Two Temple Place reopened to the public with its fifth annual Winter Exhibition, Beyond Beauty: Transforming the Body in Ancient Egypt on 30th January 2016. This major new exhibition allows us to experience the ancient Egyptians at their most spectacular and at their most intimate, uncovering a civilisation fascinated by appearance and identity both in life and death.

Rare surviving imagery on exquisite painted coffins, decorated funerary masks, delicate figurines and beautifully carved reliefs emphasise the importance of body image. Meanwhile jewellery, mirrors, hairpins, scent bottles and makeup provide an insight into some surprisingly familiar daily routines and the ever changing styles of the time. Through artefacts spanning over four millennia, from 3,500 B.C. to 400 A.D., the viewer is invited to ask why Egyptians cared so much about transforming the way they looked and how our perceptions are influenced by the objects they left behind.

Beyond Beauty is created by the Bulldog Trust in partnership with 7 museums from across the country. Many of the artefacts on display come from the same archaeological excavations, and are seen together collectively for the first time since their discovery by pioneering Victorian Egyptologists. Drawn Bagshaw Museum (Kirklees Council), Bexhill Museum, Bolton Museum, Ipswich Museum, Macclesfield Museums, Royal Pavilion & Museums (Brighton & Hove) and Touchstones Rochdale, the exhibition includes the fascinating stories of how such objects reached their current UK homes, supported by outstanding original archival material.

Beyond Beauty is curated by Egyptologist Dr Margaret Serpico, with Heba Abd El Gawad, a PhD student in Egyptian Archaeology at Durham University (funded by Helwan University, Cairo) currently researching self-presentation in Ancient Egypt. It has been a long-standing aim of Dr Serpico to create such an exhibition:

‘The desire to unveil the fabulous objects held in these museums was borne out of a long term project to raise awareness of some of the 200 ancient Egyptian collections in the UK, many in regional museums. I have always been amazed by the many wonderful artefacts in these collections, objects that I wished could be seen by wider audiences. This exhibition is a fantastic opportunity to celebrate these collections and appreciate how important it is that we care for and preserve them into the future.’

Two Temple Place, a magnificent neo-Gothic mansion on London’s Victoria Embankment, is owned and run by the charity the Bulldog Trust. Its Winter Exhibition Programme aims to support regional museums across the UK, highlighting the great riches that are to be seen through an annual free exhibition.

Chief Executive of the Bulldog Trust, Mary Rose Gunn says: “It is an exceptional opportunity for us to be able to champion the stunning Egyptology collections that are held in museums around the UK. We are also looking forward to strengthening cultural ties between Egypt and the UK and are honoured that His Excellency Mr Nasser Kamel, Ambassador of the Arab Republic of Egypt in the UK will be formally opening the exhibition on the 28th January 2016.”

The Winter Exhibition Programme is supported by public funding through Arts Council England. John Orna-Ornstein, Director of Museums, Arts Council England, stated: “Museums throughout England are home to some of the most fascinating collections in the world, and through our investments we want to see people enjoy these collections for years to come. ‘Beyond Beauty’ is an exciting opportunity for people to see some of our finest Egyptian artefacts together in one place, unravelling their mysteries through creative activities for all ages, from storytelling and dance, to lectures and music.”

Source: Two Temple Place [January 27, 2016]

Queen's Apartments

The London architectural studio «Two Create» has created a colorful interior for a new modern hospital of Queen Elizabeth in Birmingham.
The hospital interior looks rather cheerful and gives only positive emotions. Green apartments give more healthy happy life.

Queen Elizabeth's Hospital

An extraordinary archaeological discovery was revealed in an excavation of the Israel Antiquities Authority prior to the construction of a road being built at the initiative of the Netivei Israel Company. During the excavation, carried out as part of the Jezreel Valley Railway Project between Ha-‘Emekim Junction and Yagur Junction, remains of the oldest kilns in Israel were discovered where commercial quantities of raw glass were produced. These kilns, c. 1,600 years old (dating to the Late Roman period), indicate that the Land of Israel was one of the foremost centers for glass production in the ancient world.

According to Yael Gorin-Rosen, head curator of the Israel Antiquities Authority Glass Department, “This is a very important discovery with implications regarding the history of the glass industry both in Israel and in the entire ancient world. We know from historical sources dating to the Roman period that the Valley of ‘Akko was renowned for the excellent quality sand located there, which was highly suitable for the manufacture of glass. Chemical analyses conducted on glass vessels from this period which were discovered until now at sites in Europe and in shipwrecks in the Mediterranean basin have shown that the source of the glass is from our region. Now, for the first time, the kilns have been found where the raw material was manufactured that was used to produce this glassware”.

The excavation of the kilns has caused great excitement in recent weeks among glass researchers throughout the world, some of whom have come especially to Israel in order to see this discovery first hand. According to Professor Ian Freestone of the University College London, who specializes in identifying the chemical composition of glass, "This is a sensational discovery and it is of great significance for understanding the entire system of the glass trade in antiquity. This is evidence that Israel constituted a production center on an international scale; hence its glassware was widely distributed throughout the Mediterranean and Europe”.

This enormously important site was discovered by chance last summer by archaeologist Abdel Al-Salam Sa‘id, an inspector with the Israel Antiquities Authority. While overseeing infrastructure work being conducted on the new railway line from Haifa to the east, he suddenly observed chunks of glass, a floor and an ash layer inside a trench. He halted construction work at the site and began preparations for an archaeological excavation, the important results of which are now evident.

According to Abdel Al-Salam Sa‘id, the excavation direction, “We exposed fragments of floors, pieces of vitrified bricks from the walls and ceiling of the kilns, and clean raw glass chips. We were absolutely overwhelmed with excitement when we understood the great significance of the finds”.

The kilns that were revealed consisted of two built compartments: a firebox where kindling was burnt to create a very high temperature, and a melting chamber – in which the raw materials for the glass (clean beach sand and salt) were inserted and melted together at a temperature of c. 1,200 C degrees. The glass was thus heated for a week or two until enormous chunks of raw glass were produced, some of which weighed in excess of ten tons. At the end of the manufacturing process the kilns were cooled; the large glass chunks that were manufactured were broken into smaller pieces and were sold to workshops where they were melted again in order to produce glassware.

During the Early Roman period the use of glass greatly expanded due to its characteristics: its transparency, beauty, the delicacy of the vessels and the speed with which they could be produced by blowing – an inexpensive technique adopted at the time that lowered production costs. Glass was used in almost every household from the Roman period onward, and it was also utilized in the construction of public buildings in the form of windows, mosaics and lighting fixtures. Consequently, large quantities of raw glass were required which were prepared on an industrial scale in specialized centers. The installation that was discovered in the excavation is an example of one of these ancient production facilities.

According to a price edict circulated by the Roman emperor Diocletian in the early fourth century CE, there were two kinds of glass: the first was known as Judean glass (from the Land of Israel) and the second – Alexandrian glass (from Alexandria, Egypt). Judean glass was a light green color and less expensive than Egyptian glass. The question was: Where were the centers that manufactured this Judean glass that was a branded product known throughout the Roman Empire and whose price was engraved on stone tablets so as to ensure fair trade. The current discovery completes the missing link in the research and indicates the location where the famous Judean glass was produced.

In a few months time the public will be able to see this discovery first-hand when it will be exhibited at the "Carmel Zvulun" Regional High school, in the Zevulun Regional Council.

Additional Background Information

Glass production kilns that date to the sixth or early seventh century CE were previously found at Apollonia in Herzliya and are c. 200 years later than the current discovery. The largest glass production facility from antiquity that has been found so far was exposed in the Bet Eliezer neighborhood in Hadera where it was dated to the seventh–eighth centuries CE, and the latest evidence we have of glass production in the country was revealed at Bet She‘arim (next to Khirbat ‘Asafna), dated to the late eighth and early ninth centuries CE.

The kilns that were just recently found are the earliest ones to be discovered so far in Israel. Their relatively good state of preservation will make it possible to better understand the production process. Researchers now hope that by means of its chemical composition they will be able to trace the export of the glass throughout the Roman Empire.

