, extending to modern-day Egypt, Turkey and Iran.

Many of its most famous surviving monuments were removed years ago by archaeologists, including colossal Winged Bulls which are now in London's British Museum and hundreds of precious stones and pieces of gold which were moved to Baghdad.

But ruins of the ancient city remain at the northern Iraqi site, which has been excavated by a series of experts since the 19th century. British archaeologist Max Mallowan and his wife, crime writer Agatha Christie, worked at Nimrud in the 1950s.

U.S. Secretary of State John Kerry said he was deeply disturbed by the destruction at Nimrud.

"This crude attempt to erase the heritage of an ancient civilization will ultimately fail. No terrorist can rewrite history," he said in a statement.

A local tribal source confirmed the attack had taken place.

"Islamic State members came to the Nimrud archaeological city and looted the valuables in it and then they proceeded to level the site to the ground," the source told Reuters.

"There used to be statues and walls as well as a castle that Islamic State has destroyed completely."

Archaeologists have compared the assault on Iraq's cultural history to the Taliban's destruction of the Bamyan Buddhas in 2001. But the damage wreaked by Islamic State, not just on ancient monuments but also on rival Muslim places of worship, has been swift, relentless and more wide-ranging.

Last week's video showed them toppling statues and carvings from plinths in the Mosul museum and smashing them with sledgehammers and drills. It also showed damage to a huge statue of a bull at the Nergal Gate into the city of Nineveh.

Archaeologists said it was hard to quantify the damage, because some items appeared to be replicas, but many priceless articles had been destroyed including artifacts from Hatra, a stunning pillared city in northern Iraq dating back 2,000 years.

Islamic State, which rules a self-declared caliphate in parts of Iraq and Syria, promotes a fiercely purist interpretation of Sunni Islam which seeks its inspiration from early Islamic history. It rejects religious shrines of any sort and condemns Iraq's majority Shi'ite Muslims as heretics.

In July it destroyed the tomb of the prophet Jonah in Mosul. It has also attacked Shi'ite places of worship and last year gave Mosul's Christians an ultimatum to convert to Islam, pay a religious levy or face death by the sword. It has also targeted the Yazidi minority in the Sinjar mountains west of Mosul.

Author: Dominic Evans and Saif Hameed | Source: Reuters [March 06, 2015]

One of the most exciting projects in recent years at Maidstone Museum – the scanning and facial reconstruction of its very own 2,700-year-old mummy – is well underway thanks to the support of the Heritage Lottery Fund (HLF). The project, within the redevelopment of the museum’s Ancient Civilisations gallery, has seen the mummy travel across Maidstone to KIMS Hospital to undergo a full body scan and closer inspection by the local team of radiologists. The scan has revealed a number of fascinating finds about the mummy as well as other mummified remains in the museum’s collection – all before the full investigation into results has really begun with a team of international specialists.

“We weren’t expecting too much to be derived from the initial scans of Ta-Kush and the other items, but the results seen have been remarkable,” said Samantha Harris, Collections Manager at Maidstone Museum. “It was such a pleasure to work alongside the Imaging Team at KIMS Hospital in being able to analyse these items and, for the initial results to reveal so much means, the remainder of the Ancient Civilisations gallery project has been injected with a whole new level of excitement.”

Among the initial findings, the scans revealed that, while many believed Ta-Kush to have passed away during adolescence, she may in fact have been much older. Speaking of the findings, Mark Garrad, CT Lead Radiographer at KIMS Hospital, said: “The scans conducted indicate evidence of well-worn teeth, loss of enamel, cavities, abscesses in the jaw and fully erupted wisdom teeth. Although we cannot place her age exactly, the evidence we have managed to glean from the initial scans would suggest a person who is at least mid-twenties, possibly much older. It has been fascinating to be part of the early stages of discovery and we are looking forward to what other insights the experts can gather about Ta-Kush.”

