The Great London [Search results for Turkey] 

For most of the last 45,000 years Europe was inhabited solely by hunter-gatherers. About 8,500 years ago a new form of subsistence -- farming -- started to spread across the continent from modern-day Turkey, reaching central Europe by 7,500 years ago and Britain by 6,100 years ago. This new subsistence strategy led to profound changes in society, including greater population density, new diseases, and poorer health. Such was the impact of farming on how we live that scientists have debated for more than 100 years how it was spread across Europe. Many believed that farming was spread as an idea to European hunter-gatherers but without a major migration of farmers themselves.

This week, an international research team led by paleogeneticists of Johannes Gutenberg University Mainz (JGU) publishes a study in the journal >Proceedings of the National Academy of Sciences showing that early farmers from across Europe have an almost unbroken trail of ancestry leading back to the Aegean.

The scientists analyzed the DNA of early farmer skeletons from Greece and Turkey. According to the study, the Neolithic settlers from northern Greece and the Marmara Sea region of western Turkey reached central Europe via a Balkan route and the Iberian Peninsula via a Mediterranean route. These colonists brought sedentary life, agriculture, and domestic animals and plants to Europe.

During their expansion they will have met hunter-gatherers who lived in Europe since the Ice Age, but the two groups mixed initially only to a very limited extent. "They exchanged cultural heritage and knowledge, but rarely spouses," commented anthropologist Joachim Burger, who lead the research. "Only after centuries did the number of partnerships increase."

Professor Joachim Burger, his Mainz paleogeneticist team, and international collaborators have pioneered paleogenetic research of the Neolithization process in Europe over the last seven years.

They showed a lack of interbreeding between farmers and hunter-gatherers in prehistoric Europe in 2009 and 2013 (Bramanti et al. 2009; Bollongino et al. 2013). Now, they demonstrate that the cultural and genetic differences were the result of separate geographical origins.

"The migrating farmers did not only bring a completely foreign culture, but looked different and spoke a different language," stated Christina Papageorgopoulou from Democritus University of Thrace, Greece,, who initiated the study as a Humboldt Fellow in Mainz together with Joachim Burger.

The study used genomic analysis to clarify a long-standing debate about the origins of the first European farmers by showing that the ancestry of Central and Southwestern Europeans can be traced directly back to Greece and northwestern Anatolia.

"There are still details to flesh out, and no doubt there will be surprises around the corner, but when it comes to the big picture on how farming spread into Europe, this debate is over," said Mark Thomas of University College London (UCL), co-author on the study. "Thanks to ancient DNA, our understanding of the Neolithic revolution has fundamentally changed over the last seven years."

Sedentary life, farming, and animal husbandry were already present 10,000 years ago in the so-called Fertile Crescent, a region covering modern-day Turkey, Syria, Iran, and Iraq. Zuzana Hofmanová and Susanne Kreutzer, the lead authors of the study, concluded: "Whether the first farmers came ultimately from this area is not yet established, but certainly we have seen with our study that these people, together with their revolutionary Neolithic culture, colonized Europe through northern Aegean over a short period of time."

Another study has shown that the spread of farming, and farmers, was not the last major migration to Europe. Approximately 5,000 years ago people of the eastern Steppe reached Central Europe and mixed with the former hunter-gatherers and early farmers. The majority of current European populations arose as a mixture of these three groups.

Source: Johannes Gutenberg Universitaet Mainz [June 06, 2016]

The southern Turkish province of Muğla's Datça Municipality has initiated a project to repatriate the historical artifacts belonging to the ancient Greek city of Knidos back to the district. Artifacts such as the 'Lion of Knidos' and the 'Demeter of Knidos', which are displayed at the British Museum in London as well as the artifacts displayed at the Marmaris and Bodrum museums are planned to be restored to their original site.

Speaking to Anadolu Agency (AA), Datça Municipality Mayor Gürsel Uçar said they are determined to regain the artifacts and they will apply to the Culture and Tourism Ministry for assistance. He said the artifacts unearthed in Knidos, in present-day Datça, are stored at the Marmaris Museum and Bodrum Museum as well as in storage at Middle East Technical University and Selçuk University. He added that the artifacts should be displayed and stored where they are excavated.

The municipality previously contacted the ministry, and they were assured that the small museums in the region will be closed and a new museum in Datça will be built. However, Uçar stressed that there has been no development since.