The raw glass industry at Khirbat ‘Asafna was part of an extensive industrial zone where there were oil presses, wine presses and a glassware workshop which was excavated in the 1960’s by an American archaeological expedition

Source: Israel Antiquities Authority [April 11, 2016]

The wreck of a former slave ship lying just off the coast of Perth is being scoured by maritime archaeologists using new technology to revisit earlier excavations and help learn more about Australia's underwater past.

The site of the James Matthews is being photographed to create a detailed three-dimensional model of the shipwreck.

It is hoped the work will eventually help determine new ways of protecting it and other shipwrecks as well as ways to test new techniques and methods.

"The colours and details are really accurate," the WA Maritime Museum's Madeline McAllister said.

"Whereas in the past we would have taken some photos to create a 2D site plan and then also done the measurements ourselves with tapes, so [it was] not quite as accurate as what we're getting with these 3D models."

The James Matthews was first discovered in 1973 lying largely buried in sand in shallow waters two-to-three-metres-deep, less than 200 metres off Woodman Point, just south of Fremantle.

It had sunk there after slipping its anchor during a storm and hitting rocks in July 1841.

At the time, the snow brig was a merchant vessel, and had travelled from London laden with farm equipment and construction material for the newly established Swan River colony.

But archaeologists, who first excavated the ship in the 1970s led by former director of the WA Maritime Museum Graeme Henderson, soon discovered its link to the horrific trans-Atlantic slave trade.

It had previously been called the Don Francisco and was owned by a notorious and powerful Brazilian-born slave trader called Francisco Felix de Souza, who operated out of West Africa and was involved in power plays with leaders of the Kingdom of Dahomey, in present day Benin.

The Don Francisco was seized in 1837 off the island of Domenica as it headed towards Cuba by the British, who had passed an act abolishing the slave trade three decades earlier.

The British sailors found 433 slaves crammed inside the 24.5-metre hull.

The ship should have been destroyed under the law of the time, but was instead repaired and renamed the James Matthews, a London-registered merchant vessel — paving the way for its eventual demise.

When it was wrecked off Woodman Point, the ship fell on its side and buried much of its cargo and rigging in the sand.

That helped preserve the artefacts.

"In the case of the James Matthews, it went into sand and the sand buried it with the shifting currents and so forth, and so basically most of the ship was still there. Wonderful," Dr Henderson said.

"The sand gives them an anaerobic environment, which means no oxygen, which means not much in the way of deterioration had taken place.

A leather shoe, a parasol with much of the lace preserved, an ivory chess set, and pulleys with rope still largely intact, were some of the surprisingly well-conserved artefacts discovered.

Intriguingly, the part-owner of the ship at the time, Henry de Burgh, later wrote 200 gold sovereigns were also lost to the sea, supposedly never recovered.

Former WA Maritime Museum director Graeme Henderson, who has officially retired but still spends his days hunting shipwrecks, said the 3D modelling would help gain a better understanding of the site over time.

"The idea is we will come back very few years and take another set of photographs and be able to overlay the models," he said.

"And you'll see growth in seaweed and sponges on the site and you'll also be able to see the deterioration if that's happened."

WA Museum maritime archaeology curator Ross Anderson said a lot of underwater cultural heritage sites, including shipwrecks like the James Matthews and prehistoric sites, were "out of sight and out of mind".

"If people don't see them, they don't see the importance, so these kinds of visualisations and interpretations convey to people what's under there, what's under the water, what's under the sand, [and that it's] actually really important and worth preserving," Dr Anderson said.

Author: Nicolas Perpitch | Source: ABC News Website [December 11, 2016]

As armed groups in Syria and Iraq destroy priceless archaeological sites, European authorities and dealers are on high alert for smaller, looted artefacts put on sale to help finance the jihadists' war.

Stolen-art expert Chris Marinello, director of Art Recovery International, said he has been shown photographs of items being offered from Syria that were "clearly looted right out of the ground".

"You could still see dirt on some of these objects," he told AFP.

They included cylinder seals, Roman bottles and vases, although Marinello said it was unclear whether the items were still in Syria, were in transit or had arrived in the key markets of Europe and the United States.

Concerns about looting during the Syrian war have increased following the advance of the Islamic State group through parts of Syria and Iraq, and recent propaganda videos showing their destruction of ancient sites such as Nimrud.

The UN Security Council in February demanded UN states act to stop the trade in cultural property from those two countries, amid warnings that they represented a significant source of funding for the militant group.

Experts say it is impossible to put a value on antiquities looted from Syria, which has been home to many civilisations through the millennia, from the Canaanites to the Ottomans.

The London-based International Association of Dealers in Ancient Art (IADAA) estimates the entire legitimate antiquities market in 2013 was worth between 150 and 200 million euros ($160-215 million).

Marinello said reputable dealers are "being very careful not to touch anything that could remotely be part of this recent wave of looting".

But Hermann Parzinger, an archaeologist and president of the Germany-based Prussian Cultural Heritage Foundation, said there was an "enormous market" from private buyers.

He warned that the cultural costs were huge, telling AFP: "The context which is so important to reconstruct the history of these civilisations is completely destroyed."    

Italy has proposed that world heritage body UNESCO create a military taskforce to protect cultural sites in war zones, but many experts believe little can be done to stop the current destruction.

Instead, they are forced to wait until the conflict ends and watch in horror as priceless historic sites are destroyed and the spoils gradually emerge onto the market.

Vernon Rapley, a former head of the art and antiquities squad at London's Metropolitan Police, expects many Syrian items to be held back to avoid flooding the market, as occurred after the US-led invasions of Iraq and Afghanistan.

The looted artefacts were likely to be "hauled up in warehouses either in the country or near the country, and only linked to the art trade in small pieces and at a later stage", he told AFP.

Stephane Thefo, who leads an Interpol unit dedicated to fighting the illegal trafficking of cultural goods, agreed that many items may disappear for years -- but insisted that tackling the trade was the best way to combat looting.

The French policeman would like to see tougher national laws on trafficking of cultural goods, something Germany is currently considering.

"We have to act by seeking to narrow markets for the illicit trade, hoping that by curbing the demand, the supply would eventually decrease," Thefo said.

Identifying looted objects is no easy task, however, not least because cultural crime is rarely a police priority.

The law puts the onus on the authorities to prove an item is illegal and a long delay in an artefact being sold, or multiple owners, make it hard to establish provenance.

At a conference at the V&A museum in London this week on the destruction of cultural property in conflict areas in Iraq and Syria, Mali, Libya and Yemen, archaeologists stressed the need for proper inventories of heritage sites.

They noted that objects that have been photographed and digitally catalogued are more likely to be recovered.

Interpol is currently building a database of stolen objects, and James Ede, a London dealer and IADAA board member, urged cultural bodies to share their information with dealers.

"This material will necessarily surface on the open market sooner or later. The challenge therefore is to identify it and where possible to return it when it is safe to do so," he said.

Author: Alice Ritchie | Source: AFP [April 17, 2015]

The destruction at the ancient city of Palmyra symbolises the suffering of the Syrian people at the hands of the terrorist group known as Islamic State (IS). Palmyra was a largely Roman city located at a desert oasis on a vital crossroad, and “one of the most important cultural centres of the ancient world”. Its remarkable preservation highlighted an intermingling of cultures that today, as then, came to stand for the tolerance and multiculturalism that pre-conflict Syria was renowned for -– tolerance that IS seeks to eradicate.

Early in the conflict, the area was heavily fortified. Roads and embankments were dug through the necropolises and the Roman walls, and the historic citadel defences were upgraded. Yet the terrorists occupied and desecrated the city from May 2015, systematically destroying monuments such as the Temple of Baalshamin, the Temple of Bel, seven tower tombs, a large Lion goddess statue and two Islamic shrines. They ransacked the museum, tortured and executing the former site director Khaled al-Asaad in search of treasure to sell. According to satellite imagery analysis the site was heavily looted throughout it all.

Now the city has been recaptured, the first damage assessments are underway, and Syrian – and international – attention is already turning to restoration. This work will be greatly aided by the Syrians who risked their lives to transport the contents of the Palmyra museum to safety. The last truck pulled out as IS arrived, with bullets whizzing past.

Even as they were displaced, Syrians have worked to keep a detailed memory of the city alive. Syrian artists created artworks depicting the destruction. In a Jordanian camp, refugees made miniature models of the city and other cultural sites, even measuring out the number and position of Palmyra’s columns from photographs.