The scans also show further evidence of a wedge fracture in one of her vertebrae, which is seen in patients suffering a downward impact, such as a fall or landing upright. Images show that there may be signs of healing, however, it indicates that Ta-Kush could well have been living with this injury.

Further research into the life and conservation of Ta-Kush is set to be conducted over the course of the next few months with Liverpool John Moores University analysing the scans and creating a facial reconstruction. Thanks to the HLF funding, and with support from the Maidstone Museums’ Foundation, the Egyptology Department at the British Museum, the Petrie Museum at University College London, Western Ontario University and the Egypt Exploration Society, this research will uncover the stories behind the scanned human and animal remains ready for the redisplay of the wider Ancient Egyptian and Greek World collections, to be unveiled in summer 2017.

Source: Maidstone Museum [November 15, 2016]

A new and more dangerous phase of impacts on the world's remaining tropical forests is emerging, threatening to simplify the world's most diverse ecosystem including mass species loss, according to new UCL-led research published today in Science.

The impact of humans on these areas has been increasing for millennia and today more than three-quarters of the world's remaining tropical forests have been degraded by human actions.

The scientists identified three prior phases of expanding impacts, the first when hunter-gatherers moved into tropical forests and the second following the emergence of tropical agriculture, some 6,000 years ago. Under both, the overall health of tropical forests was maintained.

Today, we live in the third phase, marked by much greater impacts, with distant decision-makers directing how land is used, including permanent intensive agriculture, often for soybeans or palm oil, frontier industrial logging for timber export, cross-continental species invasions, and early climate change impacts. The scientists term this phase the era of 'Global Integration', affecting even the most remote areas.

Lead author, tropical forest expert Dr Simon Lewis (UCL Geography and University of Leeds) said: "Earth has lost 100 million hectares of tropical forest over the last 30 years, mostly to agricultural developments. Few people think about how intertwined with tropical forests we all are. Many foodstuffs include palm oil which comes from once pristine Asian tropical forest, while remaining intact forests are buffering the rate of climate change by absorbing about a billion tonnes of carbon each year."

Current trends look set to intensify without major policy changes, as global food demand is projected to double, over 25 million kilometres of road are predicted to be built by 2050, and climate change intensifies, ushering in a new phase of human dominance of tropical forests.

Dr Lewis added: "I fear a global simplification of the world's most complex forests. Deforestation, logging and road building all create fragmented patches of forest. However, as the climate rapidly changes the plants and animals living in the rainforest will need to move to continue to live within their ecological tolerances. How will they move? This is a recipe for the mass extinction of tropical forest species this century.

"What is needed are unbroken areas of forest that link today's core tropical regions with forest areas about 4 degrees cooler, so as temperatures rise and rainfall patterns change species have a better chance of surviving rapid 21st century climate change. We need to bring conservation in line with the reality of climate change."

The authors note that while deforestation and degradation continue, more optimistically, logged forest retains many environmental benefits, and marginal agricultural lands are being abandoned, which can return back to forest.

Dr David Edwards (University of Sheffield), co-author of the study, said: "Much biodiversity still remains in selectively logged forests, and can recover in secondary forests that grow on abandoned farmland. There is abundant potential to incorporate these forests into global plans to make tropical biodiversity climate change ready.

"Despite their value for biodiversity, logged-over and old secondary forests are frequently threatened by conversion to species-poor agricultural plantations. We urgently need to protect these human-impacted forests, especially in regions such as Southeast Asia where almost nowhere is left undegraded."

A suite of policy measures can help tropical forests survive, including giving forest dwellers formal collective legal rights over their land, which previous studies have shown is one of the best ways of preserving forests. A study of 292 protected areas in Amazonia showed that indigenous reserves were the most effective at avoiding deforestation in high pressure areas.