"We are determined to display the artifacts unearthed in Datça at their original site," Uçar said. Datça has two protected areas called Reşadiye and the Old Datça Neighborhood.

The latter draws thousands of tours every year thanks to Knidos. However, the municipality also wants to make Reşadiye a tourist attraction with a museum where they can display the artifacts from Knidos.

"We decided on a 20 hectare area in Reşadiye for the museum building. Although Reşadiye was taken under protection, the region does not have the necessary historical atmosphere. We want to develop Reşadiye and build a museum in the region," Uçar said.

Tourist guide and an official of Datça Municipality's Department of Culture, Osman Akın, told AA that thousands of artifacts have been unearthed in Knidos, and a huge part of these artifacts are displayed in museums in the UK. He said the 'Lion of Knidos' and 'Demeter of Knidos' sculptures are still showcased in the British Museum in London.

"The worst thing is that the other artifacts unearthed in the ancient city are not displayed in Datça either," Akın said. He added that the sculptures in the British Museum belong to Datça, and they had to make the replicas of the sculptures in order to remind people that these artifacts were excavated from Knidos.

"The British Museum is considered one of the most important archaeology museums in the world. When you enter the museum from the first entrance, the 'Lion of Knidos' welcomes you to the museum. It is a huge sculpture that weighs 11 tons and is 8 meters tall," he said.

The king of Knidos commissioned the 'Lion of Knidos' sculpture after their naval victory under the command of Admiral Conon. The sculpture was taken out of its original site by British officer and archaeologist Sir Charles Newton in 1855 on a battleship.

Source: Daily Sabah [December 09, 2015]

Opening April 27 (and running until July 24, 2016) at New York’s Metropolitan Museum of Art, the landmark international loan exhibition Court and Cosmos: The Great Age of the Seljuqs features spectacular works of art created in the 11th through 13th century from Turkmenistan to the Mediterranean.

One of the most productive periods in the history of the region from Iran to Anatolia (in modern Turkey) corresponds to the rule of the Seljuqs and their immediate successors, from 1038 to 1307.

The Seljuqs were a Turkic dynasty of Central Asian nomadic origin that established a vast, but decentralized and relatively short-lived, empire in West Asia (present-day Turkmenistan, Iran, Iraq, Syria, and Turkey).

Under Seljuq rule, the exchange and synthesis of diverse traditions—including Turkmen, Perso-Arabo-Islamic, Byzantine, Armenian, Crusader, and other Christian cultures—accompanied economic prosperity, advances in science and technology, and a great flowering of culture within the realm.

Approximately 270 objects—including ceramics, glass, stucco, works on paper, woodwork, textiles, and metalwork—from American, European, and Middle Eastern public and private collections are shown. Many of the institutions have never lent works from their collections before. Among the highlights are a dozen important loans from Turkmenistan—the exhibition marks the first time that Turkmenistan as an independent country has permitted an extended loan of a group of historical objects to a museum in the United States.

Under the Great Seljuqs of Iran, the middle class prospered, spurring arts patronage, technological advancements, and a market for luxury goods. In contrast, in Anatolia, Syria, and the Jazira (northwestern Iraq, northeastern Syria, and southeastern Turkey)—which were controlled by the Seljuq successor dynasties (Rum Seljuqs, Artuqids, and Zangids)—art was produced under royal patronage, and Islamic iconography was introduced to a predominantly Christian area.

Furthermore, a number of artists had immigrated to the region from Iran in response to the Mongol conquest in 1220. Because patrons, consumers, and artists came from diverse cultural, religious, and artistic backgrounds, distinctive arts were produced and flourished in the western parts of the Seljuq realm.

Exhibition Overview

Arranged thematically, the exhibition opens with a display of artifacts that name the Seljuq sultans and members of the ruling elite. In Central Asia and Iran, inscriptions appeared on coins and architecture. Stucco reliefs representing royal guards, amirs, and courtiers serve to evoke the courts of the Great Seljuq rulers whose names did not appear on objects.

In Anatolia, Syria, and the Jazira, names of Seljuq successor rulers and images appeared on a range of objects. Here, the famous 12th-century cloisonné dish bearing the name of Rukn al-Dawla Dawud, a leader of the Artuqids, is featured.

In the second section, the courtly environment and activities associated with the sultans and their courtiers appear on stucco reliefs, ceramics, metalwork, and other media. While depictions of the Seljuq elite on these works were not intended as actual portraits, the distinctive Central Asian facial type was a standard of beauty under Seljuq rule.