The international community is also playing its part. Groups like UNOSAT, the UN’s satellite imagery analysts have used satellite imagery to monitor the damage. On the ground, Syrian-founded NGOs like APSA have linked with universities to assess the site. Groups such as NewPalmyra and Palmyra 3D Model are using the latest technology to create open-access 3D computer models from photographs.

Others have gone even further. The Million Image Database Project at the Oxford Institute for Digital Archaeology distributed cameras to volunteers across the Middle East to collect 3D photos of sites. As well as creating 3D models, they will recreate full-scale artefacts, sites, and architectural features using their own cement-based 3D printing techniques. This will start with a recreation of the arch from Palmyra’s Temple of Bel, due to be unveiled in London in April 2016.

Ethics of restoration

As well as being used for research, education and enjoyment, this technology could recreate (and perhaps ultimately restore) what IS has destroyed. 3D printing can be done in any colour of shapeable material, and can be as obvious – or as unobtrusive – as desired. The group is also exploring using computer-guided tools to quickly carve their models into stone.

It wouldn’t be the first time such large-scale restoration has been undertaken. Historic central Warsaw, for example, was destroyed during World War II, and was almost completely reconstructed and is now a World Heritage site. Reconstruction is costly, but might be accomplished more quickly and cheaply using new digital techniques, showing the world that Syria values its cultural heritage.

But many argue that 3D printing fails to capture the authenticity of the original structures, amounting to little more than the Disneyfication of heritage. They also point out that the fighting is still ongoing: 370,000 Syrians are dead, millions are displaced, and perhaps 50%-70% of the nearby town has been destroyed. Given the pressing humanitarian needs, stabilisation alone should be the priority for now.

Rebuilding also fails to redress the loss caused by the extensive looting of the site, focusing only on the dramatically destroyed monuments. Perhaps most importantly, its worth asking whether returning Palmyra exactly to its pre-conflict state denies a major chapter of its history? There needs to be a wide-ranging discussion on the priorities for the immediate future and the nature of any future reconstruction.

As has happened after previous conflicts, there may need to be a memorial as a testimony to those beheaded in the arena, or tied to columns that were detonated, or to the former site director executed in trying to protect this site that was so important to him. These stories, and many more, are a part of Palmyra’s, and Syria’s, history.

One thing is clear: while Palmyra may hold great significance to the world, the final decision should belong to those who have lived alongside it, cared for it, managed it, fought for it, and protected it for generations: the Syrian people.

Author: Emma Cunliffe, University Of Oxford | Source: The Conversation [March 31, 2016]

The hidden secrets of Egyptian mummies up to 3,000 years old have been virtually unwrapped and reconstructed for the first time using cutting-edge scanning technology in a joint British-Australian exhibition.

Three-dimensional images of six mummies aged between 900BC and 140-180AD from ancient Egypt, which have been held at the British Museum but never physically unwrapped, give an insight into what it was like to live along the Nile river thousands of years ago.

"We are revealing details of all their physical remains as well as the embalming material used by the embalmers like never before," the British Museum's physical anthropology curator Daniel Antoine told AFP at the Powerhouse Museum in Sydney Thursday. "What we are showing to the public is brand-new discoveries of their insides."

Two of the travelling mummies were previously exhibited at the British Museum in 2014, with the other four being revealed to the world for the first time in the Sydney show that opens on Saturday.

A dual-energy computed tomography (CT) scanner at the Royal Brompton Hospital in London—of which only a handful are in operation around the world—was used to obtain thousands of slices of images of the mummies, with volumetric software then harnessed to create 3D models, Antoine said.

It effectively allows visitors to virtually peel back the layers of history through interactive 3D visualisations of the CT scans.

"I've been able to image the arteries of the mummies, the ones that have been left, and I'm able to look at whether they are suffering from diseases which many people are suffering from today, (such as) cardiovascular diseases," Antoine added.

He believes the mummies can be rescanned in a decade's time using the latest technology to find out more about their state of health, what diseases they were suffering from and the nature of their deaths.

"We hope in the future to image the soft tissues at the cellular level to look at whether there's any changes or to find evidence, for example, of cardiovascular diseases but also things like cancer."

The scans found that one of mummies, Tamut, a priest's daughter from about 900BC, had plaque in her arteries. Three-dimensional printing was also used to recreate amulets found during scans of her mummified remains.

The earliest evidence of mummification in Egypt suggests that the practice of wrapping bodies to preserve them after death dates back as far as 4500BC.

The mummies are due to travel to Asia next year.

Source: AFP [December 08, 2016]

At the Heart of United Kingdom

We needed an identity that could reflect what's special about our product, capture ITV's humanness and warmth and make the brand feel alive. We needed a logo that could wrap itself around a broad range of content rather than feel like a corporate badge.

Our creative platform was born from the fact that at ITV, we don't just make TV programmes, we capture life in all its glory and put it centre stage for everyone to enjoy. The new identity needed to bridge all these areas.

ITV is home to the biggest and best loved shows and talent in British popular culture; we reflect and enhance British life and at times define it. We've never told anyone who we are or why we matter. As a result, their affection was with our shows, not the brand. We were a faceless corporation without a heart.

Our brief was to create an identity that could build an emotional connection with the nation and turn them from pure viewers into fans of ITV, not just our programming.

We required a unique and approachable identity to reflect ITV's position as a human and friendly broadcaster 'at the heart of popular culture'. We based the marque on handwriting, its curves signalling an intimacy with audiences without jeopardizing the organisation's status as large and corporate.

The logotype was divided into five segments: each of which 'picks' a different colour from its background. The ability to pick colours from the background allowed the logo to compliment its surroundings. This creates a unique innovation where no two logos are ever alike.

By Week 5 of the rebrand, 52% like or love the new logo. Prompted Awareness of the new logo is now on par with the weekly reach of ITV. Reactions are really positive; it is seen as modern and eye catching. Just over half of those who were aware of a change to ITV, either loved or liked it. When compared with other broadcasters' logos, ITV's was seen as modern, colourful, bright and attractive while BBC, Channel 4 and FIVE were stronger for being boring, old fashioned and dull.

Type of entry: Graphic Design & Design Crafts;
Category: Large Scale Logo and Visual Design;
Advertiser: ITV;
Product/Service: ITV NETWORK;
Agency: ITV CREATIVE London, UNITED KINGDOM;
Executive Creative Director: Phil Lind (ITV Creative);
Head Of Design: Neill Pitt (ITV Creative);
Head Of Design: Mark Gouldie (ITV Creative);
Designer: Jason Ford (ITV Creative);
Designer: Joe Lewis (ITV Creative);
Brand Designer: Matt Rudd (Rudd Studio).

Consider the engineering marvel that is your foot. Be it hairy or homely, without its solid support you'd be hard-pressed to walk or jump normally.

Now, researchers at the Stanford University School of Medicine and the HudsonAlpha Institute for Biotechnology in Huntsville, Alabama, have identified a change in gene expression between humans and primates that may have helped give us this edge when it comes to walking upright. And they did it by studying a tiny fish called the threespine stickleback that has evolved radically different skeletal structures to match environments around the world.

"It's somewhat unusual to have a research project that spans from fish all the way to humans, but it's clear that tweaking the expression levels of molecules called bone morphogenetic proteins can result in significant changes not just in the skeletal armor of the stickleback, but also in the hind-limb development of humans and primates," said David Kingsley, PhD, professor of developmental biology at Stanford. "This change is likely part of the reason why we've evolved from having a grasping hind foot like a chimp to a weight-bearing structure that allows us to walk on two legs."

Kingsley, who is also a Howard Hughes Medical Institute investigator, is the senior author of a paper describing the work that will be >published in Cell. The lead author is former Stanford postdoctoral scholar Vahan Indjeian, PhD, now head of a research group at Imperial College London.

Adapting to different environments

The threespine stickleback is remarkable in that it has evolved to have many different body structures to equip it for life in different parts of the world. It sports an exterior of bony plates and spines that act as armor to protect it from predators. In marine environments, the plates are large and thick; in freshwater, the fish have evolved to have smaller, lighter-weight plates, perhaps to enhance buoyancy, increase body flexibility and better slip out of the grasp of large, hungry insects. Kingsley and his colleagues wanted to identify the regions of the fish's genome responsible for the skeletal differences that have evolved in natural populations.