Most of the financial benefits of logging and plantation agriculture, such as palm oil, flow out of the forests. Ensuring local people have collective long-term rights over their lands would mean that benefits flowing from forest lands accrue to local people. This can provide the beginnings of programs of 'development without destruction', tackling poverty while maintaining forests. This, the authors argue, provides human rights and conservation win-wins.

Dr Lewis added: "With long-term certainty of tenure people can plan, maintaining forests while investing in improving agricultural productivity without expanding into forested lands. Forest dwellers won't be perfect managers of forests, but they won't look for a quick profit and then move on, as big businesses often do.

"This is a pivotal year for the global environment. There are some good signs for the world's tropical forests, with the UN New York Declaration on Forests agreeing to not only halt deforestation, but also restore 150 million hectares of forest. However, there are ominous signs too, with the palm oil industry having driven the world's highest deforestation rates in South East Asia now gearing up to repeat this process across Africa.

"The Paris climate change talks in December are doubly important for forests and forest communities. The levels of emission cuts will be a critical factor in determining how many tropical forest plants and animals go extinct over the coming decades and centuries. The agreements on reducing deforestation, including durable finance, will be pivotal. The final test will be whether some funds for adaptation will include land-use planning to retain forest connectivity as the climate rapidly changes."

Source: University College London [August 24, 2015]

The world's fastest land animal, the cheetah (Acinonyx jubatus), is sprinting towards the edge of extinction and could soon be lost forever unless urgent, landscape-wide conservation action is taken, according to a study published today in the journal >Proceedings of the National Academy of Sciences.

Led by Zoological Society of London (ZSL), Panthera and Wildlife Conservation Society (WCS), the study reveals that just 7,100 cheetahs remain globally, representing the best available estimate for the species to date. Furthermore, the cheetah has been driven out of 91% of its historic range. Asiatic cheetah populations have been hit hardest, with fewer than 50 individuals remaining in one isolated pocket of Iran.

Due to the species' dramatic decline, the study's authors are calling for the cheetah to be up-listed from 'Vulnerable' to 'Endangered' on the IUCN Red List of Threatened Species. Typically, greater international conservation support, prioritization and attention are granted to wildlife classified as 'Endangered', in efforts to stave off impending extinction.

Dr. Sarah Durant, ZSL/WCS lead author and Project Leader for the Rangewide Conservation Program for Cheetah and African Wild Dog, said: "This study represents the most comprehensive analysis of cheetah status to date. Given the secretive nature of this elusive cat, it has been difficult to gather hard information on the species, leading to its plight being overlooked. Our findings show that the large space requirements for cheetah, coupled with the complex range of threats faced by the species in the wild, mean that it is likely to be much more vulnerable to extinction than was previously thought."

Durant continued, "We have worked with range state governments and the cheetah conservation community to put in place comprehensive frameworks for action to save the species, but funds and resources are needed to implement them. The recent decisions made at the CITES CoP17 meeting in Johannesburg represent a significant breakthrough particularly in terms of stemming the illegal flow of live cats trafficked out of the Horn of Africa region. However, concerted action is needed to reverse ongoing declines in the face of accelerating land use changes across the continent."

While renowned for its speed and spots, the degree of persecution cheetahs face both inside and outside of protected areas is largely unrecognized. Even within guarded parks and reserves, cheetahs rarely escape the pervasive threats of human-wildlife conflict, prey loss due to overhunting by people, habitat loss and the illegal trafficking of cheetah parts and trade as exotic pets.

To make matters worse, as one of the world's most wide-ranging carnivores, 77% of the cheetah's habitat falls outside of protected areas. Unrestricted by boundaries, the species' wide-ranging movements weaken law enforcement protection and greatly amplify its vulnerability to human pressures. Indeed, largely due to pressures on wildlife and their habitat outside of protected areas, Zimbabwe's cheetah population has plummeted from 1,200 to a maximum of 170 animals in just 16 years -- representing an astonishing loss of 85% of the country's cheetahs.