The earliest extant manuscript of the Shahnama (Book of Kings)—the Persian national epic—created in Anatolia in 1217 is a highlight of this section. Additionally, the remarkable Blacas ewer, with its myriad details of life connected to the court, is prominently exhibited.

The three centuries under Seljuq rule were also a period of inventions; and the many advances in science, medicine, and technology were reflected in the manuscripts, scientific instruments, and medical implements of the time. Pages from the early 13th-century illustrated manuscript The Book of Knowledge of Ingenious Mechanical Devices feature some of the fanciful inventions of the Muslim polymath and creative genius Ibn al-Razzaz al-Jazari, whose inventions ranged from clocks and water wheels to automata (robots).

Also noteworthy is an early Islamic astrolabe. (Among the many things that could be determined by means of this complex navigational instrument was the direction of Mecca, and hence the direction of prayer.) Also on view is an intricate pharmacy box with separate compartments for musk, camphor, and other ingredients typical of the medieval pharmacopoeia.

Seljuq art abounds with depictions of real, mythological, and hybrid animals on objects large and small. Animal combat was a favorite theme in Iranian art. The double-headed eagle was adopted as the standard of the Seljuq successor states in Anatolia and the Jazira. Harpies (composite creatures having the body of a bird and the face of a human) and sphinxes (beasts with the body of a lion, face of a human, and occasionally the wings of a bird) appear frequently.

The exquisite Vaso Vescovali—a lidded bowl engraved and inlaid with silver and decorated with complex astrological imagery—features eight personifications of planets on the lid along with the 12 signs of the zodiac and their associated planets on the base, within a profusion of other ornamentation.

The Seljuqs actively promoted Sunni Islam throughout their territory, building madrasas and mosques, and sponsoring the production of Qur’ans and other religious texts. A number of rare and beautifully ornamented examples of the book arts from the time of the Seljuqs are on view. In Syria, the Jazira, and Anatolia—where the majority of the local population, including some of the ruling elite, was Christian—artifacts bearing Christian iconography continued to be made. And a ritual vessel from Georgia, with a Hebrew inscription, attests to the presence of Jewish populations as well. The same artists often served various religious communities. Hence, the styles and artistic traditions of one group merged with those of another.

The sixth and final section of the exhibition focuses on the funerary arts. A variety of tomb markers, cenotaphs, funerary furniture, and patterned textiles discovered in Seljuq tombs are shown. In a proper Muslim burial, the deceased is wrapped in two or three sheets of plain white cloth; the presence of expensive textiles in a funerary context indicates that popular customs and official practice differed significantly.

The exhibition is made possible by the NoRuz at The Met Fund and the Iranian-American Community.

Source: Metropolitan Museum, New York [April 30, 2016]

The transition from hunter-gatherer to sedentary farming 10,000 years ago occurred in multiple neighbouring but genetically distinct populations according to research by an international team including UCL.

“It had been widely assumed that these first farmers were from a single, genetically homogeneous population. However, we’ve found that there were deep genetic differences in these early farming populations, indicating very distinct ancestries,” said corresponding author Dr Garrett Hellenthal, UCL Genetics.

The study, published today in >Science and funded by Wellcome and Royal Society, examined ancient DNA from some of the world’s first farmers from the Zagros region of Iran and found it to be very different from the genomes of early farmers from the Aegean and Europe. The team identified similarities between the Neolithic farmer’s DNA and that of living people from southern Asia, including from Afghanistan, Pakistan, Iran, and Iranian Zoroastrians in particular.

“We know that farming technologies, including various domestic plants and animals, arose across the Fertile Crescent, with no particular centre” added co-author Professor Mark Thomas, UCL Genetics, Evolution & Environment.

“But to find that this region was made up of highly genetically distinct farming populations was something of a surprise. We estimated that they separated some 46 to 77,000 years ago, so they would almost certainly have looked different, and spoken different languages. It seems like we should be talking of a federal origin of farming.”

The switch from mobile hunting and gathering to sedentary farming first occurred around 10,000 years ago in south-western Asia and was one of the most important behavioural transitions since humans first evolved in Africa some 200,000 years ago. It led to profound changes in society, including greater population densities, new diseases, poorer health, social inequality, urban living, and ultimately, the rise of ancient civilizations.