The researchers identified the area of the genome responsible for controlling armor plate size, and then looked for differences there in 11 pairs of marine and freshwater fish with varying armor-plate sizes. They homed in on a region that includes the gene for a bone morphogenetic protein family member called GDF6. Due to changes in the regulatory DNA sequence near this gene, freshwater sticklebacks express higher levels of GDF6, while their saltwater cousins express less. Strikingly, marine fish genetically engineered to contain the regulatory sequence of freshwater fish expressed higher levels of GDF6 and developed smaller armor plates, the researchers found.

Regulatory regions in humans vs. chimps

Kingsley and his colleagues wondered whether changes in GDF6 expression levels might also have contributed to critical skeletal modifications during human evolution. The possibility was not as far-fetched as it might seem. Other studies by evolutionary biologists, including Kingsley, have shown that small changes in the regulatory regions of key developmental genes can have profound effects in many vertebrates.

They began by working with colleagues in the laboratory of Gill Bejerano, PhD, Stanford associate professor of developmental biology, of computer science and of pediatrics, to compare differences in the genomes of chimps and humans. In previous surveys, they found over 500 places in which humans have lost regulatory regions that are conserved from chimps and many other mammals. Two of these occur near the GDF6 gene. They homed in on one in particular.

"This regulatory information was shared through about 100 million years of evolution," said Kingsley. "And yet, surprisingly, this region is missing in humans."

To learn more about what the GDF6 regulatory region might be controlling, the researchers used the chimp regulatory DNA to control the production of a protein that is easy to visualize in mice. Laboratory mice with the chimp regulatory DNA coupled to the reporter protein strongly and specifically expressed the protein in their hind limbs, but not their forelimbs, and in their lateral toes, but not the big toes of the hind limbs. Mice genetically engineered to lack the ability to produce GDF6 in any part of their bodies had skull bones that were smaller than normal and their toes were shorter than those of their peers. Together, these findings gave the researchers a clue that GDF6 might play a critical role in limb development and evolution.

The big toe: an explanation

The fact that humans are missing the hind-limb-regulatory region probably means that we express less of the gene in our legs and feet during development, but comparable amounts in our nascent arms, hands and skulls. Loss of this particular regulatory sequence would also shorten lateral toes but not the first toe of feet. This may help explain why the big toe is aligned with other short, lateral toes in humans. Such a modification would create a more sturdy foot with which to walk upright.

"These bone morphogenetic proteins are strong signals for bone and cartilage growth in all types of animals," said Kingsley.

"You can evolve new skeletal structures by changing where and when the signals are expressed, and it's very satisfying to see similar regulatory principles in action whether you are changing the armor of a stickleback, or changing specific hind-limb structures during human evolution."

Author: Krista Conger | Source: Stanford University Medical Center [January 07, 2016]

Planet Earth may contain millions fewer species than previously thought and estimates are converging, according to research led by Griffith University.

In a paper published by the journal Proceedings of the National Academy of Sciences (PNAS), Professor Nigel Stork of Griffith’s Environmental Futures Research Institute reveals findings that narrow global species estimates for beetles, insects and terrestrial arthropods.

The research features an entirely new method of species calculation derived from samples of beetles from the comprehensive collection at London’s Natural History Museum.

“It has been said we don’t know to the nearest order of magnitude just how many species with which we share the planet. Some say it could be as low as two million; others suggest up to 100 million,” says Professor Stork.

“By narrowing down how many species exist within the largest group – the insects and other arthropods — we are now in a position to try to improve estimates for all species, including plants, fungi and vertebrates.

“Understanding how many species there are and how many there might have been is critical to understanding how much humans have impacted biodiversity and whether we are at the start of, or even in the middle of, an extinction crisis.”

About 25 per cent of all species that have been described are beetles. However, when combined with other insects the figure climbs to more than half of all described and named species on Earth.

New method of estimation

For this reason, Professor Stork and his colleagues focused on asking how many species of beetles and insects there actually are, in the process applying a new method of estimation arising from a tendency for larger species of British beetles to be described before smaller species.

“Because of the global spread of major beetle lineages, we made the assumption that the size distribution of the very well known British beetles might be similar to that of beetles worldwide,” says Professor Stork.

“So, if we could get a measurement of the body sizes of the beetles from around the world, we might be able to plot where these fitted in time against the British beetles.”

After measuring a sample from the Natural History Museum’s worldwide collection of beetles, Professor Stork compared the mean body size with the changing body sizes of British beetles to reveal that roughly 10 per cent of the world’s beetles have been named and described.

This figure sheds intriguing light on previous estimates of global species richness.

In the 1980s, there were just two methods of estimating species. In the case of beetles, these gave a mean of 17.5 million species and a range of 4.9-40.7 million. For all terrestrial arthropods, the mean was 36.8 million and a range of 7-80 million.

However, the new research shows that four current methods of estimation – dating from 2001 onwards — suggest much lower figures, namely a mean of 1.5 million for beetles (range 0.9-2.1 million) and 6.8 million for terrestrial arthropods (range 5.9-7.8 million).

“While all methods of estimating global species richness make assumptions, what is important here is that four largely unrelated methods, including the new body size method, produce similar estimates,” says Professor Stork.

“With estimates converging in this way, this suggests we are closer to finding the real numbers than before.

“It also means we can improve regional species richness. For Australian fauna and flora, for example, we should be able to make better estimates of just how many species there are and which groups need more taxonomic attention.”

Diversity of life

Professor Ian Owens, Director of Science at the Natural History Museum, says this research is a great example of how natural history collections support high-impact scientific research that addresses challenging questions such as the diversity of life.

“The Natural History Museum’s beetle collection is one of the most important and extensive in the world, so I’m delighted that it has played such a fundamental part in this study that uses a novel approach to estimating how many species of beetle exist,” says Professor Owens.

“The results are very exciting and are a big step forward to establishing a baseline for biodiversity.”

Meanwhile, co-author of the PNAS paper — the University of Melbourne’s Associate Professor Andrew Hamilton – says efforts to come up with new or modified ways of resolving how many species exist are beginning to prove fruitful.

Professor Stork says the research has important conservation ramifications.

“Success in planning for conservation and adopting remedial management actions can only be achieved if we know what species there are, how many need protection and where,” he says. “Otherwise, we have no baseline against which to measure our successes.

“Furthermore, it is arguably not only the final number of species that is important, but what we discover about biodiversity in the process.

“The degree to which we can or cannot accurately estimate the number of species or the scale of organismal diversity on Earth is a measure of our ignorance in understanding the ecological and evolutionary forces that create and maintain the biodiversity on our planet.

“Attacking this question also drives scientific enquiry and is of public interest. Society expects science to know what species exist on Earth, as it expects science to discover nuclear particles and molecules.

“These discoveries open doors to more utilitarian interests.”

Source: Griffith University [June 02, 2015]

The following is an open letter circulated yesterday (May 14) by Alexis Mantheakis, Chairman of the International Parthenon Sculptures Action Committee, on the recent developments in the Parthenon Sculptures issue:

Dear All,

The recent snub by the British government to UNESCO's offer to mediate in the issue of the Parthenon Sculptures dispute and the arrogant wording directed at the Greek government's often repeated offer to negotiate the matter by discussion confirmed our position that Britain never had the intention to enter into good faith discussions. As we had said in recent fora,  the only road we saw to possible success was one of legal action, with a direct and dynamic confrontation with Whitehall.

The recent response by Britain dissolved any illusions we had regarding the powers in the UK to be brought to do the right thing,  and to right a historical wrong.  We too had hoped that Britain would succumb to worldwide public opinion to correct an outrage,  the stripping and vandalising of the Parthenon of 60% of its famous millenia-old  Sculptures ,  a crime committed when Greeks were under occupation and unable to defend their archaeological heritage and national symbols of identity.