Scientists are now calling for an urgent paradigm shift in cheetah conservation, towards landscape-level efforts that transcend national borders and are coordinated by existing regional conservation strategies for the species. A holistic conservation approach, which incentivises protection of cheetahs by local communities and trans-national governments, alongside sustainable human-wildlife coexistence is paramount to the survival of the species.

Panthera's Cheetah Program Director, Dr. Kim Young-Overton, shared, "We've just hit the reset button in our understanding of how close cheetahs are to extinction. The take-away from this pinnacle study is that securing protected areas alone is not enough. We must think bigger, conserving across the mosaic of protected and unprotected landscapes that these far-ranging cats inhabit, if we are to avert the otherwise certain loss of the cheetah forever."

The methodology used for this study will also be relevant to other species, such as African wild dogs, which also require large areas of land to prosper and are therefore similarly vulnerable to increasing threats outside designated protected areas.

Source: Panthera [December 26, 2016]

A cross-party group of MPs has launched a fresh bid to return the so-called Elgin Marbles to Greece on the 200th anniversary of the British Government’s decision to buy them — a move that campaigners said could help the UK secure a better deal during the Brexit talks with the EU.

The issue has long been a source of tension between, on one side, the UK Government and British Museum, where the 2,500-year-old marbles are currently on display, and, on the other, Greece and international supporters of the reunification of the Parthenon temple's sculptures.

About half the surviving sculptures were taken from the Parthenon in Athens by Thomas Bruce, the seventh Earl of Elgin, and later bought by the British Government after parliament passed an Act that came into force on 11 July, 1816. The other half are currently in the Acropolis Museum in Greece.

The circumstances in which Lord Elgin removed about the sculptures are disputed, with some claiming he effectively stole them while Greece was ruled by the Ottoman Empire.

>The Parthenon Sculptures (Return to Greece) Bill will be presented on the anniversary by Liberal Democrat MP Mark Williams, supported by Conservative Jeremy Lefroy and 10 other MPs from Labour, the SNP and Plaid Cymru.

Mr Williams said: “These magnificent artefacts were improperly dragged and sawn off the remains of the Parthenon.

“This Bill proposes that the Parliament should annul what it did 200 years ago. In 1816 Parliament effectively state-sanctioned the improper acquisition of these impressive and important sculptures from Greece.

“It’s time we engaged in a gracious act. To put right right a 200-year wrong.”

The sculptures are some of the finest ever created and the Parthenon is arguably Europe’s greatest monument. The French Romantic poet Alphonse de Lamartine once described it as “the most perfect poem ever written in stone on the surface of the earth”.

Greece has sought the return of the sculptures ever since victory in the War of Independence in 1832. During the war, Greek fighters even gave bullets to Ottoman soldiers besieged on the Acropolis because they were damaging the Parthenon by removing lead fittings to make ammunition after running out.

Andrew George, chair of the British Association for the Reunification of the Parthenon Sculptures, said the Parthenon sculptures were “some of the most remarkable antiquities on the globe” and people should be able to see them in one place.

They were also, he said, a national symbol of Greece.

“The issue has generated strong feelings in Greece and rightly so,” Mr George said. “We have to take seriously something which is clearly of great significance to the people of Greece.”

Polls have consistently shown that a majority of the British people support reunification. A poll for the The Times newspaper found the general public backed sending the marbles back to Greece by two to one. And an Ipsos-Mori poll found 69 per cent of those familiar with the issue were in favour of returning the sculptures, compared to just 13 per cent against.

Mr George said the case for returning the sculptures was stronger following the Brexit vote.

“If we are about the negotiate a decent trade deal with our European friends, the last thing we want to do is to show the kind of raspberries and two-fingers that [Nigel] Farage was displaying in the European Parliament the other day,” he said.

It would be in the British interest to demonstrate that leaving the EU “doesn’t involve us becoming inward-looking and xenophobic towards the EU, but more confident, more able to be gracious”.