Animals and plants were first domesticated across a region stretching north from modern-day Israel, Palestine and Lebanon to Syria and eastern Turkey, then east into, northern Iraq and north-western Iran, and south into Mesopotamia; a region known as the Fertile Crescent.

“Such was the impact of farming on our species that archaeologists have debated for more than 100 years how it originated and how it was spread into neighbouring regions such as Europe, North Africa and southern Asia,” said co-author Professor Stephen Shennan, UCL Institute of Archaeology.

“We’ve shown for the first time that different populations in different parts of the Fertile Crescent were coming up with similar solutions to finding a successful way of life in the new conditions created by the end of the last Ice Age.”

By looking at how ancient and living people share long sections of DNA, the team showed that early farming populations were highly genetically structured, and that some of that structure was preserved as farming, and farmers, spread into neighbouring regions; Europe to the west and southern Asia to the east.

“Early farmers from across Europe, and to some extent modern-day Europeans, can trace their DNA to early farmers living in the Aegean, whereas people living in Afghanistan, Pakistan, Iran and India share considerably more long chunks of DNA with early farmers in Iran. This genetic legacy of early farmers persists, although of course our genetic make-up subsequently has been reshaped by many millennia of other population movements and intermixing of various groups,” concluded Dr Hellenthal.

Source: University College London [July 14, 2016]

An ancient Greek sculpture worth £1.5m was “unlawfully excavated” from a world heritage site in Libya and brought to the UK, a judge has ruled.

The 4ft marble statue was dug up in the ancient Greek colony of Cyrene before being smuggled into Britain in 2011, according to evidence at Westminster magistrates’ court, London.

It was discovered in a west London warehouse by customs officials two years later and handed to the British Museum, pending a court’s decision over its ownership.

Her Majesty’s Revenue and Customs (HMRC) said the statue was “misdeclared” on arrival to the UK after border officials were told it was from Turkey. But Jordanian national Riad Al Qassas claimed the sculpture – which experts believe dates to the 3rd or 4th centuries BC – belonged  to him.

District Judge John Zani yesterday ruled that the sculpture was owned by “the state of Libya”. HMRC said it would take steps to return the statue to its “rightful owners”.

Dr Peter Higgs, a curator at the British Museum, had valued the statue at £1.5m-£2m. It is believed to be of Greek goddess Demeter or her daughter Persephone.

Source: Press Association [September 03, 2015]

The FBI is warning collectors that buying Iraqi and Syrian artifacts could help fund ISIS activities, as the militant group has been plundering important historic sites and selling stolen items on the black market.

"We now have credible reports that US persons have been offered cultural property that appears to have been removed from Syria and Iraq recently," said Bonnie Magness-Gardiner, the FBI's Art Theft Program manager, in a statement.

The announcement follows a May US Special Operations raid on an ISIS operative's home, which recovered over 400 stolen artifacts, many from the National Museum of Iraq.

The FBI, however, is only the latest group to speak out against smuggling in the region, and the warning should come as no surprise to anyone in the market for Middle Eastern antiquities.

The Syrian government, for instance, condemned neighboring Turkey this past March for turning a blind eye to the import of looted antiquities. Satellite imagery shows hundreds of illegal excavations at Dura-Europos, a 2,300-year-old city and archaeological site known as the "Pompeii of the Syrian desert," and at other cultural properties in the region.

In October, UNESCO confirmed that ISIS was partially funding its activities through the sale of such stolen artifacts, the blood diamonds of the Middle East. The following month, US lawmakers proposed creating a cultural property protection czar position, that would look to preserve the world's endangered cultural sites.

“This is the greatest scale of looting we have seen since the Second World War," former Christie's director Robert Jenrick told the Art Newspaper in January, as the UK looked to crack down on smuggling following the discovery of $58 million-worth of stolen Middle Eastern artifacts.

UNESCO's United Nations Security Council Resolution 2199, passed in February, is attempting to place new legal measures in order to stop ISIS from funding itself through antiquities trafficking.

"Every person needs to know that the purchase of property from Iraq is punishable, but also that it supports and finances terrorist activities," German state minister Maria Boehmer told the UN this May, during a General Assembly meeting.

In June, the International Council of Museums released an emergency red list of Iraqi cultural items threatened by terrorist activities, in an attempt to thwart trafficking. Syria has had an emergency red list since 2013.

Nevertheless, looted objects have been found in London antiques shops as recently as last month.