The latest declaration by the new minister of culture in the UK continues with the hard line of his predeccesors, namely that "The marbles were legally acquired according to the laws of the time. " So Mr Minister were 3 million African slaves, captured,  transported and sold,  "according to the laws of the time." Opium too was purchased and sold, in tons "according to the laws of the time". Those who did not agree to buy your opium had two wars declared on them,  and so China paid with the loss of Hong Kong and a treaty to buy your Indian grown opium.  This, Mr Minister, is NOT that time.  We are disputing your CURRENT possession of symbols of our heritage, removed from Athens and held by you in a totally government financed and controlled museum institution (all the board is appointed directly, or indirectly by the UK government or by the Queen).

This,  though,  is not the issue.

One more British government acting like  an infant  petulantly hugging another child's toy,  saying "It is mine, mine!"  is understandable,  because there is no home-made item that can compare in beauty,  artisanry,  historic or other value to those created  by a superior ancient civilisation.  We may understand the feeling,  and commiserate,  but that does not justify the possession of the looted Greek scultures taken from the Parthenon.  There is no justification for it.  We sympathise with the situation the British Museum is in,  but our sympathy doesn't extend to giving up iconic and defitive items of our heritage,  nor did our illustrious and talented predecessors in Ancient Athens build the Parthenon to have its facade torn off and damaged  by a British ambassador to decorate his Scottish residence. The Parthenon was built by Pericles and the Greek city states to commemorate the victory of Greek civilisation against the very type of barbarity  and lack of respect that Elgin indulged in 2300 years later.

The British position is well known and is in keeping with how official Britain has acted in the last few centuries.  To win in a contest the basic rule MUST be to understand your opponent and create your game strategy around this knowledge.

Anyone who has studied British history and politics will know that Britain NEVER,  but NEVER,  gives anything back unless forced to do so.  India, Cyprus,  as well as dozens of colonies of the Empire,  and other possessions acquired without the consent of the people, often with great bloodshed caused by British troops were only given back by Britain after a bitterly contested conflict,  on the field of battle,  in courts,  or with a series of extended non-violent political actions by those who had lost their heritage,  freedoms,  or historical archaeological treasures.  Britain today in its museums and in the Tower of London still holds numerous purloined and pillaged items as well as those taken by reason of  military superiority from a vanquished foe defending himself on his own soil.  The Kohinoor Diamond in the so called Crown Jewels  taken from a defeated 15 year old prince in India, is but one example. Manifest Destiny demanded it.  We oppose this way of thinking.

This lengthy introduction,  and I will apologise,  was to emphasise my conviction that dialogue for the return of the Parthenon Marbles, after so many valiant and polite efforts by Greece,  and its overseas friends in all walks of life,  is not a viable option,  and only  incurable romantics or people without an understanding of the official British character and its limitations can insist that this dead end is the road to the Restitution in Athens.

The problem is not the obduracy and intransigence of British officialdom.  It is a given, and we have to act  with that in mind.  It is with the very knowledge of the historic failure of Greek diplomacy,  both cultural and political,  and that of our own self-financed voluntary Parthenon organisations, to bring about the return, that it was encouraging when the Greek government,  that for 40 years has not asked Britain officially for the Sculptures return,  not long ago decided to involve an experienced and prestigious British legal firm Doughty Street Chambers led by George Robertson QC,  to represent our interests and to write a report regarding  what options were open for Greece to act.

Overall public awareness of the issue and additional sympathy for the Greek case was given very welcome boosts,  human nature being what it is,  by declarations of public support by celebrities such as George Clooney,  Matt Damon and others,  while a visit to Greece by Mrs Clooney with her senior colleagues at the UK law office created a media frenzy and a heightening of public interest in the Parthenon issue.  The Doughty Chambers law group produced a 140 page confidential report for the Greek government describing,  as leaked to the press,  5 options.  The one considered to have the highest chance of success was,  and this is no surprise to us,  for Greece to go immediately to the  European Court of Human Rights where,  according to the report,  there was  the greatest chance of a Greek legal victory.  The lawyers were specific: it is  now or never,  if the opportunity is  not to be lost with issues such as statutes of limitations in the near future killing Greek chances of recovery of the items through international court decisions.

In Greece,  as we all know there is a new government,  and the report was delivered to them.  With the understanding of the British penchant for intransigence,  fortified by the recent snub to UNESCO, and the history of failed attempts,  the new minister had a detailed road map in his hands,  to move forward,  with of course the support of millions around the world and at home.  Expecting his decision to do this,  using the British law firm and their international expertise and experience in cross border cultural issues we were stunned to hear the announcement of Under Minister Mr Nickos Xidakis,  a former journalist,  who announced,  in more words than these,  that " We will not go against Britain in court... This is a matter to be settled politically and diplomatically...this issue will be settled, bit by bit over, time..."

Looking at what the minister said let us examine the  viability of his declared course of action over that which the British lawyers and we ourselves at IPSACI believe,  and we all want the same thing ,  the return of the Parthenon Sculptures.

A) Mr Xidakis rejects the expert opinion of the British legal experts.  Claiming we may lose in court.  But for 200 years we have lost! We can only win,  or if we lose here, we can initiate a new legal action in another court.

B) Mr Xidakis says the issue can be won diplomatically.  The question is,  after 200 years of failed  diplomatic initiatives, is the government of Mr Xidakis in such a powerful international position to impose a solution using diplomacy? Does he know of Greek diplomats who can force Mr Cameron to sign a new law allowing/directing the Return of the Parthenon Sculptures?

C) Mr Xidakis told the press that the issue should be dealt with "politically" .  This is indeed one way countries settle disputes.  The assumption by lay persons like myself,  on hearing the Minister,  is that Greece at this moment has the political clout to bring the British Museum to its knees and to force Mr Cameron to sign the document of repatriation of the Sculptures to Athens. With all our goodwill towards Mr Xidakis, where does he draw this feeling of current Greek political power and superiority over Britain from?

D) Finally the minister says that this issue is being slowly resolved, "little by little".

But it has already been 200 years from the stripping of the friezes and metopes and Britain has not moved one centimetre in the direction Greece demands!

If the minister does not tell us why he feels his/our  government has the diplomatic and political power to solve the issue,  I very much fear that his position looks like a hot potato shifting of the issue to a future government because of  reluctance to take the bull by the horns,  as recommended by the UK lawyers, and get into court with his British counterpart.(Apologies for the mixed metaphors!)

I have a great fear that we are about to lose the Parthenon Sculptures for ever, and that the work of all our organisations, ministries,  diplomatic missions,  our volunteer supporters, and decades of dedicated work by people such as yourselves around the world, and in Greek and international  organisations are about to be lost down the drain.

I therefore beg those who believe that we must recommend to Minister Xidakis and his staff to listen to the recommendations of people and experts who know the issues well,  and understand the mindset of those walking the halls of Russell Square and Westmister,  to express their concern to the authorities in Greece.

Thank you for your patience in reading this long analysis of where I believe  we are today,  in view of the recent, and disturbing developments.

Best to all,
Alexis Mantheakis
Chairman of the International Parthenon Sculptures Action Committee Inc.
Athens office.
www.ipsaci.com
+(30)22990 47566

Throughout the Renaissance, the demand for antiques among the aristocracy burgeoned, with the trend soaring by the late 17th century as members of the upper classes began scouring Europe in search of bronzes, sculptures, prints, lamps and vases. With disposable income then rising among the aspiring middle classes in the latter part of the 19th century, the bourgeoisie took to investing in their homes and in the finer things as well. As antiques went mainstream, the market boomed in the hubs of London and Paris.

However, despite this generally rising appetite, antiques have a tendency to go in and out of fashion, as evidenced by the lulls in between the booms of the 1950s and 1980s. At present, the market is experiencing yet another lull; new tastes and values have sent demand and prices for antiques crashing, leaving armoires, bejewelled knick-knacks and Regency dining chairs unwanted and unsold, and causing many industry players to close down or change course entirely. Yet, in the midst of all the doom and gloom for antiques aficionados, there is some cause for optimism in a few niche areas, especially when it comes to fossils and minerals.

Out with the old

With so many more people living in smaller abodes these days – urban dwellers in particular – there is very little space for antique desks and looming tapestries. Nor, in fact, do such items match contemporary tastes, as interior design trends have changed considerably over the past decade or two. Sleek and modern pieces, airy spaces and overall functionality are the style du jour; cluttered rooms and bulky furniture seem to have little place in 21st century life.