“And there could be no better demonstration of that generosity and graciousness than to do what would be the right thing by the Greeks,” Mr George said.

Professor Athanasios Nakasis, president of the Hellenic branch of the International Council On Monuments and Sites, said allowing reunification would mean a lot for his country, but would also be welcomed around the world.

“Emotionally, the return of the marbles to the place where the rest of the monument resides would be a source of pride for Greeks, since the Athenian Acropolis is an important symbolic centre of the modern nation,” he said.

“From the perspective of the International Council on Monuments and Sites, the reunification of the scattered fragments of the Parthenon would be a positive development, since one of the fundamental principles of our organisation is that the integrity of monuments ought to be preserved, both internally and with respect to their historical contexts.”

The British Museum argues that it "tells the story of cultural achievement throughout the world, from the dawn of human history over two million years ago until the present day".

"The Parthenon Sculptures are a vital element in this interconnected world collection. They are a part of the world’s shared heritage and transcend political boundaries," it says.

"The Acropolis Museum allows the Parthenon sculptures that are in Athens (approximately half of what survive from antiquity) to be appreciated against the backdrop of ancient Greek and Athenian history. The Parthenon sculptures in London are an important representation of ancient Athenian civilisation in the context of world history."

Under David Cameron, the UK Government has remained opposed to allowing the reunification of the Parthenon sculptures, which would require an Act of Parliament to change the laws governing the British Museum.

In 2011, he joked, predictably, that Britain was not going to "lose its marbles".

________________________

PARTHENON SCULPTURES (RETURN TO GREECE) BILL

CONTENTS
1 Return of the Parthenon Sculptures
2 Amendment of the British Museum Act 1963
3 Other artefacts
4 Short title and commencement

A BILL TO Make provision for the transfer of ownership and return to Greece of the artefacts known as the Parthenon Sculptures, or Elgin Marbles, purchased by Parliament in 1816; to amend the British Museum Act 1963 accordingly; and for connected purposes.

BE IT ENACTED by the Queen’s most Excellent Majesty, by and with the advice and consent of the Lords Spiritual and Temporal, and Commons, in this present Parliament assembled, and by the authority of the same, as follows:

1 Return of the Parthenon Sculptures

(1)Ownership of the collection of artefacts known as the ‘Parthenon Sculptures’, or the ‘Elgin Marbles’, is transferred to the government of the Hellenic Republic, subject only to subsections (2) and (4).
(2)The artefacts comprising the collection in subsection (1) shall be determined by the Secretary of State by regulation.
(3)Before making a determination under subsection (2), the Secretary of State must consult—
(a)the Trustees of the British Museum,
(b)representatives of the Government of the Hellenic Republic, and
(c)any other person, body or institution that the Secretary of State believes to be appropriate.
(4)Subsection (1) has effect on the coming into force of an agreement between the Government of the United Kingdom and the Government of the Hellenic Republicin which terms are agreed relating to—
(a)arrangements for the suitable transportation of the collection determined under subsection (2);
(b)responsibility for the costs of such transportation;
(c)arrangements and conditions for the maintenance and display of the collection; and
(d)access to the collection for:
(i)experts
(ii)students, and
(ii)members of the public.
(5)The power to—
(a) make regulations under subsection (2), or
(b) enter into an agreement under subsection (4)
is exercisable by statutory instrument which may only be made after a draft of the  instrument has been laid before, and approved by a resolution of, each House of Parliament.

2 Amendment of the British Museum Act 1963 

(1)In section 5 of the British Museum Act 1963 (disposal of objects), after subsection (4) insert—
“(5)Nothing in this section may be interpreted as applying to an artefact that—
(a)has been determined to be part of the collection under section 1(1) of the Parthenon Sculptures (Return to Greece) Act 2016, or
(b)is under active consideration by the Secretary of State for determination as to whether or not the artefact is part of that collection.”
(2)In section 9 of the British Museum Act 1963 (transfers to other institutions) after subsection (1) insert—
“(2)Nothing in this section may be interpreted as applying to an artefact that—
(a)has been determined to be part of the collection under section 1(1) of the Parthenon Sculptures (Return to Greece) Act 2016, or
(b)is under active consideration by the Secretary of State for determination as to whether or not the artefact is part of that collection.”