ISIS's cultural destruction, particularly the brutal attack on sculptures at the Nineveh Museum in Mosul, Iraq, have been widely condemned. New York's Metropolitan Museum of Art, US Secretary of State John Kerry, and the United Nations have also denounced such acts as war crimes.

The FBI's ISIL Antiquities Trafficking document contains the following message:

Please be cautious when purchasing items from this region. Keep in mind that antiquities from Iraq remain subject to Office of Foreign Assets Control sanctions under the Iraq Stabilization and Insurgency Sanctions Regulations (31 CFR part 576).

Purchasing an object looted and/or sold by the Islamic State may provide financial support to a terrorist organization and could be prosecuted under 18 USC 233A.

Robust due diligence is necessary when purchasing any Syrian or Iraqi antiquities or other cultural property in the U.S. or when purchasing elsewhere using U.S. funds.

"Check and verify provenance, importation, and other documents," Magness-Gardiner told the FBI. "What we're trying to say is, don't allow these pieces that could potentially support terrorism to be part of the trade."

Author: Sarah Cascone | Source: Artnet News [August 28, 2015]

Islamic State fighters have looted and bulldozed the ancient Assyrian city of Nimrud, the Iraqi government said, in their latest assault on some of the world's greatest archaeological and cultural treasures.

A tribal source from the nearby city of Mosul told Reuters the radical Sunni Islamists, who dismiss Iraq's pre-Islamic heritage as idolatrous, had pillaged the 3,000-year-old site on the banks of the Tigris River.

The assault against Nimrud came just a week after the release of a video showing Islamic State forces smashing museum statues and carvings in Mosul, the city they seized along with much of northern Iraq last June.

"Daesh terrorist gangs continue to defy the will of the world and the feelings of humanity," Iraq's tourism and antiquities ministry said, referring to Islamic State by its Arabic acronym.

"In a new crime in their series of reckless offences they assaulted the ancient city of Nimrud and bulldozed it with heavy machinery, appropriating the archaeological attractions dating back 13 centuries BC," it said.

Nimrud, about 20 miles (30 km) south of Mosul, was built around 1250 BC. Four centuries later it became capital of the neo-Assyrian empire - at the time the most powerful state on Earth, extending to modern-day Egypt, Turkey and Iran.

Many of its most famous surviving monuments were removed years ago by archaeologists, including colossal Winged Bulls which are now in London's British Museum and hundreds of precious stones and pieces of gold which were moved to Baghdad.

But ruins of the ancient city remain at the northern Iraqi site, which has been excavated by a series of experts since the 19th century. British archaeologist Max Mallowan and his wife, crime writer Agatha Christie, worked at Nimrud in the 1950s.

U.S. Secretary of State John Kerry said he was deeply disturbed by the destruction at Nimrud.

"This crude attempt to erase the heritage of an ancient civilization will ultimately fail. No terrorist can rewrite history," he said in a statement.

A local tribal source confirmed the attack had taken place.

"Islamic State members came to the Nimrud archaeological city and looted the valuables in it and then they proceeded to level the site to the ground," the source told Reuters.

"There used to be statues and walls as well as a castle that Islamic State has destroyed completely."

Archaeologists have compared the assault on Iraq's cultural history to the Taliban's destruction of the Bamyan Buddhas in 2001. But the damage wreaked by Islamic State, not just on ancient monuments but also on rival Muslim places of worship, has been swift, relentless and more wide-ranging.

Last week's video showed them toppling statues and carvings from plinths in the Mosul museum and smashing them with sledgehammers and drills. It also showed damage to a huge statue of a bull at the Nergal Gate into the city of Nineveh.

Archaeologists said it was hard to quantify the damage, because some items appeared to be replicas, but many priceless articles had been destroyed including artifacts from Hatra, a stunning pillared city in northern Iraq dating back 2,000 years.

Islamic State, which rules a self-declared caliphate in parts of Iraq and Syria, promotes a fiercely purist interpretation of Sunni Islam which seeks its inspiration from early Islamic history. It rejects religious shrines of any sort and condemns Iraq's majority Shi'ite Muslims as heretics.

In July it destroyed the tomb of the prophet Jonah in Mosul. It has also attacked Shi'ite places of worship and last year gave Mosul's Christians an ultimatum to convert to Islam, pay a religious levy or face death by the sword. It has also targeted the Yazidi minority in the Sinjar mountains west of Mosul.

Author: Dominic Evans and Saif Hameed | Source: Reuters [March 06, 2015]