“In general, young people have lost interest, and it is mostly older people who are buying – and obviously this area of the population is one that declines”, said Errol Fuller, a curator at Summers Place Auctions, and a leading expert on fossils and extinct species. “Not all areas of antique collecting are in retreat; it is the more drab brown furniture and traditional items that young people have little interest in. They look old-hat and boring.”

Given the niche knowledge and training required to even begin delving into the subject, Baby Boomers and Millennials are largely uninterested in antiques. Adding further to this growing indifference is the reputation antiques have for popularity among the older generations – a status consolidated by television programmes, such as the US and UK versions of Antiques Roadshow, that depict the field as a hobby for pensioners. The downsizing of former antiques hubs, such as London’s Fulham Road and New York’s Kentshire Gardens, reflects this shift further still, indicating the market in general has indeed reached a precarious state.

In with the even older

Over the past year or so, one big trend that is offering hope to those in the trade is the growing popularity of fossils and minerals.

“Decorative items, or things with intrinsic interest, still have appeal, and fossils and minerals have much of this quality. As do antique stuffed animals and birds. And it is these kind of things that are appealing to the young”, Fuller said. “The general public is becoming increasingly interested in the natural world – perhaps because we realise that much of it is vanishing at an alarming rate. We are becoming more conscious of anything to do with nature and to call a piece of natural history your own and to look after it for a few more years and save it for generations to come, is quite special.”

This interest in the natural can be seen across numerous sectors and industries: food, make-up and alternative therapies, to name but a few. It would seem, as these trends indicate, that people are done with the artificial and are tired of fakery; they yearn for something with authenticity. Items such as fossils and minerals offer a window into the natural world within one’s own home.

“Some are incredibly rare as well. But I think the main point is that most people are in sheer awe when they look at something that was created millions of years ago and which is still appealing to us”, said Fuller. “To imagine that this fossilised dinosaur or crab used to live on this planet such a long time ago, and is now one of the prized possessions in your collection is quite mind-blowing. Antiques and the amazing craftsmanship used to create them will always attract us, but I think it is the fact that fossils are not man-made that makes us look at them in wonder.”

Crucial to this trend is the fact that fossils and minerals complement almost any type of interior design. They offer contrast to a modern room with soft furnishings, yet not in the garish way that a cumbersome 17th century dining table might. Given the variety of sizes, colours and types available, there is something for everyone and every budget. “Fossils are also still reasonably priced, so are more accessible to the general public and not restricted to those with millions in their bank accounts”, Fuller said.

Their backgrounds make talking points like no other; it’s impossible not to be interested in their age, formation and aesthetic value.

“They are not man-made and, in terms of antiquity, they are much older. And, of course, they almost always have a story”, Fuller said. “People tend to buy antiques because they are interested in their history and they look great in their homes. Fossils and minerals tick all those boxes, but as our homes are getting more contemporary, fossils actually fit in better. They look better in a minimalist home than most antiques, while still being quirky enough to be a real focal point.”

When asked if he sees this trend continuing in the coming years, Fuller’s response was clear: “Absolutely, and especially because it is an area in which young people are becoming particularly interested, for all the above reasons. Summers Place Auctions established specific natural history sales with our first Evolution sale in 2013, but we have since gone from one specialist auction a year to including natural history items in all our sales – four in total. There is always a huge interest, but our last sale, which included the natural history collection of the Emmen Zoo, was the best yet – every single lot sold. We offered items at prices as low as £30, up to over £100,000.”

Cyclical nature

As shown throughout history, the trend for antiques in the home comes in waves. Wider phenomena, it would seem, have a large role to play; something may occur in popular culture that can ignite a craze, and a shift within an economy can spur a new trend. Take the hit show Mad Men; watched by millions and considered by many to be one of the greatest dramas of all time, the programme, which depicted life in a New York advertising agency in the 1960s, had a direct impact on the antique market. As the show’s popularity grew, so did that of sleek mid-century furniture, with sales of pieces by Charles and Ray Eames, and Jean-Michel Frank soaring during the show’s run. However, sales of such items have begun to slow once more since the show ended in 2015, demonstrating the fickle nature of tastes and trends when it comes to interior design, popular culture and what’s ‘in’.

The growing demand for Chinese antiquities offers another important lesson for the antiques world. Given the exponential growth in the Chinese economy over the past three decades, a huge social shift has taken place in the country, with a sizeable middle class now present for the first time in the country’s history. This expansion and growth in disposable income has allowed considerably more people in China to own their own homes and, consequently, to invest in them and in objects of aesthetic value. Interestingly, this shift has taken place at the same time as a significant cultural transition within the country, whereby symbols of the past, which were once neglected and even rejected, have regained their prominence. Until recently, all reminders of the China’s imperial past were overlooked by the ruling regime and, as a result, the public. However, a renewed zeal for Chinese history has seen citizens reach out for objects of cultural significance. This trend has led Chinese buyers to scour the globe in search of rare pieces.

The western trend for fossils and minerals may be in line with contemporary tastes, yet this too is likely to pass at some point – it may take several years, but it will pass. Evidently, the appetite for antiques, and for the various individual categories themselves, comes and goes. They are a reflection of society, the state of the economy, and of what was valued at any one time. At present, we are at a stage where the natural is lovingly embraced, which is clearly reflected in what we eat and how we style our homes. But the future may look very different. Perhaps period decor will come back into fashion, perhaps the dining room will have a revival, and maybe even large brown furniture will have its day once more.

Ultimately, the antiques market has a life of its own. It has its own ebb and flow, and is certainly an interesting reflection of society. Although the antique market is shrinking in general, all is not lost for those invested in it; who knows what we’ll once again value in the future?

Author: Elizabeth Matsangou | Source: European CEO [July 19, 2016]

Researchers have observed wild-bearded capuchin monkeys in Brazil deliberately break stones, unintentionally creating flakes that share many of the characteristics of those produced by early Stone Age hominins. The difference is that the capuchins' flakes are not intentional tools for cutting and scraping, but seem to be the by-product of hammering or 'percussive behaviour' that the monkeys engage in to extract minerals or lichen from the stones.

In a paper, >published in Nature, the research team says this finding is significant because archaeologists had always understood that the production of multiple stone flakes with characteristics such as conchoidal fractures and sharp cutting edges was a behaviour unique to hominins. The paper suggests that scholars may have to refine their criteria for identifying intentionally produced early stone flakes made by hominins, given capuchins have been observed unintentionally making similar tools.

The research is authored by researchers from the University of Oxford, University College London and University of Sao Paulo in Brazil. The team observed individual monkeys in Serra da Capivara National Park unintentionally creating fractured flakes and cores. While hominins made stone flake tools for cutting and butchery tasks, the researchers admit that it is unclear why monkeys perform this behaviour. They suggest that the capuchins may be trying to extract powdered silicon (known to be an essential trace nutrient) or to remove lichen for some as yet unknown medicinal purpose. At no point did the monkeys try to cut or scrape using the flakes, says the study.

Lead author Dr Tomos Proffitt, from the School of Archaeology at the University of Oxford, comments: 'Within the last decade, studies have shown that the use and intentional production of sharp-edged flakes are not necessarily linked to early humans (the genus Homo) who are our direct relatives, but instead were used and produced by a wider range of hominins. However, this study goes one step further in showing that modern primates can produce archaeologically identifiable flakes and cores with features that we thought were unique to hominins.

'This does not mean that the earliest archaeological material in East Africa was not made by hominins. It does, however, raise interesting questions about the possible ways this stone tool technology developed before the earliest examples in the archaeological record appeared. It also tells us what this stone tool technology might look like. There are important questions too about the uniqueness of early hominin behaviour. These findings challenge previous ideas about the minimum level of cognitive and morphological complexity required to produce numerous conchoidal flakes.'

The monkeys were observed engaging in 'stone on stone percussion', whereby they individually selected rounded quartzite cobbles and then using one or two hands struck the 'hammer-stone' forcefully and repeatedly on quartzite cobbles embedded in a cliff face. This action crushed the surface and dislodged cobbled stones, and the hand-held 'hammer stones' became unintentionally fractured, leaving an identifiable primate archaeological record. As well as using the active hammer-stone to crush 'passive hammers' (stones embedded in the outcrop), the capuchins were also observed re-using broken hammer-stones as 'fresh' hammers.