3 Other artefacts

Nothing in this Act shall be interpreted as applying to any artefact forming part of a collection within a national museum or gallery other than the artefacts mention in section 1.

4 Short title and commencement 

(1)This Act may be cited as the Parthenon Sculptures (Return to Greece) Act 2016.
(2)This Act comes into force on the day after the day on which it receives Royal Assent.

________________________

Author: Ian Johnston | Source: Independent [July 11, 2016]

The British Museum is to stage a major exhibition on two lost Egyptian cities and their recent rediscovery by archaeologists beneath the Mediterranean seabed. Opening in May 2016 for an extended run of six months, The BP exhibition Sunken cities: Egypt’s lost worlds will be the Museum’s first large-scale exhibition of underwater discoveries. It will show how the exploration of Thonis-Heracleion and Canopus – submerged at the mouth of the River Nile for over a thousand years – is transforming our understanding of the relationship between ancient Egypt and the Greek world and the great importance of these ancient cities.

300 outstanding objects will be brought together for the exhibition including more than 200 spectacular finds excavated off the coast of Egypt near Alexandria between 1996 and 2012. Important loans from Egyptian museums rarely seen before outside Egypt (and the first such loans since the Egyptian revolution) will be supplemented with objects from various sites across the Delta drawn from the British Museum’s collection; most notably from Naukratis – a sister harbour town to Thonis-Heracleion and the first Greek settlement in Egypt.

Likely founded during the 7th century BC, Thonis-Heracleion and Canopus were busy, cosmopolitan cities that once sat on adjacent islands at the edge of the fertile lands of the Egyptian Delta, intersected by canals. After Alexander the Great’s conquest of Egypt in 332BC, centuries of Greek (Ptolemaic) rule followed. The exhibition will reveal how cross-cultural exchange and religion flourished, particularly the worship of the Egyptian god of the afterlife, Osiris.

By the 8th century AD, the sea had reclaimed the cities and they lay hidden several metres beneath the seabed, their location and condition unclear. Although well-known from Egyptian decrees and Greek mythology and historians, past attempts to locate them were either fruitless or very partial. The exhibition will show how a pioneering European team led by Franck Goddio in collaboration with the Egyptian Ministry of Antiquities made use of the most up-to-date technologies to find them.

Thanks to the underwater setting, a vast number of objects of great archaeological significance have been astonishingly well preserved. Pristine monumental statues, fine metalware and gold jewellery will reveal how Greece and Egypt interacted in the late first millennium BC. These artefacts offer a new insight into the quality and unique character of the art of this period and show how the Greek kings and queens who ruled Egypt for 300 years adopted and adapted Egyptian beliefs and rituals to legitimise their reign.

The exhibition will feature a number of extraordinary, monumental sculptures. A 5.4m granite statue of Hapy, a divine personification of the Nile’s flood, will greet visitors as they enter the space. Masterpieces from Egyptian museums such as the Apis bull from the Serapeum in Alexandria will be shown alongside magnificent recent finds from the sea. One such piece is the stunning sculpture from Canopus representing Arsinoe II (the eldest daughter of Ptolemy I, founder of the Ptolemaic dynasty). The Graeco-Macedonian queen became a goddess beloved to both Egyptians and Greeks after her death and is depicted here as the perfect embodiment of Aphrodite, a goddess of beauty ‘who grants fortunate sailing’.