The research team examined 111 fragmented stones collected from the ground immediately after the capuchins had dropped them, as well as from the surface and excavated areas in the site. They gathered complete and broken hammer-stones, complete and fragmented flakes and passive hammers. Around half of the fractured flakes exhibited conchoidal fracture, which is typically associated with the hominin production of flakes.

Bearded capuchins and some Japanese macaques are known to pound stones directly against each other, but the paper remarks that the capuchins in Serra da Capivara National Park are the only wild primates to be observed doing this for the purpose of damaging the stones.

Co-author and leader of the Primate Archaeology (Primarch) project Michael Haslam, from the University of Oxford, says: 'Our understanding of the new technologies adopted by our early ancestors helps shape our view of human evolution. The emergence of sharp-edged stone tools that were fashioned and hammered to create a cutting tool was a big part of that story. The fact that we have discovered monkeys can produce the same result does throw a bit of a spanner in the works in our thinking on evolutionary behaviour and how we attribute such artefacts. While humans are not unique in making this technology, the manner in which they used them is still very different to what the monkeys seem capable of.'

Source: University of Oxford [October 19, 2016]

Scientists at UCL have observed how a widespread polar wind is driving gas from the atmosphere of Saturn's moon Titan. The team analysed data gathered over seven years by the international Cassini probe, and found that the interactions between Titan's atmosphere, and the solar magnetic field and radiation, create a wind of hydrocarbons and nitriles being blown away from its polar regions into space. This is very similar to the wind observed coming from Earth's polar regions.

Titan is a remarkable object in the Solar System. Like Earth and Venus, and unlike any other moon, it has a rocky surface and a thick atmosphere. It is the only object in the Solar System aside from Earth to have rivers, rainfall and seas. It is bigger than the planet Mercury.

Thanks to these unique features, Titan has been studied more than any moon other than Earth's, including numerous fly-bys by the Cassini probe, as well as the Huygens lander which touched down in 2004. On board Cassini is an instrument partly designed at UCL, the Cassini Plasma Spectrometer (CAPS), which was used in this study.

"Titan's atmosphere is made up mainly of nitrogen and methane, with 50% higher pressure at its surface than on Earth," said Andrew Coates (UCL Mullard Space Science Laboratory), who led the study. "Data from CAPS proved a few years ago that the top of Titan's atmosphere is losing about seven tonnes of hydrocarbons and nitriles every day, but didn't explain why this was happening. Our new study provides evidence for why this is happening."

Hydrocarbons are a category of molecules that includes methane, as well as other familiar substances including petrol, natural gas and bitumen. Nitriles are molecules with nitrogen and carbon tightly bound together.

The new research, published today in the journal Geophysical Research Letters, explains that this atmospheric loss is driven by a polar wind powered by an interaction between sunlight, the solar magnetic field and the molecules present in the upper atmosphere.

"Although Titan is ten times further from the Sun than Earth is, its upper atmosphere is still bathed in light," says Coates. "When the light hits molecules in Titan's ionosphere, it ejects negatively charged electrons out of the hydrocarbon and nitrile molecules, leaving a positively charged particle behind. These electrons, known as photoelectrons, have a very specific energy of 24.1 electronvolts, which means they can be traced by the CAPS instrument, and easily distinguished from other electrons, as they propagate through the surrounding magnetic field."

Unike Earth, Titan has no magnetic field of its own, but is surrounded by Saturn's rapidly rotating magnetic field, which drapes forming a comet-like tail around the moon. In 23 fly-bys which passed through Titan's ionosphere or its magnetic tail, CAPS detected measurable quantities of these photoelectrons up to 6.8 Titan radii away from the moon, because they can easily travel along the magnetic field lines.

The team found that these negatively-charged photoelectrons, spread throughout Titan's ionosphere and the tail, set up an electrical field. The electrical field, in turn, is strong enough to pull the positively charged hydrocarbon and nitrile particles from the atmosphere throughout the sunlit portion of the atmosphere, setting up the widespread 'polar wind' that scientists have observed there.

This phenomenon has only been observed on Earth before, in the polar regions where Earth's magnetic field is open. As Titan lacks its own magnetic field the same thing can occur over wider regions, not just near the poles. A similarly widespread 'polar wind' is strongly suspected to exist both on Mars and Venus -- the two planets in the Solar System which are most Earth-like. It gives further evidence of how Titan, despite its location in orbit around a gas giant in the outer Solar System, is one of the most Earth-like objects ever studied.

Source: University College London [June 18, 2015]

The erosion rates of cliffs along the Sussex coast have rapidly sped up in the last 200 years, a new study has found.

The research shows that the erosion rates along Beachy Head and Seaford Head in Sussex had remained relatively stable, at around two to six centimetres each year, for thousands of years. However, around 200 to 600 years ago the rates rapidly accelerated, increasing to between 22 and 32 centimetres each year.

The authors suggest that rising sea levels and increasingly severe storms have rapidly eroded the Beachy Head and Seaford Head shorelines. The loss of beach means that the cliffs are exposed to the eroding wave action forces, which is causing them to collapse into the sea. The researchers suggest this erosion process is probably happening along other coastlines in the UK and elsewhere around the world, with implications for how coasts will respond to climate change and what we can do to manage the impact on important coastal infrastructure.

Dr Dylan Rood, co-author from the Department of Earth Science and Engineering at Imperial College London, said: "The coast is clearly eroding, and Britain has retreated fast. Our study on British coasts leaves no question that coastal cliff retreat accelerated in the recent past. A nearly ten-fold increase in retreat rates over a very short timescale, in geological terms, is remarkable. The UK cannot leave the issue of cliff erosion unresolved in the face of a warming world and rising sea levels. Cliff erosion is irreversible; once the cliffs retreat, they are gone for good."

The scientists used a process called cosmogenic dating to learn how the chalk cliffs at Beachy Head and Seaford Head have eroded. Cosmogenic dating allows scientists to analyse the build-up of a rare isotope of beryllium (beryllium-10). This isotope is created when cosmic radiation reacts with oxygen atoms in the exposed flint rock, so by measuring its accumulation, it acts as a kind of 'rock clock' to show the rate of rock erosion.

Since the rate of accumulation has previously been relatively constant, measuring rock samples from across the shore platforms allowed researchers to build a record of how coastal erosion has proceeded over the last 7000 years or so.

Dr Rood added: "Cosmogenic isotopes including beryllium-10 are advancing the science of retreating coastlines in Great Britain and worldwide. These new tools provide a rare insight into how dramatically environmental change and human impact affected sensitive coastal landscapes. We still need to better understand how other rocky coastlines have responded in the past, and cosmogenic isotopes are the key to unlocking this mystery."

The researchers now hope to use their observations to create a more accurate predictive model of how climate change will affect coastal erosion in the future, which could help authorities make more informed decisions about coastal management.

The research was published in the >Proceedings of the National Academy of Sciences.

Author: Caroline Brogan | Source: Imperial College London [November 16, 2016]

A team of Caltech researchers that has spent years searching for the earliest objects in the universe now reports the detection of what may be the most distant galaxy ever found. In an article published August 28, 2015 in Astrophysical Journal Letters, Adi Zitrin, a NASA Hubble Postdoctoral Scholar in Astronomy, and Richard Ellis -- who recently retired after 15 years on the Caltech faculty and is now a professor of astrophysics at University College, London -- describe evidence for a galaxy called EGS8p7 that is more than 13.2 billion years old. The universe itself is about 13.8 billion years old.

Earlier this year, EGS8p7 had been identified as a candidate for further investigation based on data gathered by NASA's Hubble Space Telescope and the Spitzer Space Telescope. Using the multi-object spectrometer for infrared exploration (MOSFIRE) at the W.M. Keck Observatory in Hawaii, the researchers performed a spectrographic analysis of the galaxy to determine its redshift. Redshift results from the Doppler effect, the same phenomenon that causes the siren on a fire truck to drop in pitch as the truck passes. With celestial objects, however, it is light that is being "stretched" rather than sound; instead of an audible drop in tone, there is a shift from the actual color to redder wavelengths.