The exhibition will also cover the arrival of Greeks in Egypt, when they were hosts and not rulers; privileged but controlled by the pharaohs. A complete stela from Thonis-Heracleion advertises a 380BC royal decree of the Egyptian pharaoh Nectanebo I. It states that 10% of the taxes collected on all goods imported from the ‘Sea of the Greeks’ into Thonis-Heracleion and on all trade operations at Naukratis were to be donated to an Egyptian temple.

A wide range of objects, from modest to grand and costly, bears witness to the piety of both inhabitants and visitors at these major religious centres. Lead models of barges uncovered in the sacred waterway linking Thonis-Heracleion to Canopus are unique and moving finds. They are associated with the Mysteries of Osiris, the most popular festival celebrated annually across Egypt during the month of Khoiak (mid-October to mid-November). Ranging in size from 6 to 67cm, these reproduce in metal a flotilla of 34 papyrus barges that would have been displayed on a waterway to celebrate the first sacred navigation of the festival. According to religious texts, each barge was to measure 67.5 cm and to bear the figure of an Egyptian god, and would have been illuminated by 365 lamps. The lead barges are lasting testimonies possibly left by people who, long ago, celebrated this festival in the Canopic region.

Only a tiny proportion of these sites have revealed their secrets. The on-going underwater archaeological mission continues to bring to light new masterpieces and further research every year as the most recent finds from 2012 will show.

Sir Richard Lambert, Chairman of the British Museum, said, “It’s hugely exciting to be announcing the British Museum’s first large-scale exhibition of underwater discoveries and to be welcoming these important loans to London. We are grateful to BP for their ongoing support without which ambitious exhibitions such as these would simply not be possible. We’re also delighted to be working with Franck Goddio, his expert team at IEASM, the Hilti Foundation and of course our Egyptian colleagues to bring the extraordinary story of these lost cities to life.”

His Excellency Nasser Kamel, Ambassador of the Arab Republic of Egypt to the United Kingdom, said, "As well as looking for partners to invest in the Egyptian economy, Egypt is always searching for partners to help in exploring its heritage and treasures which are still hidden under its lands, and waters. This exhibition shows that despite what we know of its tremendous history and culture, Egypt still has a lot more to offer to?the world and we thank our partners in the UK, such as BP, for working with us in utilising our resources to develop our economy and through such an exhibition unraveling our history as well. I invite the people of Britain to visit this exhibition to get a glimpse of what Egypt has to offer, and come to Egypt to live that experience."

Bob Dudley, Group Chief Executive, BP, said, “BP is proud to support this fascinating exhibition which showcases the power of science and the pioneering spirit to discover what lies beneath the surface of the Nile Delta. By sharing these underwater treasures the British Museum is opening a whole new frontier for visitors to explore, and we are pleased to be a part of it.”

Franck Goddio, President of Institut Europeen d’Archeologie Sous-Marine (IEASM) and exhibition co-curator said “My team and I, as well as the Hilti Foundation, are delighted that the exhibition with discoveries from our underwater archaeological expeditions off the coast of Egypt will be on display at the British Museum. It enables us to share with the public the results of years of work at the sunken cities and our fascination for ancient worlds and civilisations. Placing our discoveries alongside selected masterpieces from the collections of Egyptian museums, complemented by important objects from the British Museum, the exhibition presents unique insights into a fascinating period in history during which Egyptians and Greeks encountered each other on the shores of the Mediterranean.”

Aurelia Masson-Berghoff, exhibition curator at the British Museum said “People sometimes assume that when two cultures mix, the essence of each is diluted and, as a result, weakened; this exhibition demonstrates the opposite. It is a rare opportunity to reveal the beauty and strength of Late Pharaonic art and culture, alongside the latest research on the momentous intermingling between Egyptian and Greek communities in Egypt at this time. We are illustrating this vibrant cosmopolitan world through Egyptian, Greek and ‘hybrid’ artworks, rarely ever displayed side by side. It shows ancient Egypt not as an isolated civilisation, but as the outward looking, influential and inclusive society that it was.”

Source: British Museum [February 14, 2016]