Redshift is traditionally used to measure distance to galaxies, but is difficult to determine when looking at the universe's most distant -- and thus earliest -- objects. Immediately after the Big Bang, the universe was a soup of charged particles -- electrons and protons -- and light (photons). Because these photons were scattered by free electrons, the early universe could not transmit light. By 380,000 years after the Big Bang, the universe had cooled enough for free electrons and protons to combine into neutral hydrogen atoms that filled the universe, allowing light to travel through the cosmos. Then, when the universe was just a half-billion to a billion years old, the first galaxies turned on and reionized the neutral gas. The universe remains ionized today.

Prior to reionization, however, clouds of neutral hydrogen atoms would have absorbed certain radiation emitted by young, newly forming galaxies -- including the so-called Lyman-alpha line, the spectral signature of hot hydrogen gas that has been heated by ultraviolet emission from new stars, and a commonly used indicator of star formation.

Because of this absorption, it should not, in theory, have been possible to observe a Lyman-alpha line from EGS8p7.

"If you look at the galaxies in the early universe, there is a lot of neutral hydrogen that is not transparent to this emission," says Zitrin. "We expect that most of the radiation from this galaxy would be absorbed by the hydrogen in the intervening space. Yet still we see Lyman-alpha from this galaxy."

They detected it using the MOSFIRE spectrometer, which captures the chemical signatures of everything from stars to the distant galaxies at near-infrared wavelengths (0.97-2.45 microns, or millionths of a meter).

"The surprising aspect about the present discovery is that we have detected this Lyman-alpha line in an apparently faint galaxy at a redshift of 8.68, corresponding to a time when the universe should be full of absorbing hydrogen clouds," Ellis says. Prior to their discovery, the farthest detected galaxy had a redshift of 7.73.

One possible reason the object may be visible despite the hydrogen-absorbing clouds, the researchers say, is that hydrogen reionization did not occur in a uniform manner. "Evidence from several observations indicate that the reionization process probably is patchy," Zitrin says. "Some objects are so bright that they form a bubble of ionized hydrogen. But the process is not coherent in all directions."

"The galaxy we have observed, EGS8p7, which is unusually luminous, may be powered by a population of unusually hot stars, and it may have special properties that enabled it to create a large bubble of ionized hydrogen much earlier than is possible for more typical galaxies at these times," says Sirio Belli, a Caltech graduate student who worked on the project.

"We are currently calculating more thoroughly the exact chances of finding this galaxy and seeing this emission from it, and to understand whether we need to revise the timeline of the reionization, which is one of the major key questions to answer in our understanding of the evolution of the universe," Zitrin says.

Author: Rod Pyle | Source: California Institute of Technology [September 04, 2015]

Magnetic nanovortices in magnetite minerals are reliable witnesses of the earth's history, as revealed by the first high-resolution studies of these structures undertaken by scientists from Germany and the United Kingdom. The magnetic structures are built during the cooling of molten rock and reflect the earth's magnetic field at the time of their formation. The vortices are unexpectedly resilient to temperature fluctuations, as electron holographic experiments in Julich have verified. These results are an important step in improving our understanding of the history of the earth's magnetic field, its core and plate tectonics.

The earth's magnetic field performs important functions: it protects us, for example, from charged particles from space and enables migratory birds, bees, and other animals to navigate. However, it is not stable, and constantly changes its intensity and state. Several times in the past it has even reversed its polarity -- the north and south poles have changed places.

Scientists in the area of paleomagnetism use magnetic minerals to investigate the history of the earth's magnetic field and its formation from molten metal flowing within the earth's core, the so-called geodynamo. Furthermore, the movement of continental plates can be monitored with the aid of such rocks.

In the course of millions of years, these minerals could often have been exposed to immense temperature fluctuations, due to extreme climate change or volcanic activity, for instance. How well do the magnetic structures survive such temperature fluctuations and how reliable is the information gained from them?

An international research team has now studied this question for the first time at ultra-high resolution on samples of magnetite, the mineral dominating the magnetic properties in the earth's crust.

"It is only in a small part of naturally occurring magnetite that magnetic structures known for being very stable with respect to temperature fluctuations are found," explains Dr. Trevor Almeida of Imperial College London. "Far more common are tiny magnetic vortices. Their stability could not be demonstrated until now."

Together with colleagues from Forschungszentrum Julich, the University of Edinburgh and the University of Nottingham, Almeida has studied the magnetic vortices in magnetite nanocrystals. As the structures are so tiny -- each grain is only about the size of a virus -- there is only one method with which the nanovortices can directly be observed while they are heated up and cooled down: "A special high-resolution electron microscope at the Ernst Ruska-Centre (ER-C) in Julich is capable of making magnetic fields on the nanoscale holographically visible," explains Almeida. "In this way, images of field lines are produced almost like using iron filings around a bar magnet to make its magnetic field visible, but with a resolution in the nanometre range."

The experiments in Julich showed that although the magnetic vortices alter in strength and direction when heated up, they go back to their original state as they cool down. "Therefore magnetite rocks, which carry signs of temperature fluctuations, are indeed a reliable source of information about the history of the earth," enthuses Almeida.

"Electron holography has made it possible for us to gain a completely new insight into the magnetic behaviour of magnetite," emphasized Prof. Rafal Dunin-Borkowski, Director at the ER-C and at the Peter Grunberg Institute in Julich.

As an expert in electron holography, he works with his Julich team on further improving the resolution of this technique and in providing German and international scientists the necessary infrastructure to perform this type of study.

"Weak magnetic fields in nanocrystals don't just play a role in paleomagnetism. In information technology, for instance, electron holograms can also be of use to help to push back the physical limits of data storage and processing."

The study has been published in Science Advances.

Source: Forschungszentrum Juelich [April 18, 2016]

The Piltdown Man scandal is arguably the greatest scientific fraud ever perpetrated in the UK, with fake fossils being claimed as evidence of our earliest ancestor.

Published 100 years on from Dawson's death, new research reveals that the forgeries were created using a limited number of specimens that were all constructed using a consistent method, suggesting the perpetrator acted alone.

It is highly likely that an orang-utan specimen and at least two human skeletons were used to create the fakes, which are still kept at the Natural History Museum.

Between 1912 and 1914 Museum palaeontologist Arthur Smith Woodward and the amateur antiquarian Charles Dawson announced the discovery of fossils from Piltdown in Sussex. These were supposedly a new evolutionary link between apes and humans. They indicated a species with both an ape-like jaw and a large braincase like a modern human. Before he died in 1916, Dawson claimed to have discovered further evidence at a second site.

The forgeries helped misdirect the study of anthropology for decades. While doubts were raised from the start, it took 40 years for the scientific community to recognise that the remains had been altered to seem ancient and had been planted in the sites.

The new research, published in >Royal Society Open Science, was undertaken by a multi-disciplinary team from institutions in Liverpool, London, Cambridge and Canterbury. They used the latest scientific methods to test the Piltdown specimens to uncover more about how the forgery was done.

DNA analyses show that both the canine from the first Piltdown site and the molar from the second site probably came from one orang-utan, related most closely to orang-utans now occupying south-west Sarawak (Borneo). In addition, the shape and form of the molar from the second Piltdown site was almost certainly from the other side of the jawbone planted in the first site.

3D X-ray imaging (Micro-CT scans) show that many of the bones and a tooth were filled with Piltdown gravel and the openings plugged with small pebbles. Holes in the skull bones were filled with dental putty, which was also used to re-set the teeth in the jaw and to reconstruct one of the teeth that fell apart while it was being ground down.

Dr Laura Buck co-author on the paper from the Division of Biological Anthropology, University of Cambridge commented on the project's importance. "Even today, over a hundred years after the Piltdown fraud was perpetrated, it remains relevant because of the huge impact it had on the course of Palaeoanthropological research at the beginning of the twentieth century."

"Fossil human remains from Africa, such as the Taung child from South Africa, were largely ignored when first found because they didn't fit with preconceptions of what an early human relative would look like, based on Piltdown Man. This serves as an important reminder to researchers today to study what is there and not what we think should be there," Buck said.

Dr Isabelle De Groote from Liverpool John Moores University and lead author on the paper, thinks the results point to a clear conclusion: "Although multiple individuals have been accused of producing the fake fossils, our analyses to understand the modus operandi show consistency between all the different specimens and on both sites. It is clear from our analysis that this work was likely all carried out by one forger: Charles Dawson."

Source: University of Cambridge [August 11, 2